1
00:01:10,404 --> 00:01:12,440
Shakes:
THIS IS A TRUE STORY

2
00:01:12,473 --> 00:01:14,908
ABOUT A FRIENDSHIP
THAT RUNS DEEPER THAN BLOOD.

3
00:01:14,942 --> 00:01:16,510
THIS IS MY STORY,

4
00:01:16,544 --> 00:01:19,980
AND THAT OF THE ONLY
THREE FRIENDS IN MY LIFE
WHO TRULY MATTERED.

5
00:01:20,013 --> 00:01:22,150
TWO OF THEM WERE KILLERS,

6
00:01:22,183 --> 00:01:24,418
WHO NEVER MADE IT PAST
THE AGE OF 30.

7
00:01:24,452 --> 00:01:26,554
THE OTHER
IS A NONPRACTICING ATTORNEY,

8
00:01:26,587 --> 00:01:28,922
LIVING WITH THE PAIN
OF HIS PAST,

9
00:01:28,956 --> 00:01:30,991
TOO AFRAID TO LET IT GO--

10
00:01:31,024 --> 00:01:32,393
NEVER CONFRONTING
ITS HORROR.

11
00:01:32,426 --> 00:01:36,063
I'M THE ONLY ONE
WHO CAN SPEAK FOR THEM

12
00:01:36,096 --> 00:01:38,098
AND THE CHILDREN WE WERE.

13
00:03:05,753 --> 00:03:08,489
[ * WALK LIKE A MAN
PLAYS IN BACKGROUND]

14
00:03:18,899 --> 00:03:21,302
Shakes:
MY THREE FRIENDS AND I
WERE INSEPARABLE...

15
00:03:21,335 --> 00:03:24,438
HAPPY AND CONTENT
TO LIVE IN THE CLOSED WORLD
OF HELL'S KITCHEN.

16
00:03:24,472 --> 00:03:26,374
THE WESTSIDE STREETS
OF MANHATTAN

17
00:03:26,407 --> 00:03:27,941
WERE OUR PRIVATE
PLAYGROUND--

18
00:03:27,975 --> 00:03:29,310
A CEMENT KINGDOM,

19
00:03:29,343 --> 00:03:32,513
WHERE WE FELT OURSELVES
TO BE NOTHING LESS THAN
ABSOLUTE RULERS.

20
00:03:34,014 --> 00:03:35,883
HELL'S KITCHEN
WAS POPULATED

21
00:03:35,916 --> 00:03:39,019
BY AN UNEASY BLEND
OF IRISH, ITALIAN,
PUERTO RICAN,

22
00:03:39,052 --> 00:03:40,421
AND EASTERN EUROPEAN
LABORERS.

23
00:03:40,454 --> 00:03:42,923
HARD MEN
LIVING HARD LIVES.

24
00:03:51,198 --> 00:03:53,100
Behind Door:
SHUT THE FUCK UP!

25
00:03:53,133 --> 00:03:55,068
Shakes: WE LIVED
IN RAILROAD APARTMENTS

26
00:03:55,102 --> 00:03:56,737
INSIDE
RED BRICK TENEMENTS.

27
00:03:56,770 --> 00:03:58,238
FEW MOTHERS WORKED,

28
00:03:58,272 --> 00:04:00,574
AND ALL HAD TROUBLE
WITH THE MEN THEY MARRIED.

29
00:04:00,608 --> 00:04:03,511
Man: GET THE FUCK OUT
AND SHUT UP!

30
00:04:03,544 --> 00:04:05,746
[WOMEN YELLING
AND SCREAMING]

31
00:04:05,779 --> 00:04:07,180
SHUT THE FUCK UP!

32
00:04:07,214 --> 00:04:08,982
I BURIED
ONE FUCKING WIFE,

33
00:04:09,016 --> 00:04:10,918
I CAN BURY ANOTHER ONE!

34
00:04:15,055 --> 00:04:18,492
Shakes: DOMESTIC VIOLENCE
WAS A COTTAGE INDUSTRY
IN HELL'S KITCHEN,

35
00:04:18,526 --> 00:04:20,861
YET THERE WAS NO DIVORCE
AND FEW SEPARATIONS.

36
00:04:20,894 --> 00:04:23,397
THE WILL OF THE CHURCH
WAS FORCEFUL--

37
00:04:23,431 --> 00:04:25,032
FOR A MARRIAGE TO END,

38
00:04:25,065 --> 00:04:26,967
SOMEONE USUALLY HAD
TO DIE.

39
00:04:27,000 --> 00:04:28,669
[WOMAN SOBBING]

40
00:04:28,702 --> 00:04:31,505
YET DESPITE
THE HARSHNESS OF LIFE,

41
00:04:31,539 --> 00:04:34,608
HELL'S KITCHEN OFFERED
THE KIDS ON ITS STREETS

42
00:04:34,642 --> 00:04:37,345
A SAFETY NET ENJOYED BY
FEW OTHER NEIGHBORHOODS:

43
00:04:37,378 --> 00:04:40,180
CRIMES AGAINST PEOPLE
OF THE NEIGHBORHOOD
WERE NOT PERMITTED.

44
00:04:40,213 --> 00:04:42,350
WHEN THEY DID OCCUR,

45
00:04:42,383 --> 00:04:44,918
THE PUNISHMENT DOLED OUT
WAS SEVERE,

46
00:04:44,952 --> 00:04:46,520
AND IN SOME CASES FINAL.

47
00:04:46,554 --> 00:04:48,489
A DRUG DEALER FROM
AN UPTOWN NEIGHBORHOOD

48
00:04:48,522 --> 00:04:49,890
MOVED HEROIN
INTO HELL'S KITCHEN.

49
00:04:49,923 --> 00:04:51,459
PACKET KILLED
THE TWELVE-YEAR-OLD SON

50
00:04:51,492 --> 00:04:53,327
OF A PUERTO RICAN
NUMBERS RUNNER.

51
00:04:53,361 --> 00:04:55,963
IT WAS THE LAST PACKET
THE DEALER EVER SOLD.

52
00:04:56,997 --> 00:04:59,467
Shakes: HELL'S KITCHEN
WAS A PLACE OF INNOCENCE

53
00:04:59,500 --> 00:05:01,502
RULED BY CORRUPTION.

54
00:05:01,535 --> 00:05:03,971
[BEACH BOYS'
* WARMTH OF THE SUN
PLAYS IN BACKGROUND]

55
00:05:04,004 --> 00:05:07,074
Shakes: MY FRIENDS AND I
SPENT LOTS OF TIME INSIDE
HOLY ANGELS.

56
00:05:07,107 --> 00:05:08,742
WE EACH SERVED
AS ALTAR BOYS.

57
00:05:08,776 --> 00:05:10,711
EVERYONE WANTED
TO WORK FUNERAL MASSES

58
00:05:10,744 --> 00:05:12,713
SINCE THE FUNERAL
INCLUDED A $3.00 FEE--

59
00:05:12,746 --> 00:05:15,883
AND MORE IF YOU LOOKED
SUFFICIENTLY SOMBER.

60
00:05:15,916 --> 00:05:18,852
THERE WAS AN ACTIVE
COMPETITION BETWEEN
THE FOUR OF US

61
00:05:18,886 --> 00:05:21,822
TO COME UP WITH THE BEST
AND BOLDEST PRANK.

62
00:05:21,855 --> 00:05:23,857
TWO WEEKS
INTO THE NEW SCHOOL YEAR,

63
00:05:23,891 --> 00:05:26,427
I FOUND THE NUNS' CLACKER
IN THE SCHOOL HALLWAY,

64
00:05:26,460 --> 00:05:28,862
AND I WAS READY
FOR THE BIG LEAGUES.

65
00:05:28,896 --> 00:05:32,099
IN CHURCH, IT WAS USED
TO ALERT THE GIRLS

66
00:05:32,132 --> 00:05:34,568
AS TO WHEN THEY SHOULD
STAND, SIT, KNEEL,
AND GENUFLECT--

67
00:05:34,602 --> 00:05:37,838
ALL BASED
ON THE NUMBER OF TIMES
A CLACKER WAS PRESSED.

68
00:05:37,871 --> 00:05:40,441
IN MY POCKET,
IT WAS CAUSE FOR HAVOC.

69
00:05:40,474 --> 00:05:42,476
[PRIEST ADDRESSING
AUDIENCE]

70
00:05:42,510 --> 00:05:43,611
[CLACK CLACK]

71
00:05:46,113 --> 00:05:47,548
[CLACK]

72
00:05:48,916 --> 00:05:51,885
YOU WILL BE DEFENDERS
OF THE FAITH,

73
00:05:51,919 --> 00:05:54,488
YOU WILL BE SOLDIERS
OF CHRIST...

74
00:05:54,522 --> 00:05:55,523
[SNICKERING]

75
00:05:55,556 --> 00:05:57,224
[CLACK CLACK CLACK]

76
00:05:57,257 --> 00:05:58,859
...GIFTS
OF THE HOLY SPIRIT...

77
00:05:59,893 --> 00:06:01,294
[CLACK]

78
00:06:01,328 --> 00:06:02,896
[GIRLS RETURN
TO THEIR SEATS]

79
00:06:03,964 --> 00:06:05,399
WELL...

80
00:06:05,433 --> 00:06:07,468
IT'S GOING TO BE
A GREAT DAY,

81
00:06:07,501 --> 00:06:09,302
AND YOUR PARENTS WILL BE
VERY PROUD OF YOU.

82
00:06:09,336 --> 00:06:13,707
WHEN YOU ARE BAPTIZED,
GODPARENTS MADE PROMISES
FOR YOU, AND NOW...

83
00:06:13,741 --> 00:06:16,176
[WHISPERING]
Let me have the clacker.

84
00:06:16,209 --> 00:06:17,177
What clacker?

85
00:06:17,210 --> 00:06:18,378
Now.

86
00:06:18,412 --> 00:06:19,346
...GREAT DAY.

87
00:06:19,379 --> 00:06:21,549
LET EVERYONE RISE.

88
00:06:21,582 --> 00:06:23,517
[CLACK CLACK]

89
00:06:23,551 --> 00:06:25,786
LET US PRAY.

90
00:06:27,455 --> 00:06:29,590
[CLACK]

91
00:06:35,095 --> 00:06:37,831
[WHISPERING]
Nuns are such
easy targets.

92
00:06:39,199 --> 00:06:41,969
Shakes:
JOHN AND I SPENT MORE TIME
IN CHURCH THAN THE OTHERS.

93
00:06:42,002 --> 00:06:44,304
WE WERE THE ONLY TWO
TO GIVE ANY THOUGHT OF
ENTERING THE PRIESTHOOD.

94
00:06:44,337 --> 00:06:47,508
JOHN AND I WERE INTRIGUED
BY THE POWERS A PRIEST
WAS GIVEN.

95
00:06:47,541 --> 00:06:50,010
A SECRET WORLD
OF BETRAYAL AND DECEIT

96
00:06:50,043 --> 00:06:52,846
WHERE PEOPLE OPENLY
ADMITTED DARK MISDEEDS
AND VILE INDISCRETIONS.

97
00:06:52,880 --> 00:06:55,449
CONFESSION WAS BETTER
THAN ANY BOOK WE COULD
GET OUR HANDS ON

98
00:06:55,483 --> 00:06:57,451
OR ANY MOVIE
WE COULD SEE,

99
00:06:57,485 --> 00:06:58,852
BECAUSE
THE SINS WERE REAL,

100
00:06:58,886 --> 00:07:00,954
COMMITTED
BY PEOPLE WE KNEW.

101
00:07:00,988 --> 00:07:03,757
THE TEMPTATION
TO BE PART OF THAT WAS
FAR TOO GREAT TO RESIST.

102
00:07:03,791 --> 00:07:05,626
IF WE GET CAUGHT,
THEY'LL BURN US.

103
00:07:05,659 --> 00:07:07,461
WHAT IF OUR MOTHERS
ARE OUT THERE?

104
00:07:07,495 --> 00:07:09,663
WHAT IF WE END UP HEARING
THEIR CONFESSIONS?

105
00:07:09,697 --> 00:07:11,965
YEAH, WHAT IF WE END UP
HEARING SOMETHING WORSE?

106
00:07:11,999 --> 00:07:12,900
LIKE WHAT?

107
00:07:12,933 --> 00:07:14,334
LIKE A MURDER.

108
00:07:14,367 --> 00:07:16,970
WHAT IF SOMEBODY COPS
TO A MURDER?

109
00:07:17,004 --> 00:07:20,908
RELAX. ALL WE GOTTA DO
IS SIT BACK, LISTEN,
AND REMEMBER NOT TO LAUGH.

110
00:07:25,513 --> 00:07:26,614
HURRY.

111
00:07:27,881 --> 00:07:31,418
Shakes: SECONDS LATER,
OUR BOOTH COMES TO LIFE.

112
00:07:31,451 --> 00:07:34,522
Woman: I, UH,
SLEEP WITH MARRIED MEN.

113
00:07:35,556 --> 00:07:37,925
MEN WITH FAMILIES...

114
00:07:37,958 --> 00:07:39,392
IN THE MORNING,

115
00:07:39,426 --> 00:07:41,428
I TELL MYSELF
IT'S THE LAST TIME,

116
00:07:41,461 --> 00:07:42,696
BUT IT NEVER IS.

117
00:07:44,397 --> 00:07:46,567
[DEEP VOICE]
YES?

118
00:07:46,600 --> 00:07:48,936
YOU SEE, I'M, UH...

119
00:07:48,969 --> 00:07:51,004
I'M PREGNANT.

120
00:07:53,974 --> 00:07:55,042
THE FATHER?

121
00:07:55,075 --> 00:07:56,043
HUH.

122
00:07:56,076 --> 00:07:58,311
TAKE A NUMBER.

123
00:07:58,345 --> 00:08:00,413
WHAT ARE YOU GOING
TO DO?

124
00:08:00,447 --> 00:08:02,950
I KNOW WHAT
YOU WANT ME TO DO,

125
00:08:02,983 --> 00:08:05,586
AND I KNOW
WHAT I SHOULD DO,

126
00:08:05,619 --> 00:08:08,556
I JUST DON'T KNOW
WHAT I'M GONNA DO.

127
00:08:10,023 --> 00:08:11,458
LOOK, I GOTTA GO.

128
00:08:11,491 --> 00:08:13,794
THANKS FOR LISTENING,
FELLAS,

129
00:08:13,827 --> 00:08:15,462
I REALLY APPRECIATE IT,

130
00:08:15,495 --> 00:08:18,398
AND I KNOW YOU'LL KEEP IT
TO YOURSELVES.

131
00:08:18,431 --> 00:08:20,568
[WOMAN EXITS BOOTH]

132
00:08:24,004 --> 00:08:25,405
SHE KNEW.

133
00:08:25,438 --> 00:08:27,440
YEAH. SHE KNEW.

134
00:08:27,474 --> 00:08:30,377
WHY DO YOU THINK
SHE TOLD US ALL THAT?

135
00:08:30,410 --> 00:08:31,879
I DON'T KNOW.

136
00:08:31,912 --> 00:08:34,982
I GUESS SHE HAD
TO TELL SOMEBODY.

137
00:08:35,015 --> 00:08:37,184
[BEACH BOYS'
* GOOD VIBRATIONS
PLAYS IN BACKGROUND]

138
00:08:37,217 --> 00:08:39,987
Shakes:
FATHER ROBERT CARILLO
WAS A LONGSHOREMAN'S SON

139
00:08:40,020 --> 00:08:42,856
WHO WAS AS COMFORTABLE
SITTING ON A BARSTOOL
IN A BACK-ALLEY SALOON

140
00:08:42,890 --> 00:08:45,425
AS HE WAS STANDING
AT THE ALTAR DURING
HIGH MASS.

141
00:08:45,458 --> 00:08:48,562
HE HAD TOYED
WITH THE LIFE OF PETTY CRIME
BEFORE FINDING HIS CALLING.

142
00:08:48,596 --> 00:08:49,797
HE WAS A FRIEND--

143
00:08:49,830 --> 00:08:51,932
A FRIEND WHO JUST HAPPENED
TO BE A PRIEST.

144
00:08:51,965 --> 00:08:54,702
KNOW WHAT CRAP LIKE THAT
DOES TO YOUR BODY?

145
00:08:54,735 --> 00:08:57,137
COME ON. IT BEATS SMOKING.
AND IT'S CHEAPER, TOO.

146
00:08:57,170 --> 00:08:58,005
MAYBE.

147
00:08:58,038 --> 00:09:00,440
SO, WHAT'D YOU HEAR?
ANYTHING?

148
00:09:00,473 --> 00:09:02,009
NO, NOTHING.

149
00:09:02,042 --> 00:09:04,544
I HEAR YOU'RE INTERESTED
IN BECOMING A PRIEST.

150
00:09:04,578 --> 00:09:05,545
WHO SAYS?

151
00:09:05,579 --> 00:09:06,814
WORD IS,

152
00:09:06,847 --> 00:09:09,249
YOU WANT TO GET THE FEEL
OF A CONFESSIONAL BOOTH.

153
00:09:09,282 --> 00:09:11,518
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT, FATHER.

154
00:09:11,551 --> 00:09:13,020
YOU DON'T, HUH?

155
00:09:13,053 --> 00:09:13,954
NO.

156
00:09:13,987 --> 00:09:16,423
WELL, MAYBE I GOT
THE WRONG INFORMATION.

157
00:09:16,456 --> 00:09:18,458
YEAH, I GUESS YOU DID.

158
00:09:18,491 --> 00:09:20,327
I'LL SEE YOU LATER
TONIGHT.

159
00:09:20,360 --> 00:09:22,195
WHAT'S TONIGHT?

160
00:09:22,229 --> 00:09:24,197
I GOT TO DROP SOME BOOKS
AND MAGAZINES OFF

161
00:09:24,231 --> 00:09:26,700
FOR THE ELDERLY
AND DISABLED AROUND
THE NEIGHBORHOOD.

162
00:09:26,734 --> 00:09:28,669
YOUR MOTHER SAID
YOU'D LOVE TO HELP.

163
00:09:28,702 --> 00:09:30,270
YEAH, I BET SHE DID.

164
00:09:31,972 --> 00:09:33,240
SHAKES...

165
00:09:33,273 --> 00:09:36,009
I DON'T WANT YOU GETTING
INTO ANY TROUBLE.

166
00:09:36,043 --> 00:09:37,878
COME ON, FATHER,
YOU KNOW I NEVER DO.

167
00:09:37,911 --> 00:09:40,413
THAT'S ALL I WISH FOR
YOU AND YOUR FRIENDS.

168
00:09:40,447 --> 00:09:41,514
THAT'S IT?

169
00:09:41,548 --> 00:09:43,583
THAT'S IT. NOTHING ELSE,
I SWEAR.

170
00:09:43,617 --> 00:09:45,252
YOU KNOW,
A PRIEST SHOULDN'T SWEAR.

171
00:09:45,285 --> 00:09:48,321
AND KIDS SHOULDN'T
BE LISTENING TO OTHER
PEOPLES' CONFESSIONS.

172
00:09:48,355 --> 00:09:49,690
I'LL SEE YOU TONIGHT.

173
00:09:49,723 --> 00:09:51,258
ALL RIGHT. SEE YOU.

174
00:09:51,291 --> 00:09:53,126
OK.

175
00:09:53,160 --> 00:09:56,529
Shakes:
MICHAEL WAS THE MOST SEXUALLY
EXPERIENCED OF OUR GROUP,

176
00:09:56,563 --> 00:09:58,498
WHICH MEANT
THAT HE KISSED A GIRL

177
00:09:58,531 --> 00:09:59,933
ON MORE
THAN ONE OCCASION.

178
00:09:59,967 --> 00:10:01,935
BUT HIS REAL LOVE
WAS CAROL MARTINEZ.

179
00:10:01,969 --> 00:10:03,536
HELL'S KITCHEN'S
HALF-BREED--

180
00:10:03,570 --> 00:10:05,072
HALF PUERTO RICAN,
HALF IRISH--

181
00:10:05,105 --> 00:10:06,740
SHE WAS RAISED
BY HER FATHER,

182
00:10:06,774 --> 00:10:08,676
HER MOTHER HAVING DIED
AT CHILDBIRTH.

183
00:10:08,709 --> 00:10:10,911
CAROL STAYED
PRETTY MUCH TO HERSELF,

184
00:10:10,944 --> 00:10:13,346
BUT WAS ALWAYS COMFORTABLE
IN OUR COMPANY.

185
00:10:13,380 --> 00:10:15,916
WE COULD ALWAYS COUNT
ON CAROL TO STAND SENTRY

186
00:10:15,949 --> 00:10:17,918
ON THE FIRST NIGHT
OF THE ICE CAPADES.

187
00:10:17,951 --> 00:10:19,787
WHILE FAMILIES LINED
THE FRONT OF THE GARDEN

188
00:10:19,820 --> 00:10:21,088
WAITING TO SEE
THE SKATERS PERFORM,

189
00:10:21,121 --> 00:10:23,724
WE EACH HAD ONE EYE
IN A HOLE

190
00:10:23,757 --> 00:10:25,893
WATCHING 2 DOZEN BEAUTIFUL,
NEARLY-NAKED WOMEN

191
00:10:25,926 --> 00:10:27,928
GET INTO
THEIR SKATERS' OUTFITS.

192
00:10:27,961 --> 00:10:29,096
OHH.

193
00:10:29,129 --> 00:10:30,030
AHH.

194
00:10:30,063 --> 00:10:32,666
THIS IS WHAT HEAVEN
MUST BE ABOUT.

195
00:10:36,436 --> 00:10:37,404
OOH-HOO.

196
00:10:37,437 --> 00:10:39,172
OH, MY GOD.

197
00:10:41,308 --> 00:10:43,911
HEY, UH, CAROL,
YOU WANT TO TAKE A LOOK?

198
00:10:43,944 --> 00:10:45,512
LIKE IT'S SOMETHING
I HAVEN'T SEEN.

199
00:10:45,545 --> 00:10:47,447
OH, YOU'RE SO LUCKY.

200
00:10:47,480 --> 00:10:48,515
OH, WOW.

201
00:10:48,548 --> 00:10:50,050
SHE'S SO BEAUTIFUL.

202
00:10:50,083 --> 00:10:52,986
OH, MY--I COULD DIE NOW,
AND I WOULDN'T BE SAD.

203
00:10:53,020 --> 00:10:55,388
Shakes: WHEN MY FRIENDS
AND I WERE YOUNG,

204
00:10:55,422 --> 00:10:59,693
HELL'S KITCHEN WAS RUN
BY A MAN NAMED KING BENNY.

205
00:10:59,727 --> 00:11:02,495
WHEN HE WAS YOUNG,
KING BENNY WAS A HITMAN
FOR LUCKY LUCIANO.

206
00:11:02,529 --> 00:11:05,432
LUCKY LUCIANO DID A LOT
OF GOOD FOR THIS COUNTRY
DURING WORLD WAR II,

207
00:11:05,465 --> 00:11:08,368
BUT YOU AIN'T GONNA
READ ABOUT THAT IN ANY
FUCKING HISTORY BOOK.

208
00:11:08,401 --> 00:11:11,404
THERE WAS TALK KING BENNY
WAS THE SHOOTER...

209
00:11:11,438 --> 00:11:13,941
OF "MAD DOG" CALL,
THAT PRICK ON WEST
23rd STREET.

210
00:11:13,974 --> 00:11:15,776
HE RAN BOOTLEGGING
WITH DUTCH SCHULTZ,

211
00:11:15,809 --> 00:11:17,911
AND HE OPENED UP
A COUPLE OF CLUBS

212
00:11:17,945 --> 00:11:19,546
WITH "TOUGH TONY"
ANASTASIA.

213
00:11:19,579 --> 00:11:22,015
I WAS 14 WHEN
I FIRST HEARD ABOUT HIM.

214
00:11:22,049 --> 00:11:24,718
THE STORY GOES,
AS A KID HE WASN'T
MUCH OF ANYTHING.

215
00:11:24,752 --> 00:11:28,355
HE WAS ALWAYS GETTING
THE SHIT KICKED OUT OF HIM
IN STREET FIGHTS.

216
00:11:28,388 --> 00:11:29,790
AND THEN ONE DAY--

217
00:11:29,823 --> 00:11:31,825
AND WHO THE FUCK
KNOWS WHY--

218
00:11:31,859 --> 00:11:34,728
SOME IRISH GUY,
ABOUT 25 YEARS OLD,

219
00:11:34,762 --> 00:11:37,898
HE TAKES KING BENNY,
AND HE FLINGS HIM DOWN
A FLIGHT OF STAIRS.

220
00:11:37,931 --> 00:11:40,934
KING BENNY BREAKS
ALL HIS TEETH IN THE FRONT.

221
00:11:40,968 --> 00:11:43,470
KNOW WHAT KING BENNY DOES?

222
00:11:43,503 --> 00:11:45,405
HE WAITS.

223
00:11:45,438 --> 00:11:48,575
HE WAITS 8 YEARS
TO GET EVEN
WITH THAT PRICK.

224
00:11:48,608 --> 00:11:51,578
HE WALKS INTO
A PUBLIC BATHHOUSE.

225
00:11:51,611 --> 00:11:53,280
THE GUY'S SOAKING
IN THE TUB.

226
00:11:53,313 --> 00:11:56,549
KING BENNY TAKES OUT
HIS FRONT TEETH.

227
00:11:56,583 --> 00:11:59,352
HE LAYS THEM DOWN
ON THE SINK.

228
00:11:59,386 --> 00:12:01,789
THEN HE LOOKS
OVER AT THE GUY,
AND HE SAYS...

229
00:12:03,023 --> 00:12:04,925
"WHEN I LOOK
IN THE MIRROR,

230
00:12:04,958 --> 00:12:07,027
I SEE YOUR FACE."

231
00:12:07,060 --> 00:12:09,763
THEN HE PULLS OUT A GUN,

232
00:12:09,797 --> 00:12:12,632
AND HE SHOOTS THE GUY
TWICE IN EACH LEG.

233
00:12:12,665 --> 00:12:14,567
BANG! BANG! BANG! BANG!

234
00:12:14,601 --> 00:12:16,937
THEN HE SAYS TO THE GUY,

235
00:12:16,970 --> 00:12:19,472
"NOW WHEN YOU TAKE
A BATH,

236
00:12:19,506 --> 00:12:22,009
YOU'LL SEE MINE."

237
00:12:22,042 --> 00:12:25,012
NO ONE EVER FUCKED
WITH KING BENNY
AFTER THAT.

238
00:12:26,079 --> 00:12:27,447
REVENGE.

239
00:12:28,548 --> 00:12:31,051
Man: REVENGE.

240
00:12:31,084 --> 00:12:33,686
[ * FEMALE CROONING SONG
ON RADIO * ]

241
00:12:33,720 --> 00:12:35,789
CAN I TALK TO YOU
FOR A MINUTE?

242
00:12:35,823 --> 00:12:37,190
I'D LIKE TO WORK FOR YOU...

243
00:12:37,224 --> 00:12:38,859
HELP YOU OUT,
WHATEVER YOU NEED.

244
00:12:38,892 --> 00:12:40,360
YOU'RE
THE BUTCHER'S KID.

245
00:12:40,393 --> 00:12:41,761
AM I RIGHT?

246
00:12:41,795 --> 00:12:42,896
YEAH.

247
00:12:42,930 --> 00:12:45,999
WELL, WHAT KIND OF JOB
YOU LOOKING FOR?

248
00:12:46,033 --> 00:12:47,600
WHATEVER,
IT DOESN'T MATTER.

249
00:12:47,634 --> 00:12:50,070
OH, DOESN'T MATTER,
HUH?

250
00:12:51,671 --> 00:12:54,241
EVERYBODY SAYS
THIS IS THE PLACE
TO COME FOR JOBS.

251
00:12:54,274 --> 00:12:55,943
WHO'S EVERYBODY?

252
00:12:55,976 --> 00:12:57,911
PEOPLE FROM
THE NEIGHBORHOOD.

253
00:12:57,945 --> 00:12:59,947
OH, THEM.
LET ME ASK YOU,

254
00:12:59,980 --> 00:13:02,115
WHAT THE FUCK
DO THEY KNOW?

255
00:13:02,149 --> 00:13:03,884
THEY KNOW YOU GOT JOBS.

256
00:13:03,917 --> 00:13:06,119
[CHUCKLES]

257
00:13:09,656 --> 00:13:11,925
SORRY I WASTED
YOUR TIME.

258
00:13:11,959 --> 00:13:13,827
HOLD ON A SEC.

259
00:13:13,861 --> 00:13:15,362
Shakes: YEAH?

260
00:13:15,395 --> 00:13:17,464
COME BACK TOMORROW
IF YOU WANT TO WORK.

261
00:13:17,497 --> 00:13:18,431
WHAT TIME TOMORROW?

262
00:13:18,465 --> 00:13:19,666
ANY TIME.

263
00:13:19,699 --> 00:13:20,834
YOU'LL BE HERE?

264
00:13:20,868 --> 00:13:22,970
I'M ALWAYS HERE.

265
00:13:30,043 --> 00:13:32,345
Shakes: MY FIRST JOB
FOR KING BENNY PAID
$25 A WEEK,

266
00:13:32,379 --> 00:13:34,882
AND ATE UP ONLY 40 MINUTES
OF MY TIME.

267
00:13:34,915 --> 00:13:36,416
IN THE DARK CLUBROOM,

268
00:13:36,449 --> 00:13:39,452
ONE OF THE GUYS WOULD
HAND ME A CRUMPLED
PAPER BAG,

269
00:13:39,486 --> 00:13:42,289
AND DIRECT ME TO ONE
OF THE TWO LOCAL POLICE
PRECINCTS FOR DELIVERY.

270
00:13:42,322 --> 00:13:44,491
IT WAS A PERFECT WAY
TO HANDLE PAYOUTS.

271
00:13:44,524 --> 00:13:45,893
COME ON, LET'S GO!

272
00:13:45,926 --> 00:13:47,027
RIGHT HERE.

273
00:13:47,060 --> 00:13:49,029
SEE WHAT KIND OF CASH
YOU GOT IN THAT BAG.

274
00:13:49,062 --> 00:13:51,664
YOU GOTTA BE NUTS.
YOU KNOW WHO YOU'RE
TAKING OFF?

275
00:13:51,698 --> 00:13:54,001
YEAH, WE KNOW.
WE'RE SCARED SHITLESS.

276
00:13:54,034 --> 00:13:55,635
GIVE ME THE BAG.

277
00:13:55,668 --> 00:13:57,905
GIVE ME
THE FUCKING BAG!

278
00:13:57,938 --> 00:13:59,907
HEY, WHAT YOU DO
THERE?

279
00:13:59,940 --> 00:14:01,808
ANSWER ME!
WHAT YOU DO THERE?

280
00:14:01,841 --> 00:14:03,911
HE STOPPED ME
AND TOOK MY MONEY.

281
00:14:03,944 --> 00:14:05,845
YOU TOOK THE MONEY
FROM THE BOY?

282
00:14:05,879 --> 00:14:06,779
IN THE BAG.

283
00:14:06,813 --> 00:14:07,915
LET ME HAVE THE BAG.

284
00:14:07,948 --> 00:14:09,082
FUCK YOU!

285
00:14:09,116 --> 00:14:11,351
OH, YEAH?
HOW ABOUT NOW?

286
00:14:11,384 --> 00:14:12,285
TAKE IT EASY.

287
00:14:12,319 --> 00:14:13,921
AH, YOU'RE NOT SMART
ANYMORE.

288
00:14:13,954 --> 00:14:15,788
NOW THIS MAKE YOU
STUPID.

289
00:14:15,822 --> 00:14:17,224
LET ME HAVE THE BAG.

290
00:14:18,425 --> 00:14:19,859
ALL RIGHT.

291
00:14:19,893 --> 00:14:20,860
THANKS, KID.

292
00:14:20,894 --> 00:14:21,895
NOW, GO.

293
00:14:21,929 --> 00:14:23,263
WHAT ABOUT THEM?

294
00:14:23,296 --> 00:14:24,331
YOU CARE?

295
00:14:24,364 --> 00:14:25,966
NO.
THEN GO!

296
00:14:25,999 --> 00:14:27,534
[GUNSHOT]

297
00:14:27,567 --> 00:14:29,269
I NEED SOMEBODY WITH ME.

298
00:14:29,302 --> 00:14:31,004
WHAT IF THE OLD GUY
HADN'T SHOWN?

299
00:14:31,038 --> 00:14:32,539
WHAT YOU NEED?

300
00:14:32,572 --> 00:14:33,740
MY FRIENDS.

301
00:14:33,773 --> 00:14:34,841
YOUR FRIENDS?

302
00:14:34,874 --> 00:14:36,576
WHAT DO YOU THINK--
THIS IS CAMP?

303
00:14:36,609 --> 00:14:37,911
THESE KIDS
YOU CAN TRUST.

304
00:14:37,945 --> 00:14:39,947
I'VE KNOWN THEM
HALF MY LIFE.

305
00:14:40,914 --> 00:14:43,450
OK, GET YOUR FRIENDS.

306
00:14:43,483 --> 00:14:45,953
Shakes: FATHER BOBBY
KNEW MY FRIENDS AND I
WORKED FOR KING BENNY,

307
00:14:45,986 --> 00:14:47,287
AND HE WASN'T PLEASED.

308
00:14:47,320 --> 00:14:49,022
HE WASN'T WORRIED
ABOUT THE POCKET MONEY,

309
00:14:49,056 --> 00:14:50,723
BUT THE NEXT STEP:

310
00:14:50,757 --> 00:14:52,725
WHEN THEY ASK YOU
TO PICK UP A GUN.

311
00:14:52,759 --> 00:14:54,294
HE DIDN'T WANT
THAT TO HAPPEN TO US.

312
00:14:54,327 --> 00:14:56,829
YOU THINK RUNNING
FOR KING BENNY'S
A GOOD IDEA?

313
00:14:56,863 --> 00:14:57,864
IT PAYS.

314
00:14:57,897 --> 00:14:59,466
A LOT OF THINGS PAY.

315
00:14:59,499 --> 00:15:01,501
NOT LIKE THIS. WHOA!

316
00:15:01,534 --> 00:15:04,671
Shakes: MOST PRIESTS LIKE
TO PREACH FROM THE PULPIT.

317
00:15:04,704 --> 00:15:06,539
FATHER BOBBY
LIKED TO TALK

318
00:15:06,573 --> 00:15:08,908
DURING THE BUMP AND SHOVE
OF A PICKUP GAME.

319
00:15:08,942 --> 00:15:10,944
OH, GOOD SHOT.

320
00:15:10,978 --> 00:15:13,146
I FOUND AN ART CLASS
FOR YOU TO TAKE.

321
00:15:13,180 --> 00:15:15,315
YOU KNOW I CAN'T AFFORD
TO TAKE ANY ART CLASSES.

322
00:15:15,348 --> 00:15:16,916
YOU DON'T HAVE TO PAY
ANYTHING.

323
00:15:16,950 --> 00:15:18,451
TEACHER'S A FRIEND
OF MINE. HMM?

324
00:15:18,485 --> 00:15:19,352
I DON'T KNOW.

325
00:15:19,386 --> 00:15:21,421
COULD BE NOTHING
BUT A WASTE OF TIME.

326
00:15:21,454 --> 00:15:22,922
OR IT COULD BE
THE FIRST STEP.

327
00:15:22,956 --> 00:15:24,024
STEP TO WHAT?

328
00:15:24,057 --> 00:15:25,858
DOING SOMETHING
WITH YOUR LIFE.

329
00:15:25,892 --> 00:15:27,260
IT MAY HELP YOU
GET OUT OF HERE.

330
00:15:27,294 --> 00:15:28,895
YOU ALL COULD
GET OUT OF HERE.

331
00:15:28,928 --> 00:15:30,363
ARE WE GONNA TALK
OR PLAY BASKETBALL?

332
00:15:30,397 --> 00:15:32,365
RAAH.

333
00:15:32,399 --> 00:15:34,434
LISTEN, I GOT A STORY
I WANT TO TELL YOU.

334
00:15:34,467 --> 00:15:36,536
IT AIN'T THE ONE
ABOUT THE LEPERS, IS IT?

335
00:15:36,569 --> 00:15:38,371
'CAUSE THAT ONE GAVE ME
NIGHTMARES.

336
00:15:38,405 --> 00:15:40,007
NO LEPERS.
THIS IS MICHELANGELO.

337
00:15:40,040 --> 00:15:41,874
HE WAS BORN POOR
LIKE YOU GUYS.

338
00:15:41,908 --> 00:15:43,376
HE WAS A PAINTER,
A SCULPTOR.

339
00:15:43,410 --> 00:15:45,178
HE TAKES THIS JOB
FROM THE POPE.

340
00:15:45,212 --> 00:15:47,047
GOOD MONEY, GOOD WORK.

341
00:15:47,080 --> 00:15:48,648
WHY'D THE POPE CALL HIM?

342
00:15:48,681 --> 00:15:49,983
'CAUSE THE POPE
WAS LOOKING

343
00:15:50,017 --> 00:15:52,019
FOR THE BEST GUY
THAT HE COULD FIND

344
00:15:52,052 --> 00:15:53,953
TO PAINT THE CEILING
OF HIS CHURCH IN ROME.

345
00:15:53,987 --> 00:15:56,256
DON'T SOUND
LIKE THAT BIG A JOB.

346
00:15:56,289 --> 00:15:57,757
TO MICHELANGELO, IT WAS.

347
00:15:57,790 --> 00:15:59,993
MICHELANGELO NEEDED
THE JOB 'CAUSE IT PAID
MORE MONEY

348
00:16:00,027 --> 00:16:02,029
THAN HE EVER HAD
IN HIS LIFE.

349
00:16:02,062 --> 00:16:04,897
THAT WAY, HE COULD PAY OFF
THE LOAN SHARKS THAT WERE
CHASING HIS FATHER.

350
00:16:04,931 --> 00:16:06,233
WHAT'S HIS FATHER?

351
00:16:06,266 --> 00:16:08,368
HE WAS, LIKE,
A LOW-LEVEL CON GUY,

352
00:16:08,401 --> 00:16:10,570
WHO CONNED PEOPLE
OUT OF MONEY, GOATS,
SHEEP...

353
00:16:10,603 --> 00:16:11,438
GOATS?

354
00:16:11,471 --> 00:16:12,772
CHICKENS,
WHATEVER HE COULD.

355
00:16:12,805 --> 00:16:13,806
CHICKENS?

356
00:16:13,840 --> 00:16:15,308
YOU KNOW WHAT HAPPENED?

357
00:16:15,342 --> 00:16:16,309
WHAT?

358
00:16:16,343 --> 00:16:18,378
HE PAINTED A CEILING
NO ONE WILL EVER FORGET.

359
00:16:18,411 --> 00:16:20,313
PAINTED LIKE IT WAS
TOUCHED BY THE HAND
OF GOD.

360
00:16:20,347 --> 00:16:22,182
DID HE PAY OFF
THE LOANS?

361
00:16:22,215 --> 00:16:24,784
Carillo:
EVERY SINGLE ONE.

362
00:16:24,817 --> 00:16:26,886
HEY, HOW LONG DID IT
TAKE HIM?

363
00:16:26,919 --> 00:16:28,488
TOOK HIM ABOUT 9 YEARS.

364
00:16:28,521 --> 00:16:29,822
John: 9 YEARS?

365
00:16:29,856 --> 00:16:31,324
Carillo: THAT'S RIGHT.

366
00:16:31,358 --> 00:16:33,893
I HAD A PUERTO RICAN GUY
DO MY WHOLE APARTMENT
IN 2 DAYS--

367
00:16:33,926 --> 00:16:35,528
AND HE HAD A BUM LEG.

368
00:16:35,562 --> 00:16:37,730
I DON'T KNOW WHAT
I'M GONNA DO WITH
YOU GUYS.

369
00:16:37,764 --> 00:16:41,000
JUST GIVE US A JOB
AND LEAVE THE REST
TO US.

370
00:16:41,034 --> 00:16:42,869
YOU KNOW WHAT IT WAS?
THE SISTINE CHAPEL.

371
00:16:42,902 --> 00:16:43,870
16th CHAPEL?

372
00:16:43,903 --> 00:16:44,904
SISTINE CHAPEL.

373
00:16:44,937 --> 00:16:46,473
WHO PAINTED
THE OTHER 15?

374
00:16:47,907 --> 00:16:50,477
[DONOVAN'S * HURDY-GURDY MAN
PLAYS IN BACKGROUND]

375
00:16:54,281 --> 00:16:56,283
Shakes: OUTSIDE EVENTS
MEANT LITTLE.

376
00:16:56,316 --> 00:16:58,885
IN A SOCIETY CHANGING
RADICALLY BY THE HOUR,

377
00:16:58,918 --> 00:17:02,021
WE WATCHED THE IMAGES
SCATTER NIGHTLY
ACROSS THE TV SCREENS.

378
00:17:02,055 --> 00:17:04,891
YOUNG PROTESTERS SPOKE ABOUT
HOW THEY WERE GONNA CHANGE
OUR LIVES,

379
00:17:04,924 --> 00:17:06,959
AND FIX THE WORLD.

380
00:17:06,993 --> 00:17:09,362
BUT WHILE THEY SHOUTED
THEIR SLOGANS,

381
00:17:09,396 --> 00:17:11,931
MY FRIENDS AND I WENT
TO FUNERAL SERVICES

382
00:17:11,964 --> 00:17:13,966
FOR THE YOUNG MEN
OF HELL'S KITCHEN,

383
00:17:14,000 --> 00:17:16,803
WHO CAME BACK FROM VIETNAM
IN BODY BAGS.

384
00:17:16,836 --> 00:17:19,839
WE VIEWED WITH SKEPTICISM
THE FACES ON TELEVISION--

385
00:17:19,872 --> 00:17:23,576
THOSE PROTECTED BY MONEY AND
UPPER MIDDLE-CLASS STANDING.

386
00:17:25,845 --> 00:17:29,316
A GROWING ARMY OF FEMINISTS
MARCHED ACROSS THE COUNTRY,

387
00:17:29,349 --> 00:17:31,384
DEMANDING EQUALITY...

388
00:17:31,418 --> 00:17:34,421
YET OUR MOTHERS
STILL COOKED AND CARED

389
00:17:34,454 --> 00:17:37,324
FOR MEN WHO ABUSED THEM
MENTALLY AND PHYSICALLY.

390
00:17:37,357 --> 00:17:39,392
FOR ME AND MY FRIENDS,

391
00:17:39,426 --> 00:17:41,628
THESE DEVELOPMENTS
CARRIED NO WEIGHT.

392
00:17:41,661 --> 00:17:44,697
THEY MIGHT AS WELL HAVE
OCCURRED IN ANOTHER COUNTRY,

393
00:17:44,731 --> 00:17:46,399
IN ANOTHER CENTURY.

394
00:17:46,433 --> 00:17:48,335
OUR ATTENTION
WAS ELSEWHERE.

395
00:17:48,368 --> 00:17:50,337
WE SAT WITH FATHER BOBBY
VISITING JOHN,

396
00:17:50,370 --> 00:17:52,905
HOPING HE WOULD RECOVER
FROM A PUNCTURED LUNG--

397
00:17:52,939 --> 00:17:56,343
A GIFT FROM ONE
OF HIS MOTHER'S
OVERZEALOUS BOYFRIENDS.

398
00:17:56,376 --> 00:17:58,010
HOPE YOU LIKE THESE.

399
00:17:58,044 --> 00:18:00,880
YOU BETTER NOT TELL ME
YOU DON'T.

400
00:18:00,913 --> 00:18:02,415
John: OK.

401
00:18:03,850 --> 00:18:07,354
Shakes:
FATHER BOBBY DIDN'T LET
THAT SITUATION REST.

402
00:18:07,387 --> 00:18:09,889
I GAVE ON SUNDAY.
I'M IN A RUSH, OK?

403
00:18:09,922 --> 00:18:10,923
JOHN REILLY.

404
00:18:10,957 --> 00:18:12,091
LITTLE PUNK.

405
00:18:12,125 --> 00:18:14,461
HE GOT OUT OF LINE,
SO I PUT HIM BACK IN LINE.

406
00:18:14,494 --> 00:18:16,296
YOU PUT HIM
IN THE HOSPITAL.

407
00:18:16,329 --> 00:18:17,797
HE'S ALIVE, AIN'T HE?

408
00:18:17,830 --> 00:18:19,932
LOOK, IF HE'S SMART,
HE LEARNED HIMSELF
A LESSON.

409
00:18:19,966 --> 00:18:21,834
WHAT ARE YOU,
ABOUT 220? 230?

410
00:18:21,868 --> 00:18:22,902
YEAH.

411
00:18:22,935 --> 00:18:24,404
YOU'RE A BIG GUY.

412
00:18:24,437 --> 00:18:26,873
HOW MUCH YOU THINK
JOHN REILLY WEIGHS?

413
00:18:26,906 --> 00:18:27,940
80? 85?

414
00:18:27,974 --> 00:18:29,942
THAT'S NOT EVEN
A FEATHERWEIGHT.

415
00:18:29,976 --> 00:18:31,378
IF THIS WERE
A FIGHT,

416
00:18:31,411 --> 00:18:33,380
YOU'D BE WAY OUT
OF YOUR DIVISION.

417
00:18:33,413 --> 00:18:36,716
LOOK, IT WAS A SLAP.
IT WAS NOTHING.

418
00:18:36,749 --> 00:18:39,386
WELL, NEXT TIME,
YOU'LL BE MEETING ME.

419
00:18:39,419 --> 00:18:42,455
AND I MAY NOT BE
IN YOUR DIVISION,

420
00:18:42,489 --> 00:18:44,624
BUT I DO WEIGH
MORE THAN 85 POUNDS,

421
00:18:44,657 --> 00:18:46,959
AND YOU WON'T NEED
A DOCTOR WHEN I'M DONE.

422
00:18:46,993 --> 00:18:48,361
YOU'LL NEED A PRIEST...

423
00:18:48,395 --> 00:18:50,497
TO PRAY OVER YOUR BODY.

424
00:18:54,066 --> 00:18:55,902
SEE YOU IN CHURCH.

425
00:19:00,440 --> 00:19:03,410
FATHER BOBBY WOULD'VE
MADE A GOOD HITMAN.

426
00:19:03,443 --> 00:19:06,613
IT'S A SHAME WE LOST HIM
TO THE OTHER SIDE.

427
00:19:07,547 --> 00:19:09,849
Shakes:
WE WERE DOWN 7-6

428
00:19:09,882 --> 00:19:12,685
IN THE LAST INNING
OF A SEWER-TO-SEWER
STICKBALL GAME

429
00:19:12,719 --> 00:19:15,355
AGAINST HECTOR MALDONADO
AND 3 OF HIS FRIENDS.

430
00:19:15,388 --> 00:19:18,157
COME ON, BABY,
STRIKE THIS CHUMP OUT!

431
00:19:18,191 --> 00:19:19,459
HE GOT NOTHING!

432
00:19:19,492 --> 00:19:20,260
SHUT UP!

433
00:19:20,293 --> 00:19:21,261
WHO'S THAT?

434
00:19:21,294 --> 00:19:22,929
HIS SISTER.

435
00:19:22,962 --> 00:19:24,897
WHAT HAPPENED TO HER?

436
00:19:24,931 --> 00:19:26,433
I'M NOT SURE.

437
00:19:26,466 --> 00:19:28,968
SOME KIND OF CANCER
GOT IN HER LEGS
OR SOMETHING.

438
00:19:29,001 --> 00:19:30,870
WORRY ABOUT THE GAME.
COME ON.

439
00:19:30,903 --> 00:19:33,440
Girl: COME ON, BABY,
STRIKE THIS SCUMBAG OUT!

440
00:19:33,473 --> 00:19:35,342
HE CAN'T TOUCH IT, BABY,
HE CAN'T TOUCH IT.

441
00:19:35,375 --> 00:19:37,977
WHILE YOU DON'T GOT ANY LEGS,
YOU GOT A LOT OF TONGUE!

442
00:19:38,010 --> 00:19:39,912
THIS IS IT.
HOME RUN.

443
00:19:39,946 --> 00:19:41,248
OH, EASY, MIKE.

444
00:19:41,281 --> 00:19:42,482
YEAH, BABY!

445
00:19:42,515 --> 00:19:45,952
WHAT THE FUCK
YOU LOOKING AT,
LITTLE DICK?!

446
00:19:45,985 --> 00:19:47,920
SHE'S NOTHING BUT CHARM.

447
00:19:47,954 --> 00:19:49,789
COME ON, BABY.

448
00:19:49,822 --> 00:19:50,657
John: TAKE HIM, MIKE.

449
00:19:50,690 --> 00:19:53,726
YEAH! I TOLD YOU
HE WASN'T SHIT,
BABY!

450
00:19:53,760 --> 00:19:55,595
HEY, SWALLOW YOUR TONGUE,
YOU LITTLE GIMP BITCH!

451
00:19:55,628 --> 00:19:57,264
COULD'VE HELPED HER
ACROSS THE STREET

452
00:19:57,297 --> 00:19:58,698
OR BOUGHT HER
AN ICE CREAM,

453
00:19:58,731 --> 00:20:00,333
BUT YOU DIDN'T HAVE
TO THROW THE GAME.

454
00:20:00,367 --> 00:20:02,502
YEAH, NOW WE'RE
THE SALVATION ARMY.

455
00:20:02,535 --> 00:20:05,204
John: YOU EVER WONDER
WHY THERE AIN'T
A SALVATION NAVY?

456
00:20:05,238 --> 00:20:07,106
GAME OVER, LOSERS.
COUGH UP THE CASH.

457
00:20:07,139 --> 00:20:08,408
A BUCK EACH.

458
00:20:08,441 --> 00:20:10,343
Fat Mancho: HE'S NO BETTER
THAN YOU.

459
00:20:10,377 --> 00:20:11,611
Shakes: HE WAS TODAY.

460
00:20:11,644 --> 00:20:13,780
Fat Mancho: NO.
YOU LET HIM BEAT YOU--

461
00:20:13,813 --> 00:20:16,783
ONLY 'CAUSE IRISH HERE
HAS A THING FOR LITTLE GIRLS
WITH NO LEGS.

462
00:20:16,816 --> 00:20:19,018
STAY AWAY FROM US,
FAT MAN, ALL RIGHT?

463
00:20:19,051 --> 00:20:21,053
YOU BOYS ARE SOFT
LIKE BREAD.

464
00:20:21,087 --> 00:20:22,889
IT'S GOING TO CATCH UP
TO YOU...

465
00:20:22,922 --> 00:20:24,891
AND WHEN IT DOES,
IT'S GOING TO HURT-- BAD.

466
00:20:24,924 --> 00:20:28,027
WHAT HAPPENS
IS OUR BUSINESS,
NOT YOURS, OK?

467
00:20:28,060 --> 00:20:30,297
YOU GOTTA STAY TOUGH
TO BE TOUGH.

468
00:20:30,330 --> 00:20:32,198
GUY SMELLS IT
WHEN YOU'RE WEAK?

469
00:20:32,231 --> 00:20:33,733
EAT YOU LIKE A SALAD.

470
00:20:33,766 --> 00:20:35,034
YOU SEE THAT STREET?

471
00:20:35,067 --> 00:20:37,003
THAT STREET
IS THE DISH OF LIFE,

472
00:20:37,036 --> 00:20:38,471
AND YOU BOYS
ARE APPETIZERS.

473
00:20:38,505 --> 00:20:40,440
SOMEBODY GOING
TO COME ALONG,
EAT YOU UP,

474
00:20:40,473 --> 00:20:42,409
AND FORGET ABOUT YOU
BY DESSERT.

475
00:20:42,442 --> 00:20:44,043
TAKE IT EASY,
FAT MAN.

476
00:20:44,076 --> 00:20:45,578
IT WAS JUST
A STICKBALL GAME.

477
00:20:45,612 --> 00:20:47,580
YEAH, BUT GOING
SOFT IS A HABIT.

478
00:20:47,614 --> 00:20:49,181
YOU HAVE TO KEEP
YOURSELF MEAN

479
00:20:49,215 --> 00:20:50,783
AND GUIDE YOUR LIFE
AROUND IT.

480
00:20:50,817 --> 00:20:52,118
ALL RIGHT. CALM DOWN.

481
00:20:52,151 --> 00:20:55,422
IT'S LIKE HANGING OUT
WITH FUCKIN' CONFUCIUS
OVER HERE.

482
00:20:55,455 --> 00:20:56,889
BE FUNNY, LIMP DICK.

483
00:20:56,923 --> 00:20:59,526
LOOK, THIS JUST
FREE ADVICE
FROM ME TO YOU.

484
00:20:59,559 --> 00:21:02,028
YOU TAKE IT OR
YOU THROW IT AWAY.

485
00:21:02,061 --> 00:21:03,496
IT DON'T MATTER.

486
00:21:04,997 --> 00:21:08,100
Shakes: IN TRUTH,
WE WERE ALL SURPRISED
BY MICHAEL'S ACTIONS,

487
00:21:08,134 --> 00:21:09,969
BUT IN HIS MIND,
LOSING THAT GAME

488
00:21:10,002 --> 00:21:12,472
AND HANDING A FEELING
OF VICTORY TO A GIRL
IN A WHEELCHAIR

489
00:21:12,505 --> 00:21:15,308
WAS MORE THAN
THE RIGHT THING TO DO.

490
00:21:18,611 --> 00:21:20,980
[ * BEACH BOYS' CATCH A WAVE
PLAYS IN BACKGROUND * ]

491
00:21:24,116 --> 00:21:25,518
COME ON,
I'M SO SWEATY.

492
00:21:25,552 --> 00:21:27,920
Shakes: THE TEMPERATURE
TOPPED OUT AT 98 DEGREES

493
00:21:27,954 --> 00:21:30,490
ON THE DAY OUR LIVES
WERE FOREVER ALTERED.

494
00:21:30,523 --> 00:21:32,592
I'M FRYIN' LIKE AN EGG
UP HERE.

495
00:21:32,625 --> 00:21:34,461
I SAY WE GET
SOME BUTTER ROLLS,
A COUPLE OF SODAS,

496
00:21:34,494 --> 00:21:36,529
AND HEAD DOWN
TO THE DOCK.

497
00:21:36,563 --> 00:21:37,997
John: CAN'T YOU FEEL
THE BREEZE UP HERE?

498
00:21:38,030 --> 00:21:40,066
WHAT BREEZE?
WE'RE SURROUNDED
BY A WALL, GENIUS.

499
00:21:40,099 --> 00:21:41,768
Shakes:
THE DEVIL COULDN'T
EVEN STAND THIS.

500
00:21:41,801 --> 00:21:44,871
John: WILL YOU GUYS SHUT UP?
I'M TRYING TO GET MY BURN.

501
00:21:44,904 --> 00:21:46,105
Shakes: IT'S 98 DEGREES.

502
00:21:46,138 --> 00:21:50,276
WE HAVEN'T HIT
THE HOT DOG VENDOR
IN A COUPLE OF WEEKS.

503
00:21:50,309 --> 00:21:51,611
I DON'T KNOW, MIKEY.

504
00:21:51,644 --> 00:21:53,580
THAT CART GUY AIN'T
LIKE THE OTHERS.

505
00:21:53,613 --> 00:21:55,648
I MEAN,
HE WAS PRETTY PISSED--

506
00:21:55,682 --> 00:21:57,784
LIKE CRAZY-- WHEN YOU TRIED
TO TAKE HIM OFF.

507
00:21:57,817 --> 00:22:00,620
WE CAN EAT HOT DOGS,
OR WE CAN EAT AIR.

508
00:22:00,653 --> 00:22:01,754
CHOOSE.

509
00:22:03,490 --> 00:22:05,057
AIR'S PROBABLY SAFER,
MIKE.

510
00:22:05,091 --> 00:22:07,594
YEAH.
A HOT DOG AIN'T WORTH
BLEEDING OVER, MIKEY.

511
00:22:07,627 --> 00:22:09,929
YEAH. BUT ANYWAY,
WHOSE TURN WAS IT?

512
00:22:09,962 --> 00:22:11,130
YOURS.

513
00:22:11,163 --> 00:22:12,465
YOURS.
YOURS.

514
00:22:12,499 --> 00:22:14,000
MINE? IT'S NOT
MY TURN.

515
00:22:14,033 --> 00:22:15,034
YES, IT IS.

516
00:22:15,067 --> 00:22:16,035
I WENT
LAST MONTH.

517
00:22:16,068 --> 00:22:17,003
HE WENT TWO WEEKS--

518
00:22:17,036 --> 00:22:18,070
LAST MONTH?

519
00:22:18,104 --> 00:22:19,439
I WENT
RIGHT AFTER HIM.

520
00:22:19,472 --> 00:22:20,740
I'M NOT GOING.

521
00:22:20,773 --> 00:22:21,741
WHY NOT?

522
00:22:21,774 --> 00:22:23,543
IT'S TOO HOT.

523
00:22:23,576 --> 00:22:26,913
[ * SPENCER DAVIS GROUP'S
GIMME SOME LOVIN' PLAYS
IN BACKGROUND * ]

524
00:22:26,946 --> 00:22:28,014
MUSTARD, ONIONS.

525
00:22:28,047 --> 00:22:29,015
NO SODA.

526
00:22:29,048 --> 00:22:30,583
I KNOW YOU.

527
00:22:30,617 --> 00:22:32,752
I LOOK LIKE
A LOT OF PEOPLE.

528
00:22:32,785 --> 00:22:34,621
Shakes:
THE SCAM WAS SIMPLE.

529
00:22:34,654 --> 00:22:37,156
I WAS TO WALK UP
TO THE HOT DOG VENDOR

530
00:22:37,189 --> 00:22:38,891
AND ORDER WHAT I WANTED.

531
00:22:38,925 --> 00:22:40,727
THE VENDOR WOULD THEN
HAND ME MY HOT DOG

532
00:22:40,760 --> 00:22:42,962
AND WATCH AS I RAN OFF
WITHOUT PAYING.

533
00:22:42,995 --> 00:22:44,664
THIS LEFT THE VENDOR
WITH TWO CHOICES--

534
00:22:44,697 --> 00:22:46,298
NEITHER VERY APPEALING.

535
00:22:46,332 --> 00:22:49,068
HE COULD STAND HIS GROUND
AND SWALLOW HIS LOSS,
OR HE COULD GIVE CHASE.

536
00:22:49,101 --> 00:22:51,504
THE SECOND FORCES HIM
TO ABANDON THE CART,

537
00:22:51,538 --> 00:22:54,006
WHERE MY FRIENDS
COULD FEAST
IN HIS ABSENCE.

538
00:22:56,576 --> 00:22:58,411
UH, I'M GONNA NEED
TWO NAPKINS.

539
00:23:00,112 --> 00:23:01,981
HEY! MY MONEY, THIEF!

540
00:23:05,017 --> 00:23:06,453
YES!

541
00:23:07,286 --> 00:23:08,888
ALL ABOARD.

542
00:23:08,921 --> 00:23:10,222
NEED THE KETCHUP.

543
00:23:10,256 --> 00:23:11,891
I TOOK IT FROM HIM
AND RAN.

544
00:23:11,924 --> 00:23:14,561
I SCOOTED PAST
TOMMY MUNG'S DRY CLEANERS

545
00:23:14,594 --> 00:23:16,328
AND ARMAND'S SHOE REPAIR.

546
00:23:16,362 --> 00:23:17,830
THE VENDOR GAVE CHASE,

547
00:23:17,864 --> 00:23:20,733
A WOODEN-HANDLED,
PRONGED FORK IN ONE HAND.

548
00:23:20,767 --> 00:23:21,601
ALL RIGHT.

549
00:23:21,634 --> 00:23:23,035
YOU GONNA DO IT,
DO IT.

550
00:23:24,604 --> 00:23:26,739
[HORNS HONKING]

551
00:23:30,242 --> 00:23:32,144
[HORNS, TIRES SCREECHING]

552
00:23:33,412 --> 00:23:35,682
THESE THINGS ARE HEAVIER
THAN THEY LOOK.

553
00:23:35,715 --> 00:23:38,485
GENIUS,
THESE ARE THE GAS TANKS
TO KEEP THE FOOD HOT.

554
00:23:38,518 --> 00:23:40,520
THEY'RE HEAVIER
THAN SHIT.

555
00:23:40,553 --> 00:23:43,055
THINK WE CAN PUSH IT,
THE THREE OF US?

556
00:23:43,089 --> 00:23:45,057
PUSH IT WHERE, HUH?

557
00:23:45,091 --> 00:23:46,526
COUPLE OF BLOCKS.

558
00:23:46,559 --> 00:23:48,561
BE A NICE SURPRISE
FOR THE GUY,

559
00:23:48,595 --> 00:23:50,396
WHEN HE COMES BACK
FROM CHASING SHAKES,

560
00:23:50,429 --> 00:23:51,798
NOT TO FIND HIS CART.

561
00:24:10,917 --> 00:24:13,385
Shakes: THE VENDOR TIRED
AT 47th AND 9th,

562
00:24:13,419 --> 00:24:15,955
I WAS ON THE OTHER SIDE
OF THE STREET.

563
00:24:17,957 --> 00:24:19,291
HE WAS BEAT...

564
00:24:19,325 --> 00:24:20,827
BUT NOT BEATEN.

565
00:24:20,860 --> 00:24:23,095
HE COULD GO TEN MINUTES
MORE JUST ON HATE ALONE.

566
00:24:23,129 --> 00:24:24,897
COME ON.

567
00:24:24,931 --> 00:24:26,999
GIVE IT UP.

568
00:24:40,112 --> 00:24:41,881
WHAT'S WRONG,
MIKEY?

569
00:24:41,914 --> 00:24:43,916
SHAKES IS TAKING
TOO LONG.

570
00:24:43,950 --> 00:24:45,918
HE SHOULD HAVE BEEN
BACK BY NOW.

571
00:24:45,952 --> 00:24:47,820
HE'LL BE FINE.
HE'S SHAKES.

572
00:24:50,122 --> 00:24:52,859
YOU GUYS WERE SUPPOSED
TO TAKE THE HOT DOGS,
NOT THE WAGON.

573
00:24:52,892 --> 00:24:54,460
OH, RIGHT!
NOW WE KNOW--

574
00:24:54,493 --> 00:24:56,028
HE'S COMING FAST!

575
00:24:56,062 --> 00:24:56,963
HE'S COMING?!

576
00:24:56,996 --> 00:24:59,566
I GOT A PLAN. COME ON,
OVER BY THE SUBWAY.

577
00:24:59,599 --> 00:25:01,033
Shakes: THE PLAN,
AS IT TURNED OUT,

578
00:25:01,067 --> 00:25:04,270
WAS AS SIMPLE AND AS DUMB
AS ANYTHING WE'D EVER DONE.

579
00:25:04,303 --> 00:25:05,905
WE WERE TO HOLD THE CART

580
00:25:05,938 --> 00:25:07,940
ON THE TOP EDGE
OF THE STAIRWELL,

581
00:25:07,974 --> 00:25:09,976
LEANING IT DOWNWARD,
AND WAIT FOR THE VENDOR.

582
00:25:10,009 --> 00:25:12,378
WE WERE TO LET IT GO
THE SECOND HE GRABBED
THE HANDLES.

583
00:25:12,411 --> 00:25:15,748
THEN WE'D LEAVE,
AS HE STRUGGLED TO EASE
THE CART ON THE SIDEWALK.

584
00:25:15,782 --> 00:25:18,885
TO THIS DAY,
I DON'T KNOW WHY WE DID IT,

585
00:25:18,918 --> 00:25:21,287
BUT WE WOULD ALL
PAY A PRICE.

586
00:25:21,320 --> 00:25:22,889
IT ONLY TOOK A MINUTE,

587
00:25:22,922 --> 00:25:25,257
BUT IN THAT MINUTE,
EVERYTHING CHANGED.

588
00:25:25,291 --> 00:25:26,292
I CAN'T HOLD IT!

589
00:25:26,325 --> 00:25:27,293
SLOW DOWN!

590
00:25:27,326 --> 00:25:28,661
I CAN'T HOLD ON!

591
00:25:28,695 --> 00:25:30,296
HOLD IT UP!

592
00:25:30,329 --> 00:25:32,198
I CAN'T HOLD IT!

593
00:25:32,231 --> 00:25:33,265
SHIT!
NO!

594
00:25:44,443 --> 00:25:46,879
STOP! GET OUT OF THE--!
NOOOO!!

595
00:26:09,435 --> 00:26:11,170
John: DAMN!

596
00:26:15,041 --> 00:26:16,442
OH, MY GOD.

597
00:26:16,475 --> 00:26:17,476
SWEET JESUS.

598
00:26:17,509 --> 00:26:19,946
WHAT HAVE YOU BOYS DONE?

599
00:26:19,979 --> 00:26:22,915
WHAT IN THE NAME OF GOD
HAVE YOU BOYS DONE?

600
00:26:22,949 --> 00:26:25,618
I THINK WE JUST
KILLED A MAN.

601
00:26:27,086 --> 00:26:29,055
[RASPY BREATHING]

602
00:26:29,088 --> 00:26:32,558
WHILE JAMES CALDWELL
WAS SLOWLY RECOVERING
AT ST. CLAIRE'S HOSPITAL,

603
00:26:32,591 --> 00:26:34,961
WE WERE CHARGED
WITH RECKLESS ENDANGERMENT

604
00:26:34,994 --> 00:26:37,496
AND REMANDED
INTO OUR PARENTS' CUSTODY.

605
00:26:37,529 --> 00:26:39,565
SORRY, DAD.

606
00:26:39,598 --> 00:26:42,334
Father: IT AIN'T GONNA
DO YOU MUCH GOOD.

607
00:26:42,368 --> 00:26:43,970
TAKE IT EASY!

608
00:26:44,003 --> 00:26:45,672
YOU DON'T HAVE
TO GET CRAZY.

609
00:26:45,705 --> 00:26:47,273
YOU'RE GOING TO JAIL,

610
00:26:47,306 --> 00:26:50,042
AND YOU DON'T EVEN KNOW
WHAT THE FUCK THAT MEANS!

611
00:26:50,076 --> 00:26:51,177
MA!

612
00:26:51,210 --> 00:26:53,412
[SOBBING]
OH, PAPA.

613
00:26:53,445 --> 00:26:54,914
HE'S JUST A KID.

614
00:26:54,947 --> 00:26:56,282
HE SHOULDN'T
HAVE TO DO TIME.

615
00:26:56,315 --> 00:26:58,417
NOBODY IN THIS FAMILY
SHOULD HAVE TO DO TIME!

616
00:26:58,450 --> 00:27:01,387
[SCREAMING]
I DONE ENOUGH TIME
FOR EVERYBODY!

617
00:27:26,979 --> 00:27:28,748
I HEAR YOU'RE SHORT
AN ALTAR BOY.

618
00:27:31,984 --> 00:27:34,520
YOU STILL REMEMBER
WHAT TO DO?

619
00:27:34,553 --> 00:27:36,522
EASY ON THE WATER...

620
00:27:36,555 --> 00:27:38,457
HEAVY ON THE WINE...

621
00:27:38,490 --> 00:27:41,560
AND RING THE BELLS
WHENEVER I SEE SOMEONE
START TO NOD OFF.

622
00:27:41,593 --> 00:27:42,695
GET READY.

623
00:27:42,729 --> 00:27:45,064
WE GOT FIVE MINUTES
TO SHOWTIME.

624
00:27:57,576 --> 00:27:59,678
I'M GONNA MISS THIS.

625
00:28:02,048 --> 00:28:04,851
I'M GONNA MISS
ALL OF THIS.

626
00:28:04,884 --> 00:28:06,953
I'VE BEEN DOING
ALL I CAN,

627
00:28:06,986 --> 00:28:10,222
BUT SO FAR EVERY DOOR
I TOUCH IS LOCKED.

628
00:28:13,125 --> 00:28:14,894
I COULD RUN.

629
00:28:15,928 --> 00:28:18,030
WE ALL COULD RUN...

630
00:28:19,932 --> 00:28:22,034
DISAPPEAR FOR AWHILE.

631
00:28:22,068 --> 00:28:24,170
NOBODY'S GONNA
COME LOOKING.

632
00:28:25,237 --> 00:28:27,907
NOBODY'S GONNA CARE
ABOUT US...

633
00:28:27,940 --> 00:28:29,942
ABOUT WHERE WE GO.

634
00:28:34,914 --> 00:28:36,682
YOU RUN NOW...

635
00:28:36,715 --> 00:28:38,484
YOU'RE GONNA RUN
TILL YOU DIE.

636
00:28:40,619 --> 00:28:43,422
HIDING'S NOT GONNA
MAKE IT GO AWAY.

637
00:28:43,455 --> 00:28:45,958
PEOPLE AREN'T GONNA
FORGET.

638
00:28:45,992 --> 00:28:48,027
YOU'VE GOT TO FACE THIS.

639
00:28:53,565 --> 00:28:55,067
I CAN'T, FATHER.

640
00:28:57,603 --> 00:29:00,072
I DON'T WANT TO FACE IT.

641
00:29:01,607 --> 00:29:03,442
I'M TOO SCARED TO FACE IT.

642
00:29:04,944 --> 00:29:06,578
I'M SCARED, TOO.

643
00:29:06,612 --> 00:29:09,481
NOBODY'S MORE SCARED
THAN I AM...

644
00:29:09,515 --> 00:29:11,750
BUT YOU GOT TO DO IT.

645
00:29:13,886 --> 00:29:15,955
YOU'RE GONNA BE OK.

646
00:29:15,988 --> 00:29:18,290
YOU'RE GONNA MAKE IT
THROUGH THERE.

647
00:29:19,491 --> 00:29:21,027
YOU UNDERSTAND?

648
00:29:26,098 --> 00:29:26,999
COME ON.

649
00:29:27,033 --> 00:29:28,968
WE GOT AN AUDIENCE.

650
00:29:35,274 --> 00:29:38,277
I COUNTED THREE RUMMIES AND
FOUR WIDOWS ON MY WAY IN.

651
00:29:41,047 --> 00:29:44,050
PLUS, FAT RALPHIE'S
SLEEPING ONE OFF
IN THE LAST ROW.

652
00:29:44,951 --> 00:29:46,385
IT'S THE RAIN.

653
00:29:46,418 --> 00:29:48,087
BAD WEATHER ALWAYS
BRINGS IN THE CROWDS.

654
00:29:53,993 --> 00:29:56,128
THIS IS ONE
OF MY FAVORITES.

655
00:29:56,162 --> 00:29:57,796
WHAT IS?

656
00:29:58,931 --> 00:30:02,534
"WHATEVER YOU DO
TO THE LEAST
OF MY BRETHREN...

657
00:30:02,568 --> 00:30:04,236
YOU DO TO ME."

658
00:30:08,140 --> 00:30:09,475
COME ON.

659
00:30:16,048 --> 00:30:18,317
Shakes: WE NEVER SAW
THE VENDOR AS A MAN--

660
00:30:18,350 --> 00:30:20,786
NOT THE WAY WE SAW OTHER
MEN OF THE NEIGHBORHOOD.

661
00:30:20,819 --> 00:30:23,455
AND WE DIDN'T CARE
ENOUGH ABOUT HIM

662
00:30:23,489 --> 00:30:25,024
TO GRANT HIM
ANY RESPECT.

663
00:30:25,057 --> 00:30:27,493
WE GAVE LITTLE NOTICE
TO HOW HARD HE WORKED,

664
00:30:27,526 --> 00:30:30,229
OR THAT HE HAD A WIFE
AND TWO KIDS IN GREECE,

665
00:30:30,262 --> 00:30:32,464
AND HOPED TO BRING THEM
TO THIS COUNTRY.

666
00:30:32,498 --> 00:30:35,501
WE DIDN'T PAY ATTENTION
TO THE LONG HOURS HE WORKED.

667
00:30:35,534 --> 00:30:36,969
WE DIDN'T SEE
ANY OF THAT.

668
00:30:37,003 --> 00:30:39,271
WE ONLY SAW A FREE LUNCH.

669
00:30:41,240 --> 00:30:43,509
THOMAS MARCANO,
THE COURT HEREBY
SENTENCES YOU

670
00:30:43,542 --> 00:30:46,578
TO BE REMANDED
FOR A PERIOD OF NO MORE
THAN 18 MONTHS,

671
00:30:46,612 --> 00:30:47,980
NO LESS THAN ONE YEAR,

672
00:30:48,014 --> 00:30:50,049
AT THE WILKINSON HOME
FOR BOYS.

673
00:30:50,082 --> 00:30:53,085
JOHN REILLY,
THE COURT HEREBY
SENTENCES YOU

674
00:30:53,119 --> 00:30:55,721
TO BE REMANDED
FOR A PERIOD OF NO MORE
THAN 18 MONTHS,

675
00:30:55,754 --> 00:30:57,156
NO LESS THAN ONE YEAR,

676
00:30:57,189 --> 00:30:58,991
TO THE WILKINSON HOME
FOR BOYS.

677
00:30:59,025 --> 00:31:01,060
LORENZO CARCATERRA,

678
00:31:01,093 --> 00:31:02,728
TAKING INTO CONSIDERATION

679
00:31:02,761 --> 00:31:04,997
THAT YOU ARRIVED
ON THE SCENE

680
00:31:05,031 --> 00:31:06,933
AFTER THE THEFT
HAD ALREADY OCCURRED--

681
00:31:06,966 --> 00:31:08,367
IN CONSIDERATION OF THAT,

682
00:31:08,400 --> 00:31:10,269
THE COURT HEREBY
SENTENCES YOU

683
00:31:10,302 --> 00:31:12,471
TO SERVE NO MORE
THAN ONE YEAR,

684
00:31:12,504 --> 00:31:14,941
NO LESS THAN SIX MONTHS AT
THE WILKINSON HOME FOR BOYS.

685
00:31:15,975 --> 00:31:17,376
MICHAEL SULLIVAN...

686
00:31:17,409 --> 00:31:19,078
THE COURT HEREBY
SENTENCES YOU

687
00:31:19,111 --> 00:31:21,480
TO BE REMANDED FOR A PERIOD
OF NO MORE THAN 18 MONTHS,

688
00:31:21,513 --> 00:31:24,050
NO LESS THAN ONE YEAR,
AT THE WILKINSON HOME FOR BOYS.

689
00:31:24,083 --> 00:31:25,817
AND I MIGHT ADD,

690
00:31:25,851 --> 00:31:28,154
HAD IT NOT BEEN
FOR THE INTERVENTION
OF FATHER ROBERT CARILLO,

691
00:31:28,187 --> 00:31:30,522
WHO SPOKE IN GLOWING TERMS
ON YOUR BEHALF,

692
00:31:30,556 --> 00:31:32,358
I WOULD HAVE SENTENCED YOU

693
00:31:32,391 --> 00:31:34,326
TO A MUCH STIFFER
PUNISHMENT.

694
00:31:34,360 --> 00:31:36,762
I STILL HAVE MY DOUBTS
AS TO YOUR INHERENT GOODNESS.

695
00:31:36,795 --> 00:31:39,265
ONLY TIME WILL SERVE
TO PROVE ME WRONG.

696
00:31:39,298 --> 00:31:42,001
[CLANG]

697
00:31:42,034 --> 00:31:44,003
COULD YOU DO ME
A FAVOR, FATHER?

698
00:31:44,036 --> 00:31:45,938
WHAT DO YOU WANT?
NAME IT.

699
00:31:45,972 --> 00:31:47,906
THE PAST
COUPLE OF WEEKS,

700
00:31:47,940 --> 00:31:50,776
MY MOTHER AND FATHER
LOOKED LIKE THEY WERE
READY TO KILL EACH OTHER.

701
00:31:50,809 --> 00:31:52,979
COULD YOU WATCH OVER THEM
FOR ME?

702
00:31:53,012 --> 00:31:54,880
Carillo: I WILL.

703
00:31:54,913 --> 00:31:56,848
AND NO MATTER
WHAT YOU HEAR,

704
00:31:56,882 --> 00:31:58,317
TELL THEM I'M DOING OK.

705
00:31:58,350 --> 00:32:00,452
YOU MEAN,
YOU WANT ME TO LIE?

706
00:32:02,054 --> 00:32:03,522
IT'S A GOOD LIE,
FATHER.

707
00:32:03,555 --> 00:32:05,091
YOU CAN DO IT.

708
00:32:07,759 --> 00:32:09,861
Officer: COME ON.
LET'S GO.

709
00:32:09,895 --> 00:32:12,298
BE STRONG.

710
00:32:12,331 --> 00:32:13,499
I WILL.

711
00:32:50,569 --> 00:32:54,440
Shakes:
THE WILKINSON HOME FOR BOYS
HELD 780 YOUTHFUL OFFENDERS,

712
00:32:54,473 --> 00:32:56,842
HOUSED
IN FIVE SEPARATE UNITS.

713
00:32:56,875 --> 00:32:58,444
FROM THE OUTSIDE,

714
00:32:58,477 --> 00:33:02,148
THE FACILITY RESEMBLED
WHAT THOSE WHO RAN IT
WANTED IT TO RESEMBLE:

715
00:33:02,181 --> 00:33:05,384
SOME KIND OF NICE SCHOOL
OR UNIVERSITY.

716
00:33:05,417 --> 00:33:07,419
MICHAEL, TOMMY,
JOHN, AND I

717
00:33:07,453 --> 00:33:10,056
WERE ASSIGNED
TO THE SECOND FLOOR
OF GROUP C.

718
00:33:10,089 --> 00:33:12,424
WE EACH HAD A PRIVATE
12-FOOT ROOM.

719
00:33:12,458 --> 00:33:14,993
I'D BEEN IN MY ROOM
LESS THAN AN HOUR

720
00:33:15,027 --> 00:33:16,995
WHEN THE PANIC SET IN.

721
00:33:17,029 --> 00:33:18,397
IT DOESN'T
TAKE VERY LONG

722
00:33:18,430 --> 00:33:20,366
TO KNOW HOW TOUGH
A PERSON YOU ARE

723
00:33:20,399 --> 00:33:22,434
OR HOW STRONG YOU CAN BE.

724
00:33:22,468 --> 00:33:24,903
I KNEW FROM MY FIRST DAY
AT WILKINSON

725
00:33:24,936 --> 00:33:27,506
THAT I WAS NEITHER TOUGH
NOR STRONG.

726
00:33:34,246 --> 00:33:36,348
[POUNDING AT DOOR]

727
00:33:37,983 --> 00:33:40,052
HELLO, CARCATERRA.

728
00:33:41,453 --> 00:33:43,589
TOSS YOUR CLOTHES
ON THE FLOOR.

729
00:33:43,622 --> 00:33:45,057
HERE?

730
00:33:45,091 --> 00:33:47,093
WHAT, ARE YOU EXPECTING
A DRESSING ROOM?

731
00:33:47,126 --> 00:33:48,794
WE DON'T HAVE ANY.
NOW, LOSE THE CLOTHES.

732
00:33:48,827 --> 00:33:50,296
IN FRONT OF YOU?

733
00:33:58,204 --> 00:34:00,038
LET'S GO, LET'S GO.

734
00:34:01,873 --> 00:34:04,410
[GUARD WHISTLING A TUNE]

735
00:34:10,749 --> 00:34:12,684
WHAT'S THAT PIECE OF SHIT
AROUND YOUR NECK?

736
00:34:12,718 --> 00:34:13,652
TAKE IT OFF.

737
00:34:13,685 --> 00:34:14,853
IT'S MARY...

738
00:34:14,886 --> 00:34:16,388
THE MOTHER OF GOD?

739
00:34:16,422 --> 00:34:19,458
I DON'T GIVE A FUCK
WHOSE MOTHER IT IS.
TAKE IT OFF.

740
00:34:31,970 --> 00:34:33,472
EVERYTHING.

741
00:34:33,505 --> 00:34:35,907
YOU WANT ME TO STAND HERE
NAKED?

742
00:34:35,941 --> 00:34:37,409
NOW, YOU'RE CATCHING ON.

743
00:34:37,443 --> 00:34:39,445
I KNEW
YOU HELL'S KITCHEN BOYS

744
00:34:39,478 --> 00:34:41,280
WEREN'T AS DUMB
AS EVERYONE SAYS.

745
00:34:48,520 --> 00:34:49,721
NOW WHAT?

746
00:34:52,023 --> 00:34:53,692
GET DRESSED.

747
00:34:58,564 --> 00:35:01,032
Shakes: THERE WERE FOUR GUARDS
ASSIGNED TO EACH FLOOR,

748
00:35:01,066 --> 00:35:03,001
WITH ONE--
IN OUR CASE, NOKES--

749
00:35:03,034 --> 00:35:04,170
DESIGNATED GROUP LEADER.

750
00:35:04,203 --> 00:35:06,037
FERGUSON WAS THE ONLY SON

751
00:35:06,071 --> 00:35:07,873
OF A SLAIN
NEW YORK STATE TROOPER,

752
00:35:07,906 --> 00:35:09,675
AND WAS
ON THE WAITING LIST

753
00:35:09,708 --> 00:35:13,212
FOR BOTH THE NEW YORK CITY
AND SUFFOLK COUNTY POLICE
DEPARTMENTS.

754
00:35:13,245 --> 00:35:15,447
STYLER WAS USING HIS JOB
AT WILKINSON'S

755
00:35:15,481 --> 00:35:17,516
TO FINANCE HIS WAY
THROUGH LAW SCHOOL.

756
00:35:17,549 --> 00:35:19,451
ADDISON WAS A GRADUATE
OF A LOCAL HIGH SCHOOL,

757
00:35:19,485 --> 00:35:22,421
WHO WANTED NOTHING MORE THAN
A STEADY JOB THAT PAID WELL.

758
00:35:23,822 --> 00:35:26,492
IT WAS NOT A GROUP
OF INNOCENT YOUNG BOYS
AT WILKINSON.

759
00:35:26,525 --> 00:35:28,960
MOST, IF NOT ALL, OF
THE INMATES BELONGED THERE.

760
00:35:28,994 --> 00:35:32,063
A NUMBER OF THEM WERE
RIDING OUT THEIR SECOND
AND THIRD CONVICTIONS--

761
00:35:32,097 --> 00:35:34,099
ALL WERE
VIOLENT OFFENDERS.

762
00:35:34,132 --> 00:35:36,468
FEW SEEMED SORRY
ABOUT WHAT THEY HAD DONE.

763
00:35:36,502 --> 00:35:38,604
AND AS FOR REHABILITATION?

764
00:35:38,637 --> 00:35:40,172
FORGET IT.

765
00:36:15,173 --> 00:36:17,276
HEY, WHAT THE FUCK
DID YOU DO THAT FOR?!

766
00:36:18,310 --> 00:36:20,045
YOU GOT CLOSE TO ME.

767
00:36:20,078 --> 00:36:21,613
SO?

768
00:36:21,647 --> 00:36:23,949
IT BOTHERS ME.

769
00:36:23,982 --> 00:36:26,184
I DON'T WANT
TO BE NEAR YOU

770
00:36:26,218 --> 00:36:27,619
OR YOUR CREEPED-OUT
FRIENDS.

771
00:36:38,096 --> 00:36:39,531
[BOYS YELLING
AND CHEERING]

772
00:36:40,966 --> 00:36:42,934
[BOYS' YELLS ECHOING]

773
00:37:13,098 --> 00:37:16,602
[PIERCING WHISTLE]

774
00:37:22,941 --> 00:37:26,812
YOU KNOW, YOUR TIME HERE
HASN'T TAUGHT YOU SHIT.

775
00:37:26,845 --> 00:37:30,248
YOU'RE STILL THE SAME
FUCKIN' BUNCH OF CLOWNS

776
00:37:30,282 --> 00:37:32,718
YOU WERE THE DAY
YOU WALKED IN HERE.

777
00:37:33,719 --> 00:37:35,053
OK.

778
00:37:35,086 --> 00:37:36,488
EVERYBODY GO ON BACK

779
00:37:36,522 --> 00:37:38,156
AND FINISH YOUR LUNCHES.

780
00:37:38,189 --> 00:37:39,925
THERE'S NOTHING MORE
TO SEE.

781
00:37:39,958 --> 00:37:40,992
GO ON! GO!

782
00:37:41,026 --> 00:37:42,027
SIT DOWN!

783
00:37:42,060 --> 00:37:43,462
GET OUT OF HERE!

784
00:37:45,063 --> 00:37:46,898
GO ON.

785
00:37:48,434 --> 00:37:50,569
Nokes: GO AHEAD.

786
00:37:56,442 --> 00:37:58,510
THAT GO FOR ME, TOO?

787
00:37:58,544 --> 00:38:00,412
NO, IT DON'T GO
FOR YOU.

788
00:38:00,446 --> 00:38:02,080
YOU GO BACK
TO YOUR ROOM.

789
00:38:02,113 --> 00:38:04,316
YOU'RE THROUGH
WITH YOUR LUNCH.

790
00:38:04,350 --> 00:38:05,517
GO ON.

791
00:38:06,952 --> 00:38:07,953
YOU AND ME...

792
00:38:07,986 --> 00:38:10,155
WE'RE GONNA
FINISH THIS SOMETIME
REAL SOON.

793
00:38:10,188 --> 00:38:11,623
MAYBE AT DINNER.

794
00:38:11,657 --> 00:38:13,692
SO...

795
00:38:13,725 --> 00:38:18,364
YOU HELL'S KITCHEN
BOYS GET ANY LUNCH?

796
00:38:18,397 --> 00:38:19,965
I GOT TO SMELL IT.

797
00:38:21,299 --> 00:38:24,936
YOU GOT TO SMELL IT.

798
00:38:24,970 --> 00:38:27,373
HA HA HA.
THAT'S GOOD.

799
00:38:27,406 --> 00:38:28,807
HEY, HEY, HEY,

800
00:38:28,840 --> 00:38:30,342
WHERE YOU GOING?

801
00:38:30,376 --> 00:38:32,143
YOU SAID TO GET LUNCH.

802
00:38:32,177 --> 00:38:35,647
OH, YOU BOYS DON'T
NEED TO GET BACK
IN LINE TO GET LUNCH...

803
00:38:35,681 --> 00:38:39,385
'CAUSE THERE'S PLENTY
TO EAT RIGHT WHERE
YOU'RE STANDING.

804
00:38:39,418 --> 00:38:40,919
YOU CAN SMELL IT.

805
00:38:46,257 --> 00:38:47,893
I'M NOT HUNGRY.

806
00:38:47,926 --> 00:38:51,597
WELL, I DON'T GIVE
A FUCK IF YOU'RE
HUNGRY OR NOT.

807
00:38:51,630 --> 00:38:54,533
YOU EAT BECAUSE I'M
TELLIN' YOU TO EAT.

808
00:38:58,637 --> 00:39:00,105
I'M STILL NOT HUNGRY.

809
00:39:00,138 --> 00:39:02,408
UHH! OH!

810
00:39:06,344 --> 00:39:07,946
I'LL TELL YOU WHEN
YOU'RE HUNGRY OR NOT.

811
00:39:07,979 --> 00:39:09,881
NOW EAT.

812
00:39:11,817 --> 00:39:15,253
EXCUSE ME.
WHAT THE FUCK
ARE YOU LOOKING AT?

813
00:39:15,286 --> 00:39:17,556
GET THE FUCK DOWN
ON YOUR KNEES NOW

814
00:39:17,589 --> 00:39:20,392
AND FINISH
YOUR GODDAMN LUNCH!

815
00:39:20,426 --> 00:39:21,693
COME ON, NOW, EAT!

816
00:39:21,727 --> 00:39:23,695
DON'T THINK
YOU GOT ALL
FUCKING DAY HERE.

817
00:39:23,729 --> 00:39:24,596
EAT.

818
00:39:24,630 --> 00:39:26,598
YOU GOT SOME
MASHED POTATOES...

819
00:39:26,632 --> 00:39:28,434
COME ON, SUCK UP
SOME OF THAT JELL-O.

820
00:39:28,467 --> 00:39:30,702
COME ON,
YOU FUCKING
ASSHOLES, EAT.

821
00:39:30,736 --> 00:39:31,970
DON'T BE THINKIN'
YOU GOT ALL DAY.

822
00:39:32,003 --> 00:39:35,006
HURRY UP.
COME ON, NOW,
LET'S GO. LET'S GO.

823
00:39:35,040 --> 00:39:37,909
HEY,
NONE OF YOU CLOWNS
ARE LEAVIN' HERE

824
00:39:37,943 --> 00:39:40,412
UNTIL THESE
ASSHOLES FINISH
THEIR GODDAMN LUNCH.

825
00:39:40,446 --> 00:39:41,913
YOU GOT THAT?

826
00:39:41,947 --> 00:39:44,015
HEY, YOU, HERE'S
A PIECE OF BREAD.
THERE YOU GO.

827
00:39:44,049 --> 00:39:46,117
YOU CAN'T HAVE
A GOOD LUNCH WITHOUT
A NICE PIECE OF BREAD.

828
00:39:46,151 --> 00:39:47,352
EAT!

829
00:39:47,385 --> 00:39:49,354
LET'S GO.
COME ON, NOW.

830
00:39:49,387 --> 00:39:50,622
THAT'S GOOD,
THAT'S GOOD.

831
00:39:50,656 --> 00:39:52,958
YEAH, SHOW THE BOYS
HOW YOU FOLLOW MY RULES.

832
00:39:52,991 --> 00:39:54,125
RULES!

833
00:39:54,159 --> 00:39:56,528
YOU UNDERSTAND?

834
00:39:56,562 --> 00:39:59,665
HEY, LOOK, BOYS, SEE
HOW HE FOLLOWS MY RULES?

835
00:39:59,698 --> 00:40:01,733
SHIFT'S OVER, NOKES.

836
00:40:01,767 --> 00:40:04,169
NO, I-I-I'M NOT
READY TO GO YET.

837
00:40:04,202 --> 00:40:06,972
I STILL GOT
A FEW MORE THINGS
I GOT TO CLEAN UP HERE

838
00:40:07,005 --> 00:40:08,273
BEFORE I CAN LEAVE.

839
00:40:08,306 --> 00:40:09,741
THIS IS MY TOUR NOW.

840
00:40:09,775 --> 00:40:11,042
I'LL CLEAN
WHAT NEEDS CLEANIN'.

841
00:40:11,076 --> 00:40:14,045
STAY OUTTA THIS ONE.
IT'S GOT NOTHIN'
TO DO WITH YOU.

842
00:40:14,079 --> 00:40:15,080
THIS ONE...

843
00:40:15,113 --> 00:40:16,715
I'M STAYIN' IN.

844
00:40:20,552 --> 00:40:22,454
DON'T FUCK
WITH ME, BOY.

845
00:40:24,890 --> 00:40:26,492
NO, NOKES...

846
00:40:26,525 --> 00:40:29,394
YOU FUCK WITH ME.

847
00:40:29,427 --> 00:40:31,863
I'M ASKIN' YOU.

848
00:40:37,803 --> 00:40:40,105
YOU'RE EATIN'
INTO MY SHIFT.

849
00:40:42,407 --> 00:40:45,110
I'LL GET OUTTA YOUR WAY...

850
00:40:45,143 --> 00:40:47,178
FOR NOW.

851
00:40:47,212 --> 00:40:49,114
I'LL TAKE
WHAT I CAN GET.

852
00:40:50,916 --> 00:40:53,819
YOU BOYS
GET OFF YOUR KNEES.

853
00:41:06,097 --> 00:41:07,566
IT'S A TRAGEDY.

854
00:41:07,599 --> 00:41:09,768
I'LL TELL YA...

855
00:41:09,801 --> 00:41:12,203
I DON'T UNDERSTAND YOU BOYS.

856
00:41:12,237 --> 00:41:14,740
I DON'T THINK YOU KNOW
WHAT IT MEANS TO HAVE RULES.

857
00:41:14,773 --> 00:41:17,843
YOU GOT TO HAVE RULES,
AND YOU GOT TO HAVE
DISCIPLINE.

858
00:41:17,876 --> 00:41:20,345
I DON'T KNOW WHAT IT
WAS LIKE IN YOUR HOMES
AND YOUR HOME LIVES,

859
00:41:20,378 --> 00:41:23,014
BUT IN MY HOUSE,
WITH MY FATHER...

860
00:41:23,048 --> 00:41:24,482
THERE WERE RULES,

861
00:41:24,516 --> 00:41:26,484
AND IF YOU DIDN'T
FOLLOW THE RULES,

862
00:41:26,518 --> 00:41:28,419
THERE WAS HELL TO PAY.

863
00:41:28,453 --> 00:41:32,057
YOU HAD RULES,
AND YOU HAD DISCIPLINE.

864
00:41:32,090 --> 00:41:36,194
SOMETIMES IT WASN'T NICE,
BUT, BOY, WE LEARNED.

865
00:41:36,227 --> 00:41:38,797
WE SURE DID LEARN.

866
00:41:38,830 --> 00:41:40,666
YEAH, RIGHT AROUND THERE
TO THE RIGHT.

867
00:41:40,699 --> 00:41:43,201
THERE YOU GO.
COME ON, NOW.

868
00:41:48,073 --> 00:41:50,609
I MEAN, IT'S
A SIMPLE THING, REALLY.

869
00:41:50,642 --> 00:41:53,511
YOU GOT RULES,
AND YOU GOT DISCIPLINE.

870
00:41:53,545 --> 00:41:58,083
THAT'S THE BEGINNING
OF THE STORY, AND THAT'S
THE END OF THE STORY.

871
00:42:03,589 --> 00:42:05,757
DO WE UNDERSTAND
EACH OTHER?

872
00:42:05,791 --> 00:42:07,959
TURN AND FACE THE WALL.

873
00:42:16,301 --> 00:42:19,838
Nokes: NOW, WE GOT
INTERRUPTED EARLIER
IN THE LUNCHROOM,

874
00:42:19,871 --> 00:42:24,175
BUT THERE'S NO ONE TO
INTERRUPT US HERE NOW.

875
00:42:24,209 --> 00:42:26,612
[UNZIPS ZIPPER]

876
00:42:33,151 --> 00:42:35,053
WHAT DO YOU WANT?

877
00:42:37,022 --> 00:42:38,156
A BLOW JOB.

878
00:42:45,597 --> 00:42:47,799
DOWN ON YOUR KNEES.

879
00:42:51,102 --> 00:42:52,137
FACE THE WALL.

880
00:42:52,170 --> 00:42:53,338
[THWACK]
AAH!

881
00:42:58,576 --> 00:43:00,078
AAH!

882
00:43:03,214 --> 00:43:05,350
AAAH!

883
00:43:09,554 --> 00:43:13,291
Shakes: THERE ARE
NO CLEAR PICTURES OF THE
SEXUAL ABUSE WE ENDURED.

884
00:43:13,324 --> 00:43:16,862
I BURIED IT AS DEEP
AS IT COULD POSSIBLY GO.

885
00:43:16,895 --> 00:43:19,497
WHAT I REMEMBER MOST CLEARLY
FROM THAT CHILLY OCTOBER NIGHT

886
00:43:19,530 --> 00:43:22,000
WAS THAT IT WAS
MY 14th BIRTHDAY...

887
00:43:22,033 --> 00:43:24,703
AND THE END OF MY CHILDHOOD.

888
00:43:34,045 --> 00:43:37,615
EARLY IN MY STAY,
I'D WRITTEN AND ASKED
MY FATHER NOT TO COME.

889
00:43:37,649 --> 00:43:41,552
I COULDN'T LOOK AT MY FATHER
AND HAVE HIM SEE IN MY FACE
ALL THAT HAD HAPPENED TO ME.

890
00:43:41,586 --> 00:43:44,890
MICHAEL HAD DONE THE SAME
WITH THE INTERESTED MEMBERS
OF HIS FAMILY.

891
00:43:44,923 --> 00:43:47,125
TOMMY'S MOTHER COULDN'T
GET IT TOGETHER TO VISIT.

892
00:43:47,158 --> 00:43:50,095
JOHN'S MOTHER CAME UP
ONCE A MONTH.

893
00:43:52,330 --> 00:43:56,034
BUT NO ONE COULD STOP
FATHER BOBBY FROM VISITING.

894
00:43:56,067 --> 00:44:00,939
SO LISTEN, LET'S
TRY TO KEEP THIS
ON A HAPPY NOTE, OK?

895
00:44:00,972 --> 00:44:04,042
NOKES WARNED US NOT TO SAY
ANYTHING TO FATHER BOBBY.

896
00:44:04,075 --> 00:44:05,376
IF WE DID,

897
00:44:05,410 --> 00:44:07,278
THE REPRISALS
WOULD BE SEVERE.

898
00:44:21,426 --> 00:44:23,461
YOU LOST A FEW POUNDS.

899
00:44:23,494 --> 00:44:26,732
IT'S NOT EXACTLY
HOME COOKIN'.

900
00:44:26,765 --> 00:44:27,933
SIT DOWN.

901
00:44:29,300 --> 00:44:32,470
SO, I GET TO
SEE ALL FOUR
OF YOU GUYS TODAY.

902
00:44:32,503 --> 00:44:33,972
Shakes: I LOVED
FATHER BOBBY,

903
00:44:34,005 --> 00:44:36,708
BUT I COULDN'T STAND
TO LOOK AT HIM.

904
00:44:36,742 --> 00:44:38,143
I WAS AFRAID HE'D
LOOK RIGHT THROUGH ME,

905
00:44:38,176 --> 00:44:39,711
PAST THE FEAR
AND THE SHAME,

906
00:44:39,745 --> 00:44:41,512
RIGHT THROUGH
TO THE TRUTH.

907
00:44:41,546 --> 00:44:44,549
SHAKES, IS THERE
ANYTHING YOU WANT
TO TELL ME?

908
00:44:44,582 --> 00:44:48,286
ANYTHING AT ALL?

909
00:44:48,319 --> 00:44:51,222
YOU SHOULDN'T COME
HERE ANYMORE, FATHER.

910
00:44:52,824 --> 00:44:55,126
I APPRECIATE IT
AND ALL...

911
00:44:55,160 --> 00:44:58,363
I DON'T THINK
IT'S THE RIGHT THING
FOR YOU TO DO.

912
00:45:22,220 --> 00:45:24,990
I STOPPED OFF AT HACKETT
TODAY ON MY WAY UP HERE

913
00:45:25,023 --> 00:45:27,225
TO SEE AN OLD FRIEND
OF MINE.

914
00:45:27,258 --> 00:45:30,161
YOU HAVE ANY FRIENDS
NOT IN JAIL?

915
00:45:30,195 --> 00:45:32,864
NOT AS MANY
AS I WOULD LIKE.

916
00:45:32,898 --> 00:45:35,600
WHAT'S HE IN FOR?

917
00:45:35,633 --> 00:45:38,069
TRIPLE MURDER.

918
00:45:38,103 --> 00:45:40,972
HE KILLED THREE MEN
ABOUT 15 YEARS AGO.

919
00:45:41,006 --> 00:45:43,441
AND HE'S
A GOOD FRIEND?

920
00:45:43,474 --> 00:45:45,811
YEAH. HE WAS
MY BEST FRIEND.

921
00:45:47,712 --> 00:45:49,447
WE HUNG OUT TOGETHER.

922
00:45:49,480 --> 00:45:52,450
WE WERE CLOSE,
JUST LIKE YOU
AND THE GUYS.

923
00:46:03,694 --> 00:46:06,231
WE WERE BOTH
SENT UP HERE.

924
00:46:08,699 --> 00:46:10,335
THAT'S RIGHT.

925
00:46:12,938 --> 00:46:15,874
AND IT WASN'T EASY...

926
00:46:15,907 --> 00:46:20,678
JUST LIKE
IT'S NOT EASY
FOR YOU AND THE GUYS.

927
00:46:20,711 --> 00:46:22,981
THIS PLACE KILLED HIM.

928
00:46:23,014 --> 00:46:25,083
MADE HIM NOT CARE ANYMORE.

929
00:46:29,054 --> 00:46:31,622
DON'T LET THIS PLACE
DO THAT TO YOU, SHAKES.

930
00:46:31,656 --> 00:46:36,427
DON'T LET IT MAKE YOU
THINK YOU'RE TOUGHER
THAN YOU ARE.

931
00:46:36,461 --> 00:46:38,129
I'VE GOTTA GO, FATHER.

932
00:46:44,435 --> 00:46:46,004
[SNIFF]

933
00:46:46,037 --> 00:46:49,574
I'LL SEE YOU
IN THE KITCHEN, HMM?

934
00:46:49,607 --> 00:46:52,277
I'M COUNTIN'
ON YOU, NOW.

935
00:46:52,310 --> 00:46:54,445
WIPE THE TEARS
OFF YOUR FACE.

936
00:46:54,479 --> 00:46:55,881
DON'T LET THEM SEE 'EM.

937
00:46:55,914 --> 00:46:58,816
DON'T LET THEM
SEE YOU CRYING.

938
00:46:58,850 --> 00:47:00,986
DON'T GIVE THEM
THE SATISFACTION.

939
00:47:03,554 --> 00:47:05,857
YOU'LL BE OUTTA HERE
BEFORE YOU KNOW IT.

940
00:47:09,127 --> 00:47:10,828
YOU'RE GONNA BE OK.

941
00:47:16,701 --> 00:47:19,537
Shakes: I DIDN'T WANT
TO LET HIM GO.

942
00:47:19,570 --> 00:47:24,509
I NEVER FELT AS CLOSE
TO ANYONE AS I FELT
TO HIM THAT MOMENT.

943
00:47:29,547 --> 00:47:32,350
A NUMBER OF THE INMATES,
AS TOUGH AS THEY ACTED
DURING THE DAY,

944
00:47:32,383 --> 00:47:35,486
WOULD OFTEN CRY THEMSELVES
TO SLEEP AT NIGHT.

945
00:47:35,520 --> 00:47:37,655
THERE WERE OTHER CRIES, TOO.

946
00:47:37,688 --> 00:47:40,525
THESE DIFFERED
FROM THOSE FILLED
WITH FEAR AND LONELINESS.

947
00:47:40,558 --> 00:47:42,894
THEY WERE LOW AND MUFFLED,

948
00:47:42,928 --> 00:47:45,563
THE SOUNDS
OF PAINED ANGUISH.

949
00:47:45,596 --> 00:47:48,833
THOSE CRIES CAN CHANGE
THE COURSE OF A LIFE.

950
00:47:48,866 --> 00:47:50,101
THEY ARE CRIES THAT,
ONCE HEARD,

951
00:47:50,135 --> 00:47:52,337
CAN NEVER BE ERASED
FROM MEMORY.

952
00:47:52,370 --> 00:47:55,773
ON THIS ONE NIGHT,
THOSE CRIES BELONGED
TO MY FRIEND JOHN,

953
00:47:55,806 --> 00:47:58,543
WHEN RALPH FERGUSON
PAID HIM A VISIT.

954
00:48:14,259 --> 00:48:17,828
I WAS EXPECTING
TO READ 30 BOOK REPORTS
OVER THE WEEKEND.

955
00:48:17,862 --> 00:48:20,031
THERE WERE ONLY 6
FOR ME TO READ,

956
00:48:20,065 --> 00:48:21,933
WHICH MEANS I'M MISSING
HOW MANY?

957
00:48:21,967 --> 00:48:24,635
MAN, THIS IS
ENGLISH CLASS.

958
00:48:24,669 --> 00:48:26,904
MATH'S DOWN THE HALL.

959
00:48:29,807 --> 00:48:31,142
I WANT TO HELP YOU.

960
00:48:31,176 --> 00:48:33,011
YOU MAY NOT
BELIEVE THAT,

961
00:48:33,044 --> 00:48:36,047
OR YOU MAY NOT CARE,
BUT IT'S THE TRUTH.

962
00:48:36,081 --> 00:48:37,983
[BELL RINGS]

963
00:48:42,620 --> 00:48:44,055
YOU GOT A SECOND?

964
00:48:44,089 --> 00:48:46,024
WHAT, I DO
SOMETHING WRONG?

965
00:48:46,057 --> 00:48:49,260
NO. YOU DID
A GREAT JOB ON
YOUR BOOK REPORT.

966
00:48:49,294 --> 00:48:52,630
YOU REALLY SEEMED
TO LIKE THE BOOK.

967
00:48:52,663 --> 00:48:53,698
THE COUNT OF MONTE CRISTO.

968
00:48:53,731 --> 00:48:55,100
IT'S MY FAVORITE.

969
00:48:55,133 --> 00:48:57,535
I LIKED IT MORE
SINCE I'VE BEEN IN HERE.

970
00:48:57,568 --> 00:48:59,437
WHY IS THAT?

971
00:48:59,470 --> 00:49:01,272
IT'S LIKE...

972
00:49:01,306 --> 00:49:04,875
HE WOULDN'T LET
ANYONE BEAT HIM,
THE COUNT.

973
00:49:04,909 --> 00:49:06,444
TOOK WHAT
HE HAD TO TAKE--

974
00:49:06,477 --> 00:49:09,580
THE BEATINGS,
INSULTS, WHATEVER--

975
00:49:09,614 --> 00:49:11,749
AND HE LEARNED FROM IT.

976
00:49:11,782 --> 00:49:13,884
THEN WHEN THE TIME
CAME FOR HIM
TO DO SOMETHING,

977
00:49:13,918 --> 00:49:15,987
HE MADE HIS MOVE.

978
00:49:16,021 --> 00:49:18,056
YOU ADMIRE THAT?

979
00:49:18,089 --> 00:49:20,992
NO, I RESPECT THAT.

980
00:49:21,026 --> 00:49:23,328
YOU-- YOU GOT A COPY
OF THE BOOK AT HOME?

981
00:49:23,361 --> 00:49:26,831
I GOT THE CLASSICS
ILLUSTRATED COMIC.

982
00:49:26,864 --> 00:49:28,066
NO, IT'S NOT
THE SAME THING.

983
00:49:28,099 --> 00:49:29,667
LISTEN, I GOTTA GO.

984
00:49:29,700 --> 00:49:31,002
I'M GONNA MISS--

985
00:49:31,036 --> 00:49:32,403
WAIT, WAIT.
ONE MINUTE, ONE MINUTE.

986
00:49:32,437 --> 00:49:34,805
I'VE GOT
SOMETHING FOR YOU.

987
00:49:34,839 --> 00:49:37,575
THOUGHT YOU MIGHT
LIKE TO HAVE IT.

988
00:49:37,608 --> 00:49:39,144
ARE YOU SERIOUS?

989
00:49:39,177 --> 00:49:40,545
WELL, YOU LOVED
THE BOOK THAT MUCH,

990
00:49:40,578 --> 00:49:42,047
YOU SHOULD HAVE
A COPY OF YOUR OWN.

991
00:49:42,080 --> 00:49:44,115
I CAN'T PAY YOU.

992
00:49:44,149 --> 00:49:46,017
NO, IT'S A GIFT.

993
00:49:46,051 --> 00:49:47,718
YOU'VE GOTTEN GIFTS
BEFORE, HAVEN'T YOU?

994
00:49:47,752 --> 00:49:49,887
IT'S BEEN A WHILE.

995
00:49:49,920 --> 00:49:52,590
WELL, IT'S MY WAY
OF SAYING THANKS.

996
00:49:52,623 --> 00:49:53,891
FOR WHAT?

997
00:49:53,924 --> 00:49:55,926
THAT SOMEBODY
LISTENS...

998
00:49:55,960 --> 00:49:58,129
EVEN IF IT'S
JUST ONE STUDENT.

999
00:49:58,163 --> 00:49:59,697
YOU'RE A GOOD TEACHER,
MR. CARLSON.

1000
00:49:59,730 --> 00:50:01,299
WE CAN DISCUSS
THE BOOK ON FRIDAY
IN CLASS,

1001
00:50:01,332 --> 00:50:03,901
IF YOU, UH, THINK
THE COUNT CAN HOLD
THEIR ATTENTION.

1002
00:50:03,934 --> 00:50:05,403
HE'S GOT A SHOT.

1003
00:50:05,436 --> 00:50:07,772
ANY PARTICULAR SECTION
I SHOULD READ FROM?

1004
00:50:07,805 --> 00:50:09,040
THAT'S EASY.

1005
00:50:09,074 --> 00:50:11,509
THE PART WHERE HE
ESCAPES FROM PRISON.

1006
00:50:24,189 --> 00:50:27,258
HERE YOU GO.
HERE'S YOUR
LOCKER ROOM.

1007
00:50:33,364 --> 00:50:36,434
Shakes: IT WAS ONLY A GAME.

1008
00:50:36,467 --> 00:50:39,637
JUST A TOUCH FOOTBALL GAME,
NOTHING MORE,

1009
00:50:39,670 --> 00:50:42,673
BUT A GAME I WISH
WE HAD NEVER PLAYED.

1010
00:50:42,707 --> 00:50:44,509
GUARDS AGAINST INMATES.

1011
00:50:44,542 --> 00:50:47,212
THE GUARDS PRACTICED
4 TIMES A WEEK.

1012
00:50:47,245 --> 00:50:50,315
OUR TEAM WAS PICKED
THE MONDAY BEFORE THE GAME.

1013
00:50:50,348 --> 00:50:52,750
WE HAD A 2-HOUR PRACTICE.

1014
00:50:52,783 --> 00:50:54,051
DIDN'T MATTER MUCH.

1015
00:50:54,085 --> 00:50:56,020
WE WEREN'T SUPPOSED TO WIN.

1016
00:50:56,053 --> 00:50:58,089
WE WERE JUST
SUPPOSED TO SHOW UP.

1017
00:50:58,123 --> 00:51:00,291
WHO'S THE TOUGHEST
GUY OUT HERE?

1018
00:51:00,325 --> 00:51:02,360
HOW DO YOU MEAN,
TOUGH?

1019
00:51:02,393 --> 00:51:03,828
WHO CAN TALK
AND HAVE EVERYONE
LISTEN?

1020
00:51:03,861 --> 00:51:04,862
RIZZO.

1021
00:51:04,895 --> 00:51:06,331
BLACK KID OVER THERE.

1022
00:51:08,199 --> 00:51:09,467
Shakes: MICHAEL
SAW AN OPENING,

1023
00:51:09,500 --> 00:51:11,669
A CHANCE TO BRING
THE GAME TO OUR LEVEL--

1024
00:51:11,702 --> 00:51:13,037
EVEN OUT THE FIELD,

1025
00:51:13,070 --> 00:51:14,839
BUT HE NEEDED HELP.

1026
00:51:14,872 --> 00:51:16,307
HE NEEDED RIZZO.

1027
00:51:16,341 --> 00:51:18,409
BLACK KID
WITH AN ITALIAN NAME.

1028
00:51:18,443 --> 00:51:21,812
WITH RIZZO ON OUR SIDE,
WE HAD A CHANCE.

1029
00:51:21,846 --> 00:51:23,148
LOOK, WHITE BOY,

1030
00:51:23,181 --> 00:51:24,549
I DON'T KNOW
WHAT YOU PLAY
IN THE STREETS.

1031
00:51:24,582 --> 00:51:25,383
I DON'T CARE,

1032
00:51:25,416 --> 00:51:27,218
BUT IN HERE,
THE GUARDS
CALL THE PLAY,

1033
00:51:27,252 --> 00:51:28,519
AND THE PLAY
CALLS THEM
TO WIN THE GAME.

1034
00:51:28,553 --> 00:51:29,587
WHY?

1035
00:51:29,620 --> 00:51:30,688
OH, MAN...

1036
00:51:30,721 --> 00:51:33,124
GUARDS STEER CLEAR
OF ME, ALL RIGHT?

1037
00:51:33,158 --> 00:51:34,625
THEY STAY BACK
AND LET ME DO
MY TIME.

1038
00:51:34,659 --> 00:51:36,961
IF I PLAY IN A GAME
AND I PUT A HURTIN'
ON ONE OF THEM,

1039
00:51:36,994 --> 00:51:38,463
THAT JUST MIGHT
CHANGE MY CUSHION.

1040
00:51:38,496 --> 00:51:40,331
I'M NOT SAYING
WE GOTTA WIN.

1041
00:51:40,365 --> 00:51:42,300
I JUST DON'T WANT TO
TAKE A BEATIN'.

1042
00:51:42,333 --> 00:51:44,068
WE DO EVERY DAY.

1043
00:51:44,101 --> 00:51:45,503
WHY'S SATURDAY
SPECIAL?

1044
00:51:45,536 --> 00:51:48,773
'CAUSE ON SATURDAY,
WE CAN HIT BACK.

1045
00:51:48,806 --> 00:51:49,807
REALLY?

1046
00:51:49,840 --> 00:51:52,243
THEY DON'T
FUCK WITH YOU
LIKE THEY DO US,

1047
00:51:52,277 --> 00:51:53,878
BUT THEY FUCK WITH YOU
ANOTHER WAY.

1048
00:51:53,911 --> 00:51:55,980
YOU'RE JUST
AN ANIMAL TO 'EM.

1049
00:51:56,013 --> 00:51:57,282
I DON'T GIVE A FUCK.

1050
00:51:57,315 --> 00:51:58,916
YEAH, YOU DO.

1051
00:51:58,949 --> 00:52:00,385
AND BEATIN' THEM
ON SATURDAY,

1052
00:52:00,418 --> 00:52:02,187
THAT'S NOT GOING TO
CHANGE A THING.

1053
00:52:02,220 --> 00:52:03,954
THEN WHY,
WHITE BOY? WHY?

1054
00:52:03,988 --> 00:52:06,957
TO MAKE THEM FEEL
WHAT WE FEEL...

1055
00:52:06,991 --> 00:52:08,826
JUST FOR
A COUPLE OF HOURS.

1056
00:52:10,495 --> 00:52:12,530
NOW, DON'T TRY
ANYTHING FUNNY, SAMBO.

1057
00:52:12,563 --> 00:52:14,999
NOBODY'LL GET HURT.
YOU KNOW WHAT
I'M SAYIN'?

1058
00:52:15,032 --> 00:52:16,167
I CALL HEADS.

1059
00:52:16,201 --> 00:52:18,469
HE CALLS HEADS.

1060
00:52:18,503 --> 00:52:21,472
HE CALLED HEADS.
IT IS A HEAD.

1061
00:52:23,040 --> 00:52:24,242
LET'S GO.

1062
00:52:34,285 --> 00:52:36,254
YOU'RE GONNA DIE,
MOTHERFUCKER.

1063
00:52:36,287 --> 00:52:38,155
YOU'RE GONNA
FUCKIN' DIE.

1064
00:52:47,832 --> 00:52:50,535
NONE OF YOU
MOTHERFUCKERS
CAN COVER ME!

1065
00:52:50,568 --> 00:52:52,403
WE GOT OURSELVES
A GAME!

1066
00:52:52,437 --> 00:52:54,004
I'M FEELIN'
GOOD TODAY.

1067
00:52:54,038 --> 00:52:56,341
THIS SHIT FEELS GOOD.

1068
00:53:18,829 --> 00:53:19,897
YEAH!

1069
00:53:23,834 --> 00:53:26,537
YEAH, KEEP SMILING,
YOU LITTLE PISSANT.

1070
00:53:26,571 --> 00:53:27,905
YEAH.

1071
00:53:27,938 --> 00:53:32,277
FOR 90 MINUTES, WE TOOK
THE GAME OUT OF THE PRISON,

1072
00:53:32,310 --> 00:53:34,512
MOVED IT MILES
BEYOND THE LOCKED GATES

1073
00:53:34,545 --> 00:53:37,248
AND THE SLOPING HILLS
OF THE SURROUNDING
COUNTRYSIDE.

1074
00:53:37,282 --> 00:53:38,783
WE BROUGHT IT BACK DOWN
TO THE STREETS

1075
00:53:38,816 --> 00:53:40,985
OF THE NEIGHBORHOODS
WE'D COME FROM.

1076
00:53:41,018 --> 00:53:44,622
FOR THOSE 90 MINUTES,
WE WERE ONCE AGAIN FREE.

1077
00:54:03,207 --> 00:54:05,943
[CHANTING]
RIZZO! RIZZO! RIZZO!

1078
00:54:05,976 --> 00:54:07,978
[CHANTING CONTINUES]

1079
00:54:13,318 --> 00:54:15,420
RIZZO...

1080
00:54:16,321 --> 00:54:18,589
RIZZO...

1081
00:54:18,623 --> 00:54:21,058
RIZZO...

1082
00:54:21,091 --> 00:54:22,026
RIZZO! RIZZO!

1083
00:54:22,059 --> 00:54:23,994
HEY, NOKES...

1084
00:54:24,028 --> 00:54:25,430
GOOD GAME.

1085
00:54:27,898 --> 00:54:30,000
Shakes: FOR ONCE,
WE HAD A VICTORY,

1086
00:54:30,034 --> 00:54:31,268
BUT IT DIDN'T LAST.

1087
00:54:31,302 --> 00:54:34,071
IT COULDN'T LAST.

1088
00:54:34,104 --> 00:54:37,174
AND ALL I WANTED TO DO
WAS DIE.

1089
00:54:37,207 --> 00:54:39,410
I WAS NOT ALONE
IN THE HOLE.

1090
00:54:39,444 --> 00:54:41,912
I KNEW MY FRIENDS WERE DOWN
IN THE DEPTHS WITH ME--

1091
00:54:41,946 --> 00:54:44,615
EACH IN HIS OWN CELL,
EACH IN HIS OWN PAIN,

1092
00:54:44,649 --> 00:54:46,417
SUFFERING HIS OWN DEMONS.

1093
00:54:46,451 --> 00:54:48,553
RIZZO WAS THERE, TOO.

1094
00:54:50,788 --> 00:54:53,858
I HAD LOST
ANY SENSE OF TIME.

1095
00:55:33,330 --> 00:55:35,366
THOUGHT YOU'D
NEVER WAKE UP.

1096
00:55:35,400 --> 00:55:37,602
THOUGHT I'D
NEVER WANT TO.

1097
00:55:37,635 --> 00:55:42,206
JOHN AND TOMMY ARE
ON THE OTHER
SIDE THERE.

1098
00:55:42,239 --> 00:55:45,042
HOW ARE THEY?

1099
00:55:45,075 --> 00:55:46,544
THEY'RE ALIVE.

1100
00:55:47,912 --> 00:55:49,447
WHO ISN'T?

1101
00:55:50,948 --> 00:55:52,850
RIZZO.

1102
00:55:54,385 --> 00:55:56,086
THEY KILLED HIM?

1103
00:55:57,522 --> 00:55:59,557
THEY TOOK TURNS
BEATIN' HIM,

1104
00:55:59,590 --> 00:56:03,794
UNTIL THERE WAS
NOTHING TO THAT KID
TO BEAT.

1105
00:56:06,497 --> 00:56:09,500
RIZZO WAS DEAD
BECAUSE OF US.

1106
00:56:09,534 --> 00:56:12,069
WE MADE HIM THINK THAT
GOING UP AGAINST THE GUARDS

1107
00:56:12,102 --> 00:56:14,872
AT A MEANINGLESS
FOOTBALL GAME
HAD SOME VALUE,

1108
00:56:14,905 --> 00:56:18,008
THAT IT WOULD GIVE US
A REASON TO GO ON.

1109
00:56:18,042 --> 00:56:20,878
ONCE AGAIN, WE WERE WRONG.

1110
00:56:22,613 --> 00:56:24,314
THEY GIVE YOU YOUR
RELEASE DATE YET?

1111
00:56:24,348 --> 00:56:26,617
NOKES HAD THE LETTER
FROM THE WARDEN...

1112
00:56:26,651 --> 00:56:29,520
WAVED IT
IN FRONT OF ME
AND THEN TORE IT UP.

1113
00:56:29,554 --> 00:56:31,288
WHEN DO YOU FIGURE?

1114
00:56:31,321 --> 00:56:35,325
I DON'T KNOW.
END OF SPRING, EARLY
SUMMER OR SOMETHING.

1115
00:56:35,359 --> 00:56:37,862
WISH WE WERE
COMIN' WITH YA.

1116
00:56:37,895 --> 00:56:41,298
WOULD HAVE BEEN NICE
FOR ALL OF US TO WALK OUT
TOGETHER, YOU KNOW.

1117
00:56:41,331 --> 00:56:42,900
NO USE THINKIN'
ABOUT THAT.

1118
00:56:42,933 --> 00:56:46,170
WE'RE GONNA DO
A FULL YEAR,
NOT AN HOUR LESS.

1119
00:56:46,203 --> 00:56:50,975
WHEN I GET OUT,
I GOT TO GO FIND BOBBY TO
MAKE A COUPLE PHONE CALLS.

1120
00:56:51,008 --> 00:56:52,209
SHAVIN' ONCE TOO OFTEN.

1121
00:56:52,242 --> 00:56:53,744
THERE'S NOTHIN'
TO TALK ABOUT.

1122
00:56:53,778 --> 00:56:55,412
THERE'S A LOT
TO TALK ABOUT.

1123
00:56:55,446 --> 00:56:59,183
MAYBE IF PEOPLE KNEW
WHAT WAS GOING ON IN
HERE, THEY'D MAKE A MOVE.

1124
00:56:59,216 --> 00:57:01,385
I DON'T WANT
ANYBODY TO KNOW.

1125
00:57:01,418 --> 00:57:07,024
NOT FATHER BOBBY,
KING BENNY, FAT MANCHO,
NOT MY MOTHER...

1126
00:57:07,057 --> 00:57:09,093
NOBODY.

1127
00:57:09,126 --> 00:57:10,461
YEAH.
I DON'T, EITHER.

1128
00:57:10,495 --> 00:57:13,931
I MEAN, I WOULDN'T
KNOW WHAT TO SAY TO
ANYONE WHO DID KNOW.

1129
00:57:13,964 --> 00:57:17,034
I CAN'T THINK
OF ANYBODY WHO NEEDS
TO HEAR ABOUT IT.

1130
00:57:17,067 --> 00:57:19,169
I MEAN, EITHER
THEY WON'T BELIEVE IT,

1131
00:57:19,203 --> 00:57:21,138
OR THEY WON'T
GIVE A SHIT.

1132
00:57:21,171 --> 00:57:23,140
YEAH, I DON'T EVEN
THINK WE SHOULD
TALK ABOUT IT

1133
00:57:23,173 --> 00:57:25,543
ONCE IT'S OVER,
YOU KNOW?

1134
00:57:25,576 --> 00:57:28,278
WE GOT NO CHOICE
BUT TO LIVE WITH IT,

1135
00:57:28,312 --> 00:57:31,381
AND TALKIN' MAKES
LIVIN' IT HARDER.

1136
00:57:31,415 --> 00:57:34,184
SO MIGHT AS WELL
NOT EVEN TALK ABOUT IT.

1137
00:57:34,218 --> 00:57:36,086
THE TRUTH STAYS WITH US.

1138
00:57:38,923 --> 00:57:42,192
I WANT TO BE ABLE TO SLEEP
ONE NIGHT...

1139
00:57:42,226 --> 00:57:44,762
AND NOT HAVE TO WORRY
WHO'S COMING IN MY ROOM,

1140
00:57:44,795 --> 00:57:45,963
WHAT'S GONNA HAPPEN TO ME.

1141
00:57:49,767 --> 00:57:52,336
IF I CAN GET THAT...

1142
00:57:52,369 --> 00:57:53,904
THEN I'LL BE HAPPY.

1143
00:57:56,306 --> 00:57:58,075
SOMEDAY, JOHN.

1144
00:57:58,108 --> 00:57:59,143
PROMISE.

1145
00:58:14,825 --> 00:58:17,595
Shakes: I WAS IN
MY LAST HOURS AS AN INMATE

1146
00:58:17,628 --> 00:58:19,496
AT THE WILKINSON HOME
FOR BOYS.

1147
00:58:19,530 --> 00:58:21,899
I WAS GIVEN 4 COPIES
OF MY RELEASE FORM,

1148
00:58:21,932 --> 00:58:26,737
THE FINAL REMINDER
OF MY TIME AT WILKINSON.

1149
00:58:26,771 --> 00:58:28,906
I NEVER HEARD THE KEY
TURN IN THE LOCK,

1150
00:58:28,939 --> 00:58:32,677
AND I NEVER HEARD
THE SNAP OF THE BOLT.

1151
00:58:32,710 --> 00:58:34,879
YOU SHOULD BE
ASLEEP.

1152
00:58:34,912 --> 00:58:38,315
I JUST WANTED
TO SAY GOOD-BYE.

1153
00:58:38,348 --> 00:58:39,850
WE ALL DO.

1154
00:58:42,653 --> 00:58:44,021
Nokes: I TOLD HIM
RIGHT TO HIS FACE...

1155
00:58:44,054 --> 00:58:46,957
I SAID, "I DON'T CARE
IF YOU'RE PAYING
THE OVERTIME OR NOT,

1156
00:58:46,991 --> 00:58:48,525
I'M NOT WORKIN'
THOSE KINDA HOURS."

1157
00:58:48,559 --> 00:58:50,527
YEAH, BUT YOU
PUT IN FOR IT?

1158
00:58:50,561 --> 00:58:52,062
YEAH, BUT...

1159
00:58:52,096 --> 00:58:54,699
[CONVERSATION CONTINUES
INDISTINCT]

1160
00:58:56,100 --> 00:58:59,704
Shakes:
A PART OF ALL OF US
WAS LEFT THERE THAT NIGHT,

1161
00:58:59,737 --> 00:59:03,841
THE NIGHT THAT WILL NEVER
BE REMOVED FROM MY MIND...

1162
00:59:03,874 --> 00:59:06,510
THE NIGHT OF JUNE 1, 1968--

1163
00:59:06,543 --> 00:59:08,713
THE SUMMER OF LOVE--

1164
00:59:08,746 --> 00:59:12,149
MY LAST NIGHT AT THE
WILKINSON HOME FOR BOYS.

1165
00:59:58,128 --> 01:00:02,532
Shakes: AT 8:25 P.M.
TWO MEN WALKED THROUGH
THE DOORS.

1166
01:00:02,566 --> 01:00:04,234
THE BARTENDER
KNEW THEIR FACES,

1167
01:00:04,268 --> 01:00:06,170
AS MOST OF THE NEIGHBORHOOD
KNEW THEIR NAMES.

1168
01:00:06,203 --> 01:00:09,406
THEY WERE TWO OF
THE FOUNDING MEMBERS
OF THE WESTSIDE BOYS.

1169
01:00:09,439 --> 01:00:11,809
THEY WERE ALSO
ITS DEADLIEST.

1170
01:00:11,842 --> 01:00:15,579
THE BLOND-HAIRED MAN HAD
BEEN IN AND OUT OF JAIL
SINCE HE WAS A TEENAGER.

1171
01:00:15,612 --> 01:00:18,315
HE ROBBED AND KILLED
AT WILL OR ON COMMAND.

1172
01:00:18,348 --> 01:00:21,752
HE'S PRESENTLY A SUSPECT IN
FOUR UNSOLVED HOMICIDES.

1173
01:00:21,786 --> 01:00:23,788
HE WAS AN ALCOHOLIC
AND A COCAINE ABUSER,

1174
01:00:23,821 --> 01:00:25,956
WITH A FAST TEMPER
AND A FASTER TRIGGER.

1175
01:00:25,990 --> 01:00:27,291
HE ONCE SHOT
A MECHANIC DEAD

1176
01:00:27,324 --> 01:00:29,860
FOR MOVING AHEAD OF HIM
IN A MOVIE LINE.

1177
01:00:29,894 --> 01:00:32,863
THE DARK-HAIRED MAN
WAS EQUALLY DEADLY,

1178
01:00:32,897 --> 01:00:36,333
AND HAD COMMITTED HIS FIRST
MURDER AT THE AGE OF 17.

1179
01:00:36,366 --> 01:00:38,736
IN RETURN, HE WAS PAID $50.

1180
01:00:38,769 --> 01:00:40,204
HE DRANK AND HE DID DRUGS,

1181
01:00:40,237 --> 01:00:45,142
AND HE HAD
A WIFE HE NEVER SAW
LIVING SOMEWHERE IN QUEENS.

1182
01:00:51,548 --> 01:00:53,650
WELL, WE'VE GOT
A LOT OF WORK TO DO.

1183
01:00:53,684 --> 01:00:54,952
IT'S GONNA TAKE
MORE THAN 4 YEARS.

1184
01:00:54,985 --> 01:00:56,754
IT'LL TAKE YOU
TO THE MIDTERM
ELECTIONS...

1185
01:01:04,061 --> 01:01:05,029
HEY, JERRY.

1186
01:01:05,062 --> 01:01:05,863
HUH?

1187
01:01:05,896 --> 01:01:07,064
WHO THEY TALKIN' ABOUT?

1188
01:01:07,097 --> 01:01:09,233
THEY'RE TALKIN'
ABOUT REAGAN'S SPEECH.

1189
01:01:11,902 --> 01:01:14,839
ORDER THOSE TWO MEN
SOME DRINKS AND PUT IT
ON MY TAB...

1190
01:01:14,872 --> 01:01:19,276
AND, JERRY, YOU TELL THEM
THAT REPUBLICANS ARE NOT
WELCOME IN HELL'S KITCHEN,

1191
01:01:19,309 --> 01:01:23,513
AND EITHER A POLITICAL
CONVERSION OR A CHANGE OF
CONVERSATION IS IN ORDER.

1192
01:01:23,547 --> 01:01:24,681
SURE THING.

1193
01:01:28,252 --> 01:01:29,219
GENTLEMEN...

1194
01:01:30,821 --> 01:01:32,289
THE GENTLEMAN THERE

1195
01:01:32,322 --> 01:01:34,524
WOULD LIKE TO
BUY YOU A DRINK
ON ONE CONDITION...

1196
01:01:34,558 --> 01:01:35,826
YOU KNOW THE RULES.

1197
01:01:35,860 --> 01:01:38,662
NO RELIGION
AND NO POLITICS.

1198
01:01:38,695 --> 01:01:40,297
YOU GET MY MEANING?

1199
01:01:57,514 --> 01:01:58,916
ORDER SOMETHING FOR ME.

1200
01:01:58,949 --> 01:02:00,350
I GOT TO GO
TO THE BATHROOM.

1201
01:02:30,848 --> 01:02:33,851
CAN I HELP YOU WITH
SOMETHING, CHIEF?

1202
01:02:33,884 --> 01:02:35,285
NOT RIGHT NOW.

1203
01:02:37,087 --> 01:02:39,123
ENJOY THE REST
OF YOUR MEAL.

1204
01:03:04,048 --> 01:03:05,883
[INCREASING VOLUME]
* ICHI TAI-TAI HIMORAH

1205
01:03:05,916 --> 01:03:08,052
* HO-RA-NIKA HO-RA-NIKA

1206
01:03:08,085 --> 01:03:12,022
* HEY-NEY HEY-NEY
NOWAH *

1207
01:03:12,056 --> 01:03:14,859
* ICHI TAI-TAI HIMORAH

1208
01:03:14,892 --> 01:03:17,127
* HO-RA-NIKA HO-RA-NIKA

1209
01:03:17,161 --> 01:03:20,130
* HEY-NEY HEY-NEY
NOWAH *

1210
01:03:24,134 --> 01:03:28,772
I, UH, I ORDERED
THE BRISKET
ON A ROLL WITH FRIES

1211
01:03:28,805 --> 01:03:31,608
AND, UH,
TWO BASKETS OF
SODA BREAD.

1212
01:03:31,641 --> 01:03:33,777
I KNOW HOW YOU LIKE
THAT SHIT.

1213
01:03:33,810 --> 01:03:35,345
THAT OK BY YOU?

1214
01:03:37,147 --> 01:03:39,049
TAKE A LOOK AT THE GUY
AT THE TABLE.

1215
01:03:39,083 --> 01:03:40,817
TAKE A GOOD LOOK.

1216
01:03:51,929 --> 01:03:53,330
MOTHERFUCKER.

1217
01:04:18,622 --> 01:04:21,158
THAT'S HIM.

1218
01:04:21,191 --> 01:04:23,327
YOU'RE FUCKIN'
KIDDING ME.

1219
01:04:26,630 --> 01:04:28,065
BINGO.

1220
01:04:52,689 --> 01:04:54,791
THIS IS AMAZING.

1221
01:04:54,824 --> 01:04:55,859
HELLO.

1222
01:04:55,892 --> 01:04:57,594
IT'S BEEN A LONG TIME.

1223
01:04:57,627 --> 01:05:00,297
WHO THE FUCK
ARE YOU GUYS?

1224
01:05:04,268 --> 01:05:06,136
WHO THE FUCK ASKED
YOU TO SIT DOWN?

1225
01:05:06,170 --> 01:05:08,472
I THOUGHT YOU'D BE
HAPPY TO SEE US.

1226
01:05:08,505 --> 01:05:10,174
I GUESS I WAS WRONG.

1227
01:05:11,375 --> 01:05:13,777
YOU KNOW, I THOUGHT
YOU'D DO A LOT
BETTER, YOU KNOW?

1228
01:05:13,810 --> 01:05:17,214
WITH ALL THAT TRAINING
AND ALL THAT
TIME YOU PUT IN,

1229
01:05:17,247 --> 01:05:19,583
JUST TO END UP WATCHING
SOMEONE ELSE'S MONEY?

1230
01:05:19,616 --> 01:05:20,750
THAT SEEMS
LIKE A WASTE.

1231
01:05:20,784 --> 01:05:23,020
I'M ASKIN' YOU
FOR THE LAST TIME
WHAT THE FUCK YOU WANT?

1232
01:05:23,053 --> 01:05:24,488
WHY DON'T YOU
TAKE YOUR TIME?

1233
01:05:24,521 --> 01:05:26,190
IT'LL COME TO YOU.

1234
01:05:30,360 --> 01:05:31,962
I CAN SEE HOW
HE MIGHT FORGET US.

1235
01:05:31,996 --> 01:05:33,497
YEAH.

1236
01:05:33,530 --> 01:05:36,233
WE WERE JUST SOMETHING
FOR YOU AND YOUR FRIENDS
TO PLAY WITH.

1237
01:05:36,266 --> 01:05:38,835
IT'S A LITTLE HARDER
FOR US TO FORGET.

1238
01:05:38,868 --> 01:05:42,406
YOU GAVE US SO MUCH
MORE TO REMEMBER.

1239
01:05:44,408 --> 01:05:46,143
CAN'T QUITE PLACE US,
CAN YOU, CHIEF?

1240
01:05:46,176 --> 01:05:48,312
LET ME HELP YOU OUT.

1241
01:05:48,345 --> 01:05:51,281
YOU'RE LOOKING AT
JOHN REILLY AND
TOMMY MARCANO.

1242
01:05:57,521 --> 01:05:58,555
OH, YEAH.

1243
01:06:01,891 --> 01:06:03,293
YEAH, THAT'S RIGHT.

1244
01:06:09,799 --> 01:06:12,169
THAT WAS
A LONG TIME AGO.

1245
01:06:14,604 --> 01:06:16,006
SO HOW YA BEEN?

1246
01:06:16,040 --> 01:06:18,342
YEAH, WE AIN'T
KIDS NOW.

1247
01:06:18,375 --> 01:06:20,777
YEAH. SO WHAT
DO YOU WANT?

1248
01:06:20,810 --> 01:06:23,080
WHAT I'VE
ALWAYS WANTED--

1249
01:06:23,113 --> 01:06:24,748
TO WATCH YOU DIE.

1250
01:06:28,852 --> 01:06:32,756
OHH... YOU ORDERED
THE MEAT LOAF.

1251
01:06:32,789 --> 01:06:34,724
THE BRISKET'S
REALLY GOOD HERE,

1252
01:06:34,758 --> 01:06:36,860
ONLY YOU'LL
NEVER KNOW IT.

1253
01:06:36,893 --> 01:06:39,296
YOU FUCKED UP.

1254
01:06:51,608 --> 01:06:55,745
AH, YOU WERE SCARED
LITTLE PRICKS,

1255
01:06:55,779 --> 01:06:57,781
BOTH OF YOUSE...

1256
01:06:57,814 --> 01:07:00,784
ALL OF YOUSE.

1257
01:07:00,817 --> 01:07:04,354
SCARED SHITLESS,
BUT I...

1258
01:07:04,388 --> 01:07:07,191
I TRIED TO
MAKE YOU TOUGH.

1259
01:07:07,224 --> 01:07:08,458
I TRIED TO
MAKE YOU HARD.

1260
01:07:08,492 --> 01:07:10,094
OH, I HAD YOU
ALL WRONG THEN, NOKES.

1261
01:07:10,127 --> 01:07:11,895
ALL THIS TIME
I THOUGHT YOU JUST LIKED

1262
01:07:11,928 --> 01:07:13,830
FUCKIN' AND BEATIN' UP
LITTLE BOYS.

1263
01:07:13,863 --> 01:07:14,898
YOU TWO
MOTHERFUCKERS

1264
01:07:14,931 --> 01:07:16,400
ARE GOIN' TO BURN
IN HELL.

1265
01:07:16,433 --> 01:07:17,767
YOU'RE GONNA
BURN IN HELL.

1266
01:07:17,801 --> 01:07:19,669
YEAH, AFTER YOU.

1267
01:07:24,774 --> 01:07:27,077
DID THAT HURT, NOKES?

1268
01:08:03,413 --> 01:08:05,282
JERRY...

1269
01:08:05,315 --> 01:08:08,552
SORRY. SHOULD HAVE
MADE THOSE BRISKET
SANDWICHES TO GO.

1270
01:08:13,223 --> 01:08:14,191
Man: JESUS!

1271
01:08:14,224 --> 01:08:16,260
Woman: AAAH!

1272
01:08:20,364 --> 01:08:22,031
Judge: JOHN REILLY,
HOW DO YOU PLEAD?

1273
01:08:22,065 --> 01:08:24,000
John: NOT GUILTY,
YOUR HONOR.

1274
01:08:24,033 --> 01:08:26,035
THOMAS MARCANO?

1275
01:08:26,069 --> 01:08:28,071
Tommy: NOT GUILTY,
YOUR HONOR.

1276
01:08:28,104 --> 01:08:30,174
JOHN REILLY
AND THOMAS MARCANO,

1277
01:08:30,207 --> 01:08:32,642
YOU ARE HEREBY
HELD WITHOUT BAIL.

1278
01:08:32,676 --> 01:08:34,544
Shakes: IN ALL THE YEARS
SINCE WILKINSON'S,

1279
01:08:34,578 --> 01:08:36,513
WE HAD NEVER ONCE SPOKEN
TO EACH OTHER

1280
01:08:36,546 --> 01:08:38,382
ABOUT WHAT
HAD HAPPENED THERE.

1281
01:08:38,415 --> 01:08:40,450
WE REMAINED CARING FRIENDS,

1282
01:08:40,484 --> 01:08:42,386
BUT THE RELATIONSHIP
HAD BEEN ALTERED.

1283
01:08:42,419 --> 01:08:44,854
WE DRIFTED TOGETHER,

1284
01:08:44,888 --> 01:08:47,724
ALWAYS WONDERING IF
THAT MOMENT WOULD ARRIVE

1285
01:08:47,757 --> 01:08:50,294
THAT WOULD FORCE US
TO DEAL WITH THE PAST.

1286
01:09:03,173 --> 01:09:05,709
ONE DOWN,
SHAKES.

1287
01:09:05,742 --> 01:09:07,477
ONE DOWN.

1288
01:09:07,511 --> 01:09:09,679
ONE WHAT?

1289
01:09:11,114 --> 01:09:12,649
ONE...

1290
01:09:12,682 --> 01:09:13,983
SEAN...

1291
01:09:14,017 --> 01:09:15,785
NOKES.

1292
01:09:15,819 --> 01:09:17,487
NOKES?

1293
01:09:24,328 --> 01:09:26,796
Shakes: AT THE TIME
OF NOKES' SHOOTING,

1294
01:09:26,830 --> 01:09:29,533
MICHAEL WAS WORKING
AS AN ASSISTANT NEW YORK
DISTRICT ATTORNEY.

1295
01:09:29,566 --> 01:09:34,037
I GOT A CALL THAT HE WANTED
TO MEET ME ON 45th STREET
IN QUEENS.

1296
01:09:34,070 --> 01:09:35,572
THEN HE HUNG UP.

1297
01:09:37,607 --> 01:09:39,709
HEY. SO, WHAT'D
THEY SAY?

1298
01:09:39,743 --> 01:09:41,211
WHAT?

1299
01:09:41,245 --> 01:09:42,512
JOHN AND TOMMY,
WHAT'D THEY SAY?

1300
01:09:42,546 --> 01:09:44,514
A LITTLE CLOAK AND DAGGER,
ISN'T IT, MIKE?

1301
01:09:44,548 --> 01:09:47,984
COME ON, MAN, NOKES--
THEY TALK ABOUT HIM?

1302
01:09:48,017 --> 01:09:49,653
JOHN DID.

1303
01:09:49,686 --> 01:09:50,654
YEAH?

1304
01:09:50,687 --> 01:09:52,556
WHAT'D HE SAY?

1305
01:09:52,589 --> 01:09:56,192
HE SAID,
"ONE DOWN, SHAKES.
ONE DOWN."

1306
01:09:58,228 --> 01:10:01,265
I HEAR THEY
HIRED DANNY SNYDER
AS THEIR LAWYER,
IS THAT RIGHT?

1307
01:10:01,298 --> 01:10:04,501
IT WAS TEMPORARY.
KING BENNY'S GOING TO MOVE
OVER ONE OF HIS LAWYERS.

1308
01:10:04,534 --> 01:10:07,070
NO, NO, NO. DON'T
LET HIM DO THAT.
SNYDER'S PERFECT.

1309
01:10:07,103 --> 01:10:08,405
PERFECT? THE GUY'S
A FALL-DOWN DRUNK.

1310
01:10:08,438 --> 01:10:09,906
I'M TELLING YOU,
HE'S PERFECT.

1311
01:10:09,939 --> 01:10:11,608
PERFECT FOR WHAT?

1312
01:10:14,177 --> 01:10:16,813
YOU COVERING THE STORY
FOR YOUR NEWSPAPER?

1313
01:10:16,846 --> 01:10:18,114
YEAH.
ME?

1314
01:10:18,147 --> 01:10:20,149
I'M THE TIMETABLE
CLERK, MIKEY.

1315
01:10:20,183 --> 01:10:22,151
ASK ME WHAT MOVIE'S
PLAYING AT WHAT TIME.

1316
01:10:22,185 --> 01:10:24,254
I'M LUCKY THEY LET ME
IN THE BUILDING.

1317
01:10:27,724 --> 01:10:29,759
GET SOME COFFEE?

1318
01:10:29,793 --> 01:10:31,561
LET'S TAKE A WALK.

1319
01:10:41,070 --> 01:10:45,275
I'M GOING TO PROSECUTE
JOHN AND TOMMY IN
AN OPEN COURT.

1320
01:10:45,309 --> 01:10:47,477
WHAT, ARE YOU
FUCKING NUTS?

1321
01:10:47,511 --> 01:10:49,078
JUST HEAR ME OUT.

1322
01:10:49,112 --> 01:10:50,514
YOU SHOULD
STAY HOME TOMORROW.

1323
01:10:50,547 --> 01:10:52,148
CALL IN SICK AND SAVE
YOUR LIFE, COUNSELOR.

1324
01:10:52,181 --> 01:10:55,151
I'M NOT TAKING
THIS CASE TO WIN,

1325
01:10:55,184 --> 01:10:57,521
I'M TAKING
THIS CASE TO LOSE.

1326
01:10:57,554 --> 01:10:59,088
WHAT DOES THAT MEAN?

1327
01:10:59,122 --> 01:11:01,224
HA HA.

1328
01:11:01,257 --> 01:11:03,560
IT MEANS
IT'S PAYBACK TIME.

1329
01:11:03,593 --> 01:11:07,096
LOOK, JOHN AND TOMMY
STARTED THIS.

1330
01:11:07,130 --> 01:11:09,198
IT'S BEGUN.

1331
01:11:09,232 --> 01:11:11,100
IT'S MESSY, IT'S NOT
HOW I HAD IT PLANNED,

1332
01:11:11,134 --> 01:11:13,703
BUT HERE IT IS.

1333
01:11:13,737 --> 01:11:17,106
YOU AND I,
WE CAN FINISH IT.

1334
01:11:17,140 --> 01:11:19,309
FINISH WHAT, MIKEY?

1335
01:11:21,177 --> 01:11:23,480
YOU READ THE COUNT
OF MONTE CRISTO LATELY?

1336
01:11:23,513 --> 01:11:27,651
I DON'T KNOW...
10 YEARS AGO.

1337
01:11:27,684 --> 01:11:31,555
SEE, I READ A LITTLE BIT
OF IT EVERY NIGHT.

1338
01:11:31,588 --> 01:11:34,223
I READ WORDS
LIKE "REVENGE,"

1339
01:11:34,257 --> 01:11:37,026
"SWEET,
LASTING REVENGE."

1340
01:11:37,060 --> 01:11:39,429
PAYBACK TIME.

1341
01:11:41,097 --> 01:11:43,367
IT'S OUR TIME.

1342
01:11:43,400 --> 01:11:45,101
WHAT ARE YOU
SAYING, MIKE?

1343
01:11:45,134 --> 01:11:49,973
I'M SAYING IT'S
TIME FOR ALL OF US
TO GET A TASTE.

1344
01:11:50,006 --> 01:11:52,742
I'M SAYING IT'S TIME
TO PUT AN END TO THIS.

1345
01:11:54,344 --> 01:11:56,312
LET'S WALK.

1346
01:11:59,115 --> 01:12:00,584
SO I ASKED FOR THE CASE.

1347
01:12:00,617 --> 01:12:02,819
TOLD THEM I WAS FROM
THE SAME NEIGHBORHOOD
AS THE ACCUSED,

1348
01:12:02,852 --> 01:12:05,321
KNEW THE MENTALITY OF
THE AREA, BLAH, BLAH, BLAH.

1349
01:12:05,355 --> 01:12:06,823
THEY BOUGHT IT.

1350
01:12:06,856 --> 01:12:09,292
AND THE CONNECTION
BETWEEN JOHN, TOMMY,
AND NOKES?

1351
01:12:09,325 --> 01:12:13,329
WHAT CONNECTION?
ALL JUVENILE RECORDS ARE
DESTROYED AFTER 7 YEARS.

1352
01:12:13,363 --> 01:12:15,665
WE WERE NEVER
AT WILKINSON'S.

1353
01:12:15,699 --> 01:12:17,767
[THUNDER]

1354
01:12:17,801 --> 01:12:19,736
WE GOT TO GO
AFTER THE GUARDS,

1355
01:12:19,769 --> 01:12:22,205
WE GOT TO
GET WILKINSON'S.

1356
01:12:22,238 --> 01:12:24,207
BRING IT ALL DOWN.

1357
01:12:24,240 --> 01:12:26,209
ADAM STYLER--
PLAIN-CLOTHES COP,

1358
01:12:26,242 --> 01:12:27,711
WORKS NARCOTICS
IN QUEENS.

1359
01:12:27,744 --> 01:12:29,746
KNOWN TO
SHAKE DOWN DEALERS
FOR DOPE AND CASH.

1360
01:12:29,779 --> 01:12:31,581
HE'S GOT
A COCAINE PROBLEM.

1361
01:12:31,615 --> 01:12:33,450
OTHER PERSONAL
INFORMATION THERE.

1362
01:12:33,483 --> 01:12:35,419
HENRY ADDISON-- NOW
WORKS FOR THE MAYOR,

1363
01:12:35,452 --> 01:12:37,020
IF YOU CAN
FUCKING BELIEVE THAT.

1364
01:12:37,053 --> 01:12:38,822
HE'S A COMMUNITY
OUTREACH DIRECTOR
IN BROOKLYN.

1365
01:12:38,855 --> 01:12:41,224
HIS SEXUAL HABITS
HAVEN'T CHANGED.

1366
01:12:41,257 --> 01:12:43,226
HE STILL LIKES SEX
WITH YOUNG BOYS.

1367
01:12:43,259 --> 01:12:45,395
RALPH FERGUSON--
WORKS IN A SOCIAL
SERVICE AGENCY

1368
01:12:45,429 --> 01:12:46,796
IN LONG ISLAND--

1369
01:12:46,830 --> 01:12:48,598
HOW LONG YOU BEEN
WORKING ON THIS, MIKE?

1370
01:12:48,632 --> 01:12:50,667
JUST RECENTLY DIVORCED,
GOT ONE CHILD,

1371
01:12:50,700 --> 01:12:52,702
AND ON WEEKENDS,
TEACHES CATHOLIC
SUNDAY SCHOOL.

1372
01:12:52,736 --> 01:12:54,404
WELL, SEEMS
CLEAN THEN, RIGHT?

1373
01:12:54,438 --> 01:12:57,073
THAT'S EXACTLY WHY I
WANT THE PIECE OF SHIT.

1374
01:12:57,106 --> 01:12:59,643
THE PLAN IS TO
CALL FERGUSON IN AS
A CHARACTER WITNESS,

1375
01:12:59,676 --> 01:13:02,579
GET HIM TALKING
ABOUT HIS BEST FRIEND,
SEAN NOKES.

1376
01:13:02,612 --> 01:13:04,714
ONCE I GOT HIM
ON THE STAND,

1377
01:13:04,748 --> 01:13:06,716
I'M GOING TO OPEN
THE DOOR TO WILKINSON'S.

1378
01:13:06,750 --> 01:13:09,285
MIKE...

1379
01:13:09,318 --> 01:13:11,755
YOU SURE YOU
WANT TO GO THIS WAY?

1380
01:13:14,824 --> 01:13:17,794
I MEAN, WE BURIED THIS
A LONG TIME AGO.

1381
01:13:18,895 --> 01:13:21,965
DO YOU STILL SLEEP
WITH THE LIGHT ON?

1382
01:13:26,169 --> 01:13:29,873
JOHN AND TOMMY?
YOU WANT THEM TO KNOW
ANYTHING ABOUT THIS?

1383
01:13:29,906 --> 01:13:32,742
NAH. IT'LL
PLAY BETTER IN COURT
IF THEY DON'T KNOW.

1384
01:13:43,720 --> 01:13:46,255
Shakes: A NOT GUILTY
VERDICT HAD TO BE A VERDICT

1385
01:13:46,289 --> 01:13:48,091
THAT NO ONE
WOULD DARE QUESTION.

1386
01:13:48,124 --> 01:13:51,327
DANNY SNYDER WAS
TO REMAIN AS TOMMY
AND JOHN'S ATTORNEY.

1387
01:13:51,360 --> 01:13:55,331
MICHAEL'S PLAN RELIED
HEAVILY ON HELL'S KITCHEN
TO DELIVER INFORMATION

1388
01:13:55,364 --> 01:13:56,866
AND KEEP QUIET.

1389
01:13:56,900 --> 01:14:00,036
BOTH WERE SKILLS
THE NEIGHBORHOOD
HAD IN ABUNDANCE.

1390
01:14:00,069 --> 01:14:02,171
WE'D SET UP A SIMPLE METHOD
OF COMMUNICATION.

1391
01:14:02,205 --> 01:14:03,740
IF MICHAEL WAS SENDING,

1392
01:14:03,773 --> 01:14:05,742
MESSAGES WERE
LEFT AT WORK FOR ME

1393
01:14:05,775 --> 01:14:07,511
TO CALL MY NON-EXISTENT
GIRLFRIEND, GLORIA.

1394
01:14:07,544 --> 01:14:09,579
IF I NEEDED TO GET WORD
TO MICHAEL,

1395
01:14:09,613 --> 01:14:11,581
I WOULD HAVE SOMEONE
FROM THE NEIGHBORHOOD

1396
01:14:11,615 --> 01:14:13,416
PICK UP AN EARLY EDITION
OF THE NEW YORK TIMES,

1397
01:14:13,449 --> 01:14:16,720
WRITE THE WORD "EDMUND"
IN THE UPPER RIGHT-HAND
CORNER OF THE METRO SECTION,

1398
01:14:16,753 --> 01:14:19,055
AND DROP IT IN FRONT
OF MICHAEL'S APARTMENT.

1399
01:14:23,693 --> 01:14:25,629
FOR THIS PLAN TO SUCCEED,
WE NEEDED TOTAL SECRECY

1400
01:14:25,662 --> 01:14:28,064
AND THE ONLY PEOPLE
WE COMPLETELY TRUSTED.

1401
01:14:28,097 --> 01:14:30,333
THE PLAN DEPENDED ON
KEEPING MICHAEL ALIVE,

1402
01:14:30,366 --> 01:14:32,936
WHICH MEANT THAT WORD
HAD TO GET TO JOHN AND
TOMMY'S KILLING CREW

1403
01:14:32,969 --> 01:14:35,071
THAT HE'S
NOT AN OPEN TARGET.

1404
01:14:35,104 --> 01:14:38,041
AFTER THIS NIGHT, MICHAEL
WOULD NOT BE AVAILABLE
TO ANY OF US.

1405
01:14:38,074 --> 01:14:41,277
THE ONLY TIME WE WOULD
SEE HIM WOULD BE IN COURT.

1406
01:14:41,310 --> 01:14:42,579
THAT'S IT?

1407
01:14:42,612 --> 01:14:44,614
NOT QUITE.
WE GOT 4 WITNESSES

1408
01:14:44,648 --> 01:14:46,550
WHO SAW THE SHOOTING AND
ARE WILLING TO TESTIFY.

1409
01:14:46,583 --> 01:14:48,151
GOTTA GET
THAT NUMBER DOWN.

1410
01:14:48,184 --> 01:14:49,953
I'LL TALK
TO KING BENNY.

1411
01:14:49,986 --> 01:14:53,456
GOOD. I CAN HANDLE 2,
BUT, UH,

1412
01:14:53,489 --> 01:14:55,258
YOU GOT TO GET US
ONE FOR OUR SIDE.

1413
01:14:55,291 --> 01:14:56,526
ONE WHAT?

1414
01:14:56,560 --> 01:14:57,994
ONE WITNESS--

1415
01:14:58,027 --> 01:14:59,996
A WITNESS WHO WILL
PUT JOHN AND TOMMY

1416
01:15:00,029 --> 01:15:01,931
SOMEWHERE ELSE ON
THE NIGHT OF THE MURDER,

1417
01:15:01,965 --> 01:15:03,700
A WITNESS
THEY CAN'T TOUCH.

1418
01:15:03,733 --> 01:15:06,570
DON'T THEY
GOT A NAME FOR THAT?

1419
01:15:06,603 --> 01:15:09,338
THE JUDGE WILL
CALL IT PERJURY.

1420
01:15:09,372 --> 01:15:11,808
I SEE. AND WHAT
ARE WE CALLING IT?

1421
01:15:11,841 --> 01:15:13,142
A FAVOR.

1422
01:15:16,045 --> 01:15:17,146
GET UP.

1423
01:15:17,180 --> 01:15:18,582
COME ON.

1424
01:15:20,516 --> 01:15:21,484
TONY?

1425
01:15:21,517 --> 01:15:22,719
YEAH, KING?

1426
01:15:22,752 --> 01:15:25,288
BRING DANNY SNYDER
TO SEE ME.

1427
01:15:25,321 --> 01:15:26,489
DANNY SNYDER
THE LAWYER?

1428
01:15:26,522 --> 01:15:28,858
YOU KNOW MORE
THAN ONE DANNY SNYDER?

1429
01:15:28,892 --> 01:15:29,859
NO, KING.

1430
01:15:29,893 --> 01:15:31,995
BRING ME
THE ONE YOU KNOW.

1431
01:15:50,013 --> 01:15:52,315
Danny:
I CAN'T DO THIS NOW.
YOU GOT TO KNOW THAT.

1432
01:15:52,348 --> 01:15:56,485
IT'S BEEN
A LONG TIME FOR ME.
I MEAN, UH...

1433
01:15:56,519 --> 01:15:58,554
YOU NEED
SOMEBODY YOUNGER,

1434
01:15:58,588 --> 01:16:01,157
YOU KNOW, SOMEBODY
LIKE I USED TO BE.

1435
01:16:01,190 --> 01:16:02,558
YOUNGER IS NOT BETTER--

1436
01:16:02,592 --> 01:16:04,027
DOESN'T HAVE EXPERIENCE,

1437
01:16:04,060 --> 01:16:05,995
DOESN'T KNOW ITS WAY
AROUND THE COURTHOUSE.

1438
01:16:06,029 --> 01:16:08,698
YEAH, I'M LUCKY I
CAN FIND THE COURTHOUSE.

1439
01:16:08,732 --> 01:16:10,333
HA HA HA HA.

1440
01:16:10,366 --> 01:16:12,501
I HAD ONLY
4 CASES LAST YEAR.

1441
01:16:12,535 --> 01:16:14,638
YOU KNOW
HOW MANY I WON?

1442
01:16:14,671 --> 01:16:17,707
NONE. THAT'S
HOW MANY. NONE.

1443
01:16:18,708 --> 01:16:21,911
IN 2 OF THEM, I--I,
UH, I THINK THE, UH,

1444
01:16:21,945 --> 01:16:23,813
THE JURY BLAMED ME
PERSONALLY.

1445
01:16:23,847 --> 01:16:26,015
THEY MUST
HAVE BEEN INNOCENT.

1446
01:16:26,049 --> 01:16:29,819
IT'S TOUGH TO GET
INNOCENT MEN OFF A RAP.

1447
01:16:29,853 --> 01:16:32,088
I WASN'T EVEN PLANNING
ON GOING TO COURT
WITH THIS ONE.

1448
01:16:32,121 --> 01:16:34,557
I WAS JUST
GOING TO PLEAD
IT DOWN BEST I COULD,

1449
01:16:34,590 --> 01:16:36,092
AND WALK AWAY.

1450
01:16:36,125 --> 01:16:38,561
I WASN'T-- I WASN'T
PLANNING ON TAKING
THIS TO TRIAL, SIR.

1451
01:16:38,594 --> 01:16:40,596
WELL, YOUR PLANS
HAVE BEEN CHANGED.

1452
01:16:40,630 --> 01:16:43,266
WELL, I AM AFRAID THAT
I'LL MAKE A MISTAKE,

1453
01:16:43,299 --> 01:16:46,435
AND SAY THE WRONG THING
AND, YOU KNOW, UH,

1454
01:16:46,469 --> 01:16:48,772
UH, UH, MAKE
A WRONG TURN SOMEWHERE,

1455
01:16:48,805 --> 01:16:50,606
AND YOU DON'T WANT
TO TAKE THAT RISK.

1456
01:16:50,640 --> 01:16:52,241
LIFE IS RISK.

1457
01:16:52,275 --> 01:16:53,109
I'M SORRY.

1458
01:16:53,142 --> 01:16:55,111
LIFE IS RISK.

1459
01:16:55,144 --> 01:16:57,080
LIFE IS A RISK?

1460
01:16:57,113 --> 01:16:58,481
MM-HMM.

1461
01:16:58,514 --> 01:16:59,949
UH-HUH.

1462
01:16:59,983 --> 01:17:03,052
I HAVEN'T BEEN
IN HERE BEFORE.

1463
01:17:03,086 --> 01:17:06,022
WHAT DO YOU
NEED ME TO DO?

1464
01:17:06,055 --> 01:17:07,256
LISTEN,

1465
01:17:07,290 --> 01:17:11,460
YOU'RE GOING TO
BE GIVEN THE ANSWERS
AND THE QUESTIONS.

1466
01:17:11,494 --> 01:17:13,830
ALL YOU HAVE
TO DO IS READ.

1467
01:17:13,863 --> 01:17:15,564
YOU CAN READ,
CAN'T YOU?

1468
01:17:15,598 --> 01:17:17,533
IS--IS--IS--IS
IT ENGLISH?

1469
01:17:17,566 --> 01:17:18,868
JUST DON'T DRIFT,

1470
01:17:18,902 --> 01:17:21,705
DON'T DRINK,
AND DON'T LOSE.

1471
01:17:21,738 --> 01:17:23,907
WHAT IF I DO LOSE?

1472
01:17:23,940 --> 01:17:26,776
THEN YOU GO DOWN
FOR THE DIRT NAP.

1473
01:17:26,810 --> 01:17:29,378
NEVER HEARD THAT
EXPRESSION BEFORE.

1474
01:17:31,147 --> 01:17:32,515
DIRT NAP.

1475
01:17:32,548 --> 01:17:34,017
YEAH.

1476
01:17:34,050 --> 01:17:36,285
I'M REALLY NOT CUT
OUT FOR THIS ANYMORE.

1477
01:17:36,319 --> 01:17:40,323
I MEAN, A GUY GETS
HIT BY A BUS, YOU KNOW,
AND SUES,

1478
01:17:40,356 --> 01:17:41,791
I--I LIKE THAT.

1479
01:17:41,825 --> 01:17:44,894
SOME LADY SLIPS
IN A SUPERMARKET,

1480
01:17:44,928 --> 01:17:46,529
I'M WITH HER. A GUY--

1481
01:17:46,562 --> 01:17:47,764
THE DISCUSSION'S OVER.

1482
01:17:47,797 --> 01:17:50,366
I'M AN ALCOHOLIC.
THIS IS A MURDER CASE.

1483
01:17:50,399 --> 01:17:51,667
THIS ISN'T FOR ME.

1484
01:17:51,701 --> 01:17:53,136
IT WAS ONCE.

1485
01:17:53,169 --> 01:17:54,103
YES, BUT, UH--

1486
01:17:54,137 --> 01:17:56,639
BEFORE YOU LET
THE DRINK LEAD.

1487
01:17:56,672 --> 01:17:58,908
BE SOBER BY TOMORROW.

1488
01:17:58,942 --> 01:18:01,277
AND DON'T LOOK
SO WORRIED, SNYDER.

1489
01:18:01,310 --> 01:18:04,013
YOU GOT NOTHING TO LOSE,
JUST LIKE THE REST OF US.

1490
01:18:04,047 --> 01:18:06,649
I--I DON'T WANT TO
BE A BURDEN TO YOU,

1491
01:18:06,682 --> 01:18:08,952
BUT I DO, YOU KNOW--
ASIDE...

1492
01:18:08,985 --> 01:18:10,987
OR ALONG WITH
MY ALCOHOL PROBLEM,

1493
01:18:11,020 --> 01:18:14,457
I HAVE A SLIGHT
DRUG PROBLEM--
NOTHING BIG.

1494
01:18:14,490 --> 01:18:16,359
GO AWAY.

1495
01:18:26,836 --> 01:18:28,404
Shakes: WITHIN DAYS OF
MICHAEL TAKING THE CASE,

1496
01:18:28,437 --> 01:18:30,874
THE WESTSIDE BOYS GOT
A VISIT FROM KING BENNY.

1497
01:18:30,907 --> 01:18:34,577
THE KING REQUESTED THAT
THE VERBAL ABUSE DIRECTED
TOWARDS MICHAEL CONTINUE.

1498
01:18:34,610 --> 01:18:36,579
CRIES OF "TRAITOR"
AND "GUTTER RAT"

1499
01:18:36,612 --> 01:18:38,414
WERE HEARD UP AND DOWN
THE AVENUE.

1500
01:18:38,447 --> 01:18:41,250
BUT THERE WAS NEVER TO BE
A DEATH MOVE AGAINST HIM.

1501
01:18:41,284 --> 01:18:43,719
THE HIT ON MICHAEL SULLIVAN,
IF THERE WAS TO BE ONE,

1502
01:18:43,753 --> 01:18:45,321
COULD ONLY COME FROM
KING BENNY.

1503
01:18:45,354 --> 01:18:48,357
THE UNDERGROUND WORD,
THE ONLY ONE THAT MATTERED,

1504
01:18:48,391 --> 01:18:51,160
HAD SPREAD THROUGH
THE STREETS WITH THE SPEED
OF A LATE NIGHT BULLET.

1505
01:18:55,064 --> 01:18:58,567
KING BENNY'S SLEEPERS
WERE MAKING THEIR PLAY.

1506
01:18:58,601 --> 01:19:00,436
SLEEPERS WAS A STREET NAME

1507
01:19:00,469 --> 01:19:02,939
FOR ANYONE WHO SPENT TIME
IN A JUVENILE FACILITY.

1508
01:19:11,647 --> 01:19:13,116
Man: HEY!

1509
01:19:13,149 --> 01:19:15,151
YOU GOING TO PAY FOR THAT,
YOU LITTLE PRICK?

1510
01:19:15,184 --> 01:19:18,254
I NEED YOUR HELP,
FAT MAN. I NEED
A BIG FAVOR.

1511
01:19:18,287 --> 01:19:19,455
BE OUTSIDE.

1512
01:19:19,488 --> 01:19:21,457
KING BENNY
BEEN TO SEE YOU?

1513
01:19:21,490 --> 01:19:22,758
OH, MY GOODNESS.

1514
01:19:22,792 --> 01:19:25,061
WHAT A FUCKING THING
WE PUT TOGETHER, HUH?

1515
01:19:25,094 --> 01:19:27,630
YOU HAVE A DRUNK LAWYER
ON ONE SIDE,

1516
01:19:27,663 --> 01:19:29,698
A KID LAWYER
ON THE OTHER,

1517
01:19:29,732 --> 01:19:32,735
FUCKING PAPERBOY
MAKING LIKE DICK TRACY.

1518
01:19:32,768 --> 01:19:36,472
THERE ARE
4 SETS OF EYEBALLS THAT
SAW THE WHOLE THING.

1519
01:19:36,505 --> 01:19:37,740
YOU KNOW?

1520
01:19:37,773 --> 01:19:40,543
MEANWHILE,
THE 2 ON TRIAL KILLED
MORE PEOPLE THAN CANCER.

1521
01:19:40,576 --> 01:19:43,146
FUCKING GENERAL CUSTER
HAS A BETTER SHOT
AT A WALK.

1522
01:19:43,179 --> 01:19:45,148
THERE'S NO CONNECTION
WITH THE GUARD AND US.

1523
01:19:45,181 --> 01:19:47,183
THE COPS THINK IT'S
A DRUG-RELATED HOMICIDE.

1524
01:19:47,216 --> 01:19:49,052
IT'S JUST,
WE NEED YOU TO PULL
A FEW STRINGS, FAT MAN.

1525
01:19:49,085 --> 01:19:51,020
YOU KNOW, YOU
GET CAUGHT ON THIS,

1526
01:19:51,054 --> 01:19:52,388
YOU'RE LOOKING
STRAIGHT AT SERIOUS.

1527
01:19:52,421 --> 01:19:55,224
I'M TALKING REAL JAIL,
THE BIG HOUSE.

1528
01:20:01,898 --> 01:20:04,033
THEY'RE NOT
GOOD BOYS ANYMORE.

1529
01:20:04,067 --> 01:20:06,269
THEY'RE KILLERS NOW.

1530
01:20:06,302 --> 01:20:08,537
COLD AS STONE.

1531
01:20:08,571 --> 01:20:10,840
I KNOW.

1532
01:20:10,874 --> 01:20:12,808
I KNOW WHAT THEY WERE
AND I KNOW WHAT THEY ARE,

1533
01:20:12,842 --> 01:20:14,110
AND IT'S NOT ABOUT THAT.

1534
01:20:14,143 --> 01:20:19,515
IT'S NOT WORTH IT,
THROWING AWAY A LIFE
JUST TO GET EVEN.

1535
01:20:19,548 --> 01:20:21,784
YOU AND THE LAWYER HAVE
A CHANCE TO GET OUT,

1536
01:20:21,817 --> 01:20:23,752
TO GET OUT
THE RIGHT WAY.

1537
01:20:23,786 --> 01:20:26,222
THERE'S NO CHOICE,
NOT FOR US.

1538
01:20:29,893 --> 01:20:31,794
Shakes: ON OCCASION,
I'D HAVE DINNER WITH CAROL.

1539
01:20:31,827 --> 01:20:34,130
SHE STILL LIVED
IN THE NEIGHBORHOOD,

1540
01:20:34,163 --> 01:20:36,299
AND WAS A SOCIAL WORKER
IN THE SOUTH BRONX.

1541
01:20:36,332 --> 01:20:39,335
HER CONCERN FOR US
WAS UNDIMINISHED
BY THE PASSING YEARS.

1542
01:20:39,368 --> 01:20:41,204
WHENEVER WE
WENT OUT AS A GROUP,

1543
01:20:41,237 --> 01:20:45,942
CAROL WOULD WALK
BETWEEN MICHAEL AND JOHN,
GRASPING THEIR ARMS,

1544
01:20:45,975 --> 01:20:47,676
IN STEP BETWEEN
THE LAWYER AND THE KILLER.

1545
01:20:47,710 --> 01:20:50,079
MUG ME OR MARRY ME,
SHAKES.

1546
01:20:50,113 --> 01:20:52,315
I'M TOO TIRED
FOR ANYTHING ELSE.

1547
01:20:52,348 --> 01:20:54,951
WOULD YOU SETTLE
FOR A COUPLE OF
BEERS, CAROL?

1548
01:20:56,652 --> 01:20:58,854
IF THAT'S
YOUR BEST OFFER.

1549
01:20:58,888 --> 01:21:01,857
I'LL THROW IN
A HUG AND A KISS.

1550
01:21:01,891 --> 01:21:03,592
DEAL.

1551
01:21:09,632 --> 01:21:11,200
YOU LOOK TIRED.

1552
01:21:11,234 --> 01:21:12,668
THANK YOU.

1553
01:21:12,701 --> 01:21:15,304
THEY DON'T LET YOU
SLEEP IN THIS NEW JOB
OF YOURS?

1554
01:21:19,675 --> 01:21:22,078
SO HOW MUCH DO YOU KNOW?

1555
01:21:22,111 --> 01:21:24,480
JUST WHAT
THE NEIGHBORHOOD SAYS...

1556
01:21:24,513 --> 01:21:27,683
AND WHAT I READ
IN PAPERS LIKE YOURS.

1557
01:21:27,716 --> 01:21:29,552
WHAT DOES
THE NEIGHBORHOOD SAY?

1558
01:21:29,585 --> 01:21:31,554
THAT
THEY'RE GOING TO PUT
JOHNNY AND TOMMY AWAY,

1559
01:21:31,587 --> 01:21:33,656
THAT THEIR BEST FRIEND'S
GOING TO BE THE ONE
TO DO IT.

1560
01:21:33,689 --> 01:21:34,991
DO YOU BELIEVE THAT?

1561
01:21:35,024 --> 01:21:37,026
IT'S HARD NOT TO,
SHAKES.

1562
01:21:37,060 --> 01:21:38,995
OR ELSE WE ALL
HAVE IT WRONG.

1563
01:21:39,028 --> 01:21:41,564
HE DID TAKE
THE FUCKING CASE.

1564
01:21:41,597 --> 01:21:42,999
HE DID TAKE THE CASE.

1565
01:21:43,032 --> 01:21:46,035
WHAT ELSE
IS THERE TO SAY?

1566
01:21:46,069 --> 01:21:48,604
YOU KNOW MICHAEL
VERY WELL.

1567
01:21:48,637 --> 01:21:50,506
MAYBE EVEN BETTER
THAN I DO.

1568
01:21:50,539 --> 01:21:52,942
YEAH, THOUGHT I DID.
NOW, I DON'T KNOW.

1569
01:21:52,976 --> 01:21:54,077
YOU DO--

1570
01:21:54,110 --> 01:21:55,578
I DON'T KNOW!

1571
01:21:55,611 --> 01:21:57,646
HE WENT IN THERE AND
HE ASKED FOR THE CASE.

1572
01:21:57,680 --> 01:22:00,683
NOW, YOU TELL ME--
WHAT THE HELL KIND
OF FRIEND IS THAT?

1573
01:22:00,716 --> 01:22:02,651
THE BEST KIND...

1574
01:22:02,685 --> 01:22:06,255
THE KIND THAT WILL
THROW AWAY EVERYTHING
TO HELP HIS FRIENDS.

1575
01:22:09,292 --> 01:22:12,261
WHAT ARE YOU
TELLING ME, SHAKES?

1576
01:22:12,295 --> 01:22:14,163
YOU KNOW THIS
NEIGHBORHOOD, CAROL.

1577
01:22:14,197 --> 01:22:16,332
EVERYTHING'S
A SHAKEDOWN OR A SCAM.

1578
01:22:16,365 --> 01:22:18,534
WHY SHOULD THIS
BE ANY DIFFERENT?

1579
01:22:24,073 --> 01:22:26,142
I'M HUNGRY.

1580
01:22:26,175 --> 01:22:29,745
I'M GOING TO GET
SOMETHING TO EAT.

1581
01:22:29,778 --> 01:22:32,315
THERE'S THIS
POINT IN MICHAEL

1582
01:22:32,348 --> 01:22:35,251
THAT YOU
CAN'T GO BEYOND,
BUT YOU CAN TRY.

1583
01:22:35,284 --> 01:22:38,687
I TRIED, AND HE JUST...

1584
01:22:38,721 --> 01:22:40,689
SHUT DOWN.

1585
01:22:40,723 --> 01:22:42,158
COULDN'T TOUCH HIM.

1586
01:22:42,191 --> 01:22:44,727
COULDN'T EVEN
BREATHE ON HIM.

1587
01:22:47,496 --> 01:22:49,798
I THOUGHT IT WAS ME.

1588
01:22:49,832 --> 01:22:53,202
AFTER A WHILE,
IT JUST GETS EASY
TO LET IT GO.

1589
01:22:53,236 --> 01:22:55,304
YOU STILL LOVE HIM?

1590
01:22:55,338 --> 01:22:58,141
I DON'T THINK
ABOUT IT, SHAKES.

1591
01:22:58,174 --> 01:23:01,177
IF I DID,
I'D SAY YES.

1592
01:23:01,210 --> 01:23:03,112
BUT YOU'RE
WITH JOHN NOW.

1593
01:23:03,146 --> 01:23:07,550
YEAH. AS MUCH AS ANYBODY
CANWITH JOHN.

1594
01:23:07,583 --> 01:23:11,754
OH, THE MAN I KNOW IS
NOT THE BOY YOU REMEMBER.

1595
01:23:11,787 --> 01:23:13,489
NONE OF US ARE.

1596
01:23:13,522 --> 01:23:17,093
BUT THERE'S SOMETHING
SPECIAL ABOUT JOHN.

1597
01:23:17,126 --> 01:23:20,863
YOU JUST HAVE TO LOOK
A LITTLE HARDER TO SEE IT.

1598
01:23:20,896 --> 01:23:22,198
YEAH.

1599
01:23:25,034 --> 01:23:27,370
WHY DIDN'T YOU
EVER ASK ME OUT?

1600
01:23:27,403 --> 01:23:28,371
ME?

1601
01:23:28,404 --> 01:23:29,905
YEAH.

1602
01:23:29,938 --> 01:23:32,341
'CAUSE YOU
WERE MIKEY'S GIRL.

1603
01:23:34,143 --> 01:23:36,079
HE GOT TO YOU FIRST.

1604
01:23:36,112 --> 01:23:38,114
AND AFTER MIKEY?

1605
01:23:38,147 --> 01:23:40,049
I THINK IT
WAS TOMMY'S TURN.

1606
01:23:40,083 --> 01:23:43,052
OH, FUCK YOU!

1607
01:23:43,086 --> 01:23:44,720
I DON'T KNOW.

1608
01:23:44,753 --> 01:23:46,755
'CAUSE IT WAS, UH...

1609
01:23:46,789 --> 01:23:49,092
I DIDN'T THINK
YOU'D SAY YES,

1610
01:23:49,125 --> 01:23:52,661
AND, UH,
DA DA DA...

1611
01:23:52,695 --> 01:23:54,063
YOU KNOW?

1612
01:23:55,298 --> 01:23:57,500
WELL, YOU
WERE WRONG, SHAKES.

1613
01:23:59,068 --> 01:24:00,669
YOU WERE WRONG.

1614
01:24:07,176 --> 01:24:08,777
WHAT? GO AHEAD,
SAY IT.

1615
01:24:10,679 --> 01:24:14,883
YOU WORK IN SOCIAL SERVICES,
YOU GOT FILES, YOU GOT
ACCESS TO FILES,

1616
01:24:14,917 --> 01:24:16,952
AND FROM TIME TO TIME,
WE'RE GOING TO NEED
SOME INFORMATION.

1617
01:24:16,985 --> 01:24:19,021
YEAH, SURE.
WHATEVER.

1618
01:24:19,054 --> 01:24:21,157
WAIT. WHAT?

1619
01:24:21,190 --> 01:24:22,625
WELL,
WHAT DO YOU WANT?

1620
01:24:22,658 --> 01:24:25,128
YOU WANT INFORMATION?
YOU WANT ME TO GET THE FILES?

1621
01:24:25,161 --> 01:24:26,229
I GET THE FILES.

1622
01:24:26,262 --> 01:24:27,730
NO,
I DIDN'T WANT--

1623
01:24:27,763 --> 01:24:28,831
WHAT DO YOU WANT?

1624
01:24:33,769 --> 01:24:35,604
YOU STILL VISIT JOHN?

1625
01:24:35,638 --> 01:24:37,806
YEAH, ONCE A WEEK,
FOR ABOUT AN HOUR.

1626
01:24:37,840 --> 01:24:38,807
GOOD.

1627
01:24:38,841 --> 01:24:40,409
GOOD?

1628
01:24:40,443 --> 01:24:43,712
YEAH, GOOD. JUST
DON'T TELL HIM THAT
YOU'VE SEEN ME.

1629
01:24:43,746 --> 01:24:45,181
DON'T TELL HIM ANYTHING.

1630
01:24:45,214 --> 01:24:47,150
THE MORE HE THINKS
THIS THING'S HOPELESS,

1631
01:24:47,183 --> 01:24:49,185
THE BETTER
IT MIGHT WORK.

1632
01:24:49,218 --> 01:24:51,354
SHAKES,
WHAT IS THIS ABOUT?

1633
01:24:52,988 --> 01:24:55,458
Fat Man: YOU
WANT A ROLLS ROYCE,
YOU DON'T COME HERE.

1634
01:24:55,491 --> 01:24:57,493
NO, NO, NO.
YOU GO TO ENGLAND,

1635
01:24:57,526 --> 01:24:59,795
OR WHEREVER THE FUCK
THEY MAKE IT.

1636
01:24:59,828 --> 01:25:02,064
YOU WANT CHAMPAGNE,
YOU GO SEE THE FRENCH.

1637
01:25:02,097 --> 01:25:04,133
IF YOU NEED MONEY,
YOU FIND A JEW.

1638
01:25:04,167 --> 01:25:08,304
BUT, IF YOU WANT DIRT
OR SCUM BURIED UNDER
A ROCK SOMEWHERE,

1639
01:25:08,337 --> 01:25:10,839
OR SOME SECRET NOBODY
WANTS ANYBODY TO KNOW ABOUT,

1640
01:25:10,873 --> 01:25:12,408
THERE'S ONLY
ONE PLACE TO GO--

1641
01:25:12,441 --> 01:25:14,042
RIGHT HERE--
HELL'S KITCHEN.

1642
01:25:14,076 --> 01:25:17,446
IT IS THE LOST AND FOUND
OF SHIT.

1643
01:25:17,480 --> 01:25:20,716
THEY LOSE IT,
AND WE FIND IT.
FORGET ABOUT IT, MAN.

1644
01:25:22,151 --> 01:25:25,854
NOW, YOU ONLY GOT TWO
WITNESSES WHO ARE
GOING TO TESTIFY.

1645
01:25:25,888 --> 01:25:28,591
TWO OTHERS CHANGED
THEIR MINDS.

1646
01:25:28,624 --> 01:25:30,259
WHICH TWO?

1647
01:25:30,293 --> 01:25:32,861
THE SUITS AT THE BAR.

1648
01:25:32,895 --> 01:25:35,531
SO THAT STILL LEAVES
THE COUPLE IN THE BOOTH.

1649
01:25:35,564 --> 01:25:36,865
FOR NOW.

1650
01:25:38,267 --> 01:25:40,936
EVERYTHING ELSE
FALLING INTO PLACE?

1651
01:25:40,969 --> 01:25:43,539
EXCEPT FOR
YOUR WITNESS.

1652
01:25:43,572 --> 01:25:46,642
THAT POCKET'S
STILL EMPTY.

1653
01:25:46,675 --> 01:25:49,645
I KNOW.

1654
01:25:49,678 --> 01:25:50,879
[SIGHS]

1655
01:25:52,147 --> 01:25:54,650
WHEN YOU
WERE SENT AWAY,

1656
01:25:54,683 --> 01:25:58,321
I WAS ALWAYS SORRY
I COULDN'T DO MORE
FOR YOU.

1657
01:26:03,125 --> 01:26:04,660
[WHISTLES]

1658
01:26:05,894 --> 01:26:08,531
I DIDN'T KNOW YOU
LIKED PIGEONS SO MUCH.

1659
01:26:08,564 --> 01:26:12,000
I LIKE ANYTHING
THAT DON'T TALK.

1660
01:26:12,034 --> 01:26:14,337
Shakes: MICHAEL'S VISION
OF WHERE HE WANTED
THIS CASE TO GO

1661
01:26:14,370 --> 01:26:15,971
WAS VERY CLEAR.

1662
01:26:16,004 --> 01:26:17,840
HE WAS AIMING
FOR GUILTY...

1663
01:26:17,873 --> 01:26:19,942
A CHARGE OF GUILTY
AGAINST THE WILKINSON
HOME FOR BOYS,

1664
01:26:19,975 --> 01:26:24,380
AGAINST SEAN NOKES,
ADAM STYLER, HENRY ADDISON,
AND RALPH FERGUSON.

1665
01:26:24,413 --> 01:26:28,351
I WILL PRESENT YOU EVIDENCE
AND OFFER INTO ACCOUNT
TESTIMONY TO PROVE THAT.

1666
01:26:28,384 --> 01:26:30,453
I WILL PLACE THEM AT
THE SCENE OF THE CRIME.

1667
01:26:30,486 --> 01:26:32,521
I WILL BRING
WITNESSES TO THE STAND,

1668
01:26:32,555 --> 01:26:35,924
WHO WILL CONFIRM
THAT THEY WERE THERE
ON THAT DEADLY NIGHT.

1669
01:26:35,958 --> 01:26:38,261
I WILL PRESENT
ENOUGH EVIDENCE

1670
01:26:38,294 --> 01:26:40,162
THAT YOU CAN THEN
GO INTO A JURY ROOM

1671
01:26:40,195 --> 01:26:42,164
AND COME BACK
WITH A CLEAR DECISION

1672
01:26:42,197 --> 01:26:43,832
THAT'S BEYOND
A REASONABLE DOUBT.

1673
01:26:43,866 --> 01:26:46,034
I'M SURE YOU ALL KNOW
WHAT THAT MEANS

1674
01:26:46,068 --> 01:26:48,504
SINCE YOU PROBABLY WATCH
AS MUCH TELEVISION AS I DO.

1675
01:26:48,537 --> 01:26:51,039
HA HA HA HA.
HA HA HA HA.

1676
01:26:51,073 --> 01:26:53,976
Danny: JOHN--
JOHN REILLY

1677
01:26:54,009 --> 01:26:57,012
AND THOMAS MARCANO
ARE TWO INNOCENT PAWNS
QUICKLY ARRESTED

1678
01:26:57,045 --> 01:26:58,481
AND JUST...

1679
01:26:58,514 --> 01:27:02,184
UH, AS, UH,
QUICKLY PROSECUTED

1680
01:27:02,217 --> 01:27:04,887
ON THE SLIGHTEST
THREADS OF EVIDENCE.

1681
01:27:04,920 --> 01:27:07,856
ON THE BRIGHT SIDE,
HE SEEMS TO KNOW
THEIR NAMES.

1682
01:27:19,234 --> 01:27:21,437
IT'S NICE WHEN
YOU COME AROUND.

1683
01:27:24,273 --> 01:27:26,742
HEY, BRING ME ANOTHER SPOON.
THIS ONE'S DIRTY.

1684
01:27:26,775 --> 01:27:27,910
TAKE IT.

1685
01:27:27,943 --> 01:27:29,845
NO, NO. SHE'LL DO IT.

1686
01:27:38,454 --> 01:27:39,988
SO, HOW'S WORK?

1687
01:27:42,190 --> 01:27:43,992
I'M STILL THERE.

1688
01:27:47,330 --> 01:27:50,333
YOU KNOW, POP, I, UH...

1689
01:27:50,366 --> 01:27:52,768
I WENT DOWN
TO THE COURTHOUSE.

1690
01:27:52,801 --> 01:27:54,937
JOHN AND TOMMY--
I SAW JOHN AND TOMMY,

1691
01:27:54,970 --> 01:27:56,939
AND, UH,
I SAW THEM THERE,

1692
01:27:56,972 --> 01:27:58,341
I STARTED
THINKING BACK--

1693
01:27:58,374 --> 01:27:59,875
WELL, WHERE'S
THE CHICKEN?

1694
01:28:03,746 --> 01:28:05,781
SO?

1695
01:28:05,814 --> 01:28:07,650
NOTHING.

1696
01:28:07,683 --> 01:28:10,018
I WAS JUST
THINKING THINGS.

1697
01:28:11,286 --> 01:28:13,789
BUT YOU'RE
DOING GOOD, RIGHT?

1698
01:28:13,822 --> 01:28:16,024
OH, YEAH, I'M GOOD.

1699
01:28:16,058 --> 01:28:17,493
GOOD.

1700
01:28:59,334 --> 01:29:01,604
Nokes: WHAT THE HELL
DO THESE THINGS DO?

1701
01:29:01,637 --> 01:29:02,938
THEY'RE FOR PRAYING.

1702
01:29:02,971 --> 01:29:04,873
JUST LOOK
AT ALL THIS SHIT,
WOULD YOU?

1703
01:29:04,907 --> 01:29:06,942
DOES YOUR MOTHER
THINK YOU'RE IN
THE FUCKING ARMY?

1704
01:29:06,975 --> 01:29:08,777
AIN'T NONE OF IT ON
THE APPROVED LIST.

1705
01:29:08,811 --> 01:29:10,613
SURE YOUR MOMMY GOT
A COPY OF THAT LIST...

1706
01:29:10,646 --> 01:29:12,280
MY MOTHER CAN'T
SPEAK ENGLISH THAT WELL.

1707
01:29:12,314 --> 01:29:15,651
DON'T BLAME US FOR
YOUR FUCKING MOTHER
BEING STUPID, ALL RIGHT?

1708
01:29:20,489 --> 01:29:23,392
WHEN ARE YOU GOING TO
LET US HEAR YOU PRAY?

1709
01:29:33,235 --> 01:29:35,203
MAYBE HE NEEDS
SOMETHING TO PRAY FOR.

1710
01:29:35,237 --> 01:29:37,139
PUT YOUR HANDS
ON THE TABLE AND
LAY THEM DOWN FLAT.

1711
01:29:39,542 --> 01:29:42,177
SPREAD YOUR LEGS.

1712
01:29:42,210 --> 01:29:44,513
START THINKIN' UP
SOME PRAYERS.

1713
01:29:53,221 --> 01:29:54,823
WE DON'T HEAR NO PRAYIN'.

1714
01:29:54,857 --> 01:29:57,593
YOU BETTER START,
OR STYLER MIGHT LOSE
HIS BATON UP YOUR ASS.

1715
01:29:57,626 --> 01:29:59,662
[SPEAKING LATIN]

1716
01:30:02,064 --> 01:30:04,066
Guard: PRAY NICE AND LOUD!

1717
01:30:05,033 --> 01:30:08,971
LOUDER!
FUCKING PRAY--
C'MON, NOW!

1718
01:30:10,806 --> 01:30:12,875
LOUDER!

1719
01:30:24,520 --> 01:30:26,689
[THUNDER]

1720
01:30:30,092 --> 01:30:32,728
SORRY I'M LATE.
I LOST ALL TRACK OF TIME.

1721
01:30:32,761 --> 01:30:35,698
LOOK, I GOT THIS
IDEA FOR A WITNESS,
BUT I'M NOT SURE YET.

1722
01:30:35,731 --> 01:30:38,467
BUT I WANTED YOU
TO COME ALONG SO
YOU COULD SEE IT.

1723
01:30:39,602 --> 01:30:41,169
WHERE ARE WE GOING?

1724
01:30:41,203 --> 01:30:42,304
HIS PLACE.

1725
01:30:42,337 --> 01:30:43,606
WHERE IS IT?

1726
01:30:43,639 --> 01:30:44,540
IT'S IN THE RECTORY.

1727
01:30:44,573 --> 01:30:45,908
NO, SHAKES.

1728
01:30:54,617 --> 01:30:56,785
HOW WAS COURT TODAY?

1729
01:30:56,819 --> 01:30:59,387
LIKE THE FIRST ROUND
OF A FIGHT,

1730
01:30:59,421 --> 01:31:02,357
EVERYBODY JUST FEELING
EACH OTHER OUT.

1731
01:31:02,390 --> 01:31:04,426
HOW'D THE BOYS LOOK?

1732
01:31:04,459 --> 01:31:07,195
LIKE THEY WISHED
THEY WAS SOMEPLACE
ELSE.

1733
01:31:08,897 --> 01:31:11,634
IT'S THE SHEEP THAT STRAY
THAT YOU MOST WANT BACK.

1734
01:31:13,536 --> 01:31:15,671
IT'S NOT
TOO LATE, FATHER.

1735
01:31:17,806 --> 01:31:21,644
WE STILL HAVE A CHANCE
TO BRING IN A COUPLE
OF STRAY SHEEP.

1736
01:31:21,677 --> 01:31:23,178
ONE MORE CHANCE.

1737
01:31:25,247 --> 01:31:27,650
IS THAT CHANCE LEGAL?

1738
01:31:27,683 --> 01:31:30,653
LAST CHANCES NEVER ARE.

1739
01:31:30,686 --> 01:31:33,121
KING BENNY BEHIND THIS?

1740
01:31:33,155 --> 01:31:36,792
HE'S IN ON IT, BUT HE'S
NOT CALLING THE SHOTS.

1741
01:31:36,825 --> 01:31:38,193
WHO IS?

1742
01:31:39,394 --> 01:31:40,462
MICHAEL.

1743
01:31:40,495 --> 01:31:43,465
I SHOULD
HAVE SMELLED IT.

1744
01:31:43,498 --> 01:31:45,500
THE MINUTE HE
WENT FOR THE CASE,

1745
01:31:45,534 --> 01:31:47,435
I SHOULD HAVE FIGURED
SOMETHING WAS UP.

1746
01:31:47,469 --> 01:31:48,871
IT'S A GOOD PLAN.

1747
01:31:48,904 --> 01:31:50,539
MICHAEL'S
GOT IT ALL COVERED.

1748
01:31:50,573 --> 01:31:54,276
JUST ABOUT EVERY
BASE YOU LOOK AT, HE--
HE'S GOT IT COVERED.

1749
01:31:54,309 --> 01:31:56,078
NOT EVERY BASE.

1750
01:31:56,111 --> 01:31:58,981
YOU'RE SHORT SOMETHING, OR
ELSE YOU WOULDN'T BE HERE.

1751
01:31:59,014 --> 01:32:01,249
YOU DON'T SHIT
A SHITTER, RIGHT?

1752
01:32:01,283 --> 01:32:02,685
THAT'S RIGHT.

1753
01:32:04,219 --> 01:32:05,721
SO WHAT IS IT?

1754
01:32:05,754 --> 01:32:08,190
WHERE DO YOU
COME UP SHORT?

1755
01:32:09,324 --> 01:32:10,926
WITNESS.

1756
01:32:10,959 --> 01:32:13,996
WE NEED SOMEBODY
TO TAKE THE STAND

1757
01:32:14,029 --> 01:32:16,364
AND SAY THEY WERE
WITH JOHN AND TOMMY ON
THE NIGHT OF THE MURDER.

1758
01:32:16,398 --> 01:32:18,767
SO YOU FIGURED
IF YOU HAD A PRIEST
IT WOULD BE PERFECT.

1759
01:32:18,801 --> 01:32:21,269
NOT JUST ANY PRIEST.

1760
01:32:28,143 --> 01:32:29,712
HMM.

1761
01:32:33,181 --> 01:32:34,717
SO YOU'RE...

1762
01:32:37,285 --> 01:32:38,954
YOU'RE ASKING ME...

1763
01:32:40,623 --> 01:32:43,058
YOU'RE ASKING ME TO LIE.

1764
01:32:43,091 --> 01:32:47,095
YOU'RE ASKING ME TO
SWEAR TO GOD AND THEN LIE.

1765
01:32:47,129 --> 01:32:50,065
I'M ASKING YOU TO
SAVE TWO OF YOUR BOYS.

1766
01:32:54,637 --> 01:32:56,571
DID THEY KILL THAT GUARD?

1767
01:32:57,572 --> 01:32:59,541
YES.

1768
01:32:59,574 --> 01:33:01,710
SO WHAT
THEY SAID IS TRUE.

1769
01:33:01,744 --> 01:33:03,578
THEY WALKED IN
AND THEY KILLED HIM.

1770
01:33:03,612 --> 01:33:05,313
YES...

1771
01:33:07,149 --> 01:33:10,185
THEY KILLED HIM
EXACTLY LIKE THAT.

1772
01:33:12,955 --> 01:33:15,357
I THINK I NEED A DRINK.

1773
01:33:16,524 --> 01:33:19,461
ANYONE WANT A DRINK?

1774
01:33:19,494 --> 01:33:21,964
YEAH.

1775
01:33:36,178 --> 01:33:39,114
THIS IS SOME FAVOR
YOU'RE ASKING ME.

1776
01:33:39,147 --> 01:33:41,483
WE KNOW THAT.

1777
01:33:41,516 --> 01:33:44,452
NO, I DON'T THINK
YOU DO KNOW.

1778
01:33:44,486 --> 01:33:47,055
YOU SAID IF THERE
WAS EVER ANYTHING
REALLY IMPORTANT,

1779
01:33:47,089 --> 01:33:49,557
I COULD COME TO YOU,
ASK YOU.

1780
01:33:49,591 --> 01:33:54,029
I WAS THINKING
MORE ALONG THE LINES
OF YANKEE TICKETS.

1781
01:33:55,497 --> 01:33:58,400
I DON'T NEED
YANKEE TICKETS, FATHER.

1782
01:33:58,433 --> 01:34:00,703
I NEED A WITNESS.

1783
01:34:00,736 --> 01:34:05,373
WHAT ABOUT THE LIFE
THAT WAS TAKEN, SHAKES?
WHAT'S THAT WORTH?

1784
01:34:05,407 --> 01:34:07,142
TO ME?

1785
01:34:07,175 --> 01:34:09,011
NOTHING.

1786
01:34:10,112 --> 01:34:11,546
WHY NOT?

1787
01:34:11,579 --> 01:34:13,682
TELL ME.

1788
01:34:19,254 --> 01:34:21,724
HE WAS A...

1789
01:34:21,757 --> 01:34:24,426
HE WAS A GUARD
AT WILKINSON'S...

1790
01:34:27,562 --> 01:34:29,064
ALL RIGHT?

1791
01:34:29,097 --> 01:34:31,199
Shakes: IF FATHER BOBBY
WAS GOING TO BE INVOLVED,

1792
01:34:31,233 --> 01:34:33,235
HE DESERVED TO KNOW
WHAT HE WAS GETTING INTO.

1793
01:34:33,268 --> 01:34:36,371
IF HE WASN'T, I TRUSTED
THAT THE TRUTH WOULD GO
NO FURTHER THAN HIS ROOM.

1794
01:34:36,404 --> 01:34:40,675
I THOUGHT THAT CAROL
NEEDED TO KNOW AS WELL.

1795
01:34:40,709 --> 01:34:42,610
JESUS CHRIST,
WE WERE JUST BOYS.

1796
01:34:42,644 --> 01:34:44,146
WE WEREN'T
THAT TOUGH.

1797
01:34:47,015 --> 01:34:49,017
AND THEY
HELD US DOWN.

1798
01:34:52,220 --> 01:34:54,757
Shakes: I TOLD HIM ABOUT
THE TORTURE,

1799
01:34:54,790 --> 01:34:56,759
THE BEATINGS,
AND THE RAPES.

1800
01:34:56,792 --> 01:34:58,626
I TOLD HIM ABOUT THE
FOUR FRIGHTENED BOYS,

1801
01:34:58,660 --> 01:35:02,364
WHO PRAYED TO
FATHER BOBBY'S GOD
FOR HELP THAT NEVER CAME.

1802
01:35:02,397 --> 01:35:03,799
I TOLD HIM EVERYTHING.

1803
01:35:03,832 --> 01:35:05,834
AND YOU CAN'T--
YOU CAN'T FIGHT ANYMORE.

1804
01:35:05,868 --> 01:35:08,003
WE JUST TOOK IT ALL.

1805
01:35:08,036 --> 01:35:10,205
JOHN USED
TO WAIL AT NIGHT.

1806
01:35:10,238 --> 01:35:13,175
YOU'D HEAR IT ALL
THE WAY DOWN THE HALL.

1807
01:35:15,077 --> 01:35:17,012
YOU KNOW HE WANTED
TO BE A PRIEST--

1808
01:35:17,045 --> 01:35:19,147
JOHN WANTED
TO BE A PRIEST.

1809
01:35:20,048 --> 01:35:24,219
[SHAKES CONTINUES,
INDISTINCT]

1810
01:35:29,124 --> 01:35:31,693
Shakes:
I JUST SORT
OF BLACKED OUT...

1811
01:35:31,726 --> 01:35:34,462
WHAT I COULD REMEMBER
IS I COULDN'T BREATHE.

1812
01:35:36,031 --> 01:35:38,200
I STARTED TO CHOKE...

1813
01:35:43,038 --> 01:35:45,040
...THEN I BLACKED OUT.

1814
01:35:46,842 --> 01:35:49,845
BUT I DO REMEMBER WHEN,
FOR FUN,

1815
01:35:49,878 --> 01:35:52,815
THEY'D TAKE US
DOWN IN THE BASEMENT

1816
01:35:52,848 --> 01:35:55,217
AND TIE TWO OR THREE
OF US TOGETHER...

1817
01:35:55,250 --> 01:35:56,919
AND WATCH...

1818
01:36:14,602 --> 01:36:17,072
I GOT A DECISION
TO MAKE.

1819
01:36:21,009 --> 01:36:24,479
I ONLY PRAY
IT'S THE RIGHT ONE.

1820
01:36:24,512 --> 01:36:26,849
IT WILL BE, FATHER,

1821
01:36:26,882 --> 01:36:28,383
WHICHEVER WAY YOU GO.

1822
01:36:33,188 --> 01:36:35,390
GOOD NIGHT.

1823
01:36:42,730 --> 01:36:46,234
Michael:
OK, SO YOU WERE SITTING DOWN.
YOU WERE HAVING DINNER,

1824
01:36:46,268 --> 01:36:48,336
AND TWO MEN
ENTERED McHALE'S, CORRECT?

1825
01:36:48,370 --> 01:36:49,471
Woman: YES.

1826
01:36:49,504 --> 01:36:50,605
DID YOU SEE
THE TWO MEN

1827
01:36:50,638 --> 01:36:52,107
AS THEY APPROACHED THE TABLE
WHERE MR. NOKES WAS SITTING?

1828
01:36:52,140 --> 01:36:54,109
I--I NOTICED IT,
YES.

1829
01:36:54,142 --> 01:36:56,111
DID YOU HEAR WHAT WAS SAID
BETWEEN THEM?

1830
01:36:56,144 --> 01:36:57,412
UM, NO.

1831
01:36:57,445 --> 01:36:58,646
DID YOU SEE THEM
PULL OUT THEIR GUNS?

1832
01:36:58,680 --> 01:36:59,747
NO.

1833
01:36:59,781 --> 01:37:01,984
DID YOU HEAR
THE SHOTS?

1834
01:37:02,017 --> 01:37:03,618
YES, I HEARD
THE SHOTS.

1835
01:37:03,651 --> 01:37:08,790
AND WHAT DID THEY DO?
WHAT WAS THEIR BEHAVIOR
AFTER-- AFTER THE SHOOTING?

1836
01:37:08,823 --> 01:37:12,027
THEY WALKED OUT
OF McHALE'S AS IF
NOTHING HAD HAPPENED.

1837
01:37:12,060 --> 01:37:15,063
AND AT THAT TIME,
MRS. SALINAS,

1838
01:37:15,097 --> 01:37:17,799
DID YOU SEE
THEIR FACES CLEARLY?

1839
01:37:17,832 --> 01:37:19,134
YES.

1840
01:37:19,167 --> 01:37:21,436
I LOOKED UP
AS THEY WALKED AWAY.

1841
01:37:21,469 --> 01:37:22,704
ARE YOU
POSITIVE?

1842
01:37:22,737 --> 01:37:24,472
YES.
VERY POSITIVE.

1843
01:37:24,506 --> 01:37:27,442
AND ARE THE TWO MEN
YOU SAW IN McHALE'S
IN THIS ROOM TODAY?

1844
01:37:27,475 --> 01:37:28,877
YES,
THEY ARE.

1845
01:37:28,911 --> 01:37:31,880
COULD YOU POINT THEM OUT
FOR THE JURY, PLEASE?

1846
01:37:31,914 --> 01:37:34,482
THEY'RE SITTING
RIGHT OVER THERE.

1847
01:37:34,516 --> 01:37:37,785
YOUR HONOR,
WILL THE RECORD REFLECT THAT
MRS. SALINAS HAS IDENTIFIED

1848
01:37:37,819 --> 01:37:41,924
DEFENDANTS JOHN REILLY
AND THOMAS MARCANO
AS THE TWO MEN IN QUESTION.

1849
01:37:41,957 --> 01:37:43,091
Judge Weisman:
NOTED.

1850
01:37:43,125 --> 01:37:44,993
THANK YOU.
NO FURTHER QUESTIONS.

1851
01:37:45,027 --> 01:37:48,530
COUNSEL, ARE YOU READY
TO PROCEED?

1852
01:37:48,563 --> 01:37:50,098
YES, YOUR HONOR,
WE ARE.

1853
01:37:50,132 --> 01:37:52,167
GOOD MORNING.
I JUST HAVE A FEW QUESTIONS.

1854
01:37:52,200 --> 01:37:55,303
I WON'T TAKE
TOO MUCH OF YOUR TIME,
MRS. SALINAS.

1855
01:37:55,337 --> 01:37:58,340
UH, YOU STATED THAT
YOU ONLY HAD WINE

1856
01:37:58,373 --> 01:37:59,707
TO DRINK WITH DINNER.
IS THAT CORRECT?

1857
01:37:59,741 --> 01:38:00,775
YES.

1858
01:38:00,808 --> 01:38:02,177
ARE YOU SURE ABOUT THAT?

1859
01:38:02,210 --> 01:38:06,148
ARE YOU SURE
THAT WAS ALL YOU HAD,
ONE, UH, BOTTLE OF WINE?

1860
01:38:06,181 --> 01:38:08,183
YES, A BOTTLE
OF RED CHIANTI.

1861
01:38:08,216 --> 01:38:11,653
UH-HUH. HAD YOU ANYTHING
TO DRINK, UH, PRIOR TO THAT?

1862
01:38:11,686 --> 01:38:12,754
WHAT DO YOU MEAN,
PRIOR?

1863
01:38:12,787 --> 01:38:15,257
AT, UH, UH, LUNCH.

1864
01:38:15,290 --> 01:38:17,625
MAYBE, DID YOU HAVE
ANYTHING TO DRINK AT LUNCH?

1865
01:38:17,659 --> 01:38:18,726
YES, I DID.

1866
01:38:18,760 --> 01:38:20,795
AND, UH, WHAT DID YOU HAVE
TO DRINK?

1867
01:38:20,828 --> 01:38:23,065
I WENT SHOPPING,
AND I, UM--

1868
01:38:23,098 --> 01:38:24,967
I STOPPED AT A PLACE
ON MADISON AVENUE
FOR SOME--

1869
01:38:25,000 --> 01:38:26,434
SEE, I DIDN'T ASK YOU
WHERE YOU WENT.

1870
01:38:26,468 --> 01:38:29,771
I ASKED YOU WHAT YOU HAD
TO DRINK AT LUNCH.

1871
01:38:29,804 --> 01:38:30,772
A MARTINI.

1872
01:38:30,805 --> 01:38:32,440
AND WHAT ELSE?

1873
01:38:34,009 --> 01:38:36,711
UM, PROBABLY
SOME WINE.

1874
01:38:36,744 --> 01:38:42,284
YES, AND HOW--UH, HOW MANY,
UH, GLASSES OF WINE
DID YOU HAVE TO DRINK?

1875
01:38:42,317 --> 01:38:43,751
UM...

1876
01:38:43,785 --> 01:38:45,553
ONE GLASS,
MAYBE TWO.

1877
01:38:45,587 --> 01:38:47,222
CLOSER TO TWO?

1878
01:38:47,255 --> 01:38:50,058
YES, PROBABLY TWO
GLASSES. ABOUT TWO.

1879
01:38:50,092 --> 01:38:51,960
AND DID YOU, UH...

1880
01:38:52,927 --> 01:38:54,496
UH...

1881
01:38:54,529 --> 01:38:57,399
[WHISPERING]
It's like pulling teeth.

1882
01:38:57,432 --> 01:38:59,201
UH...

1883
01:38:59,234 --> 01:39:02,137
I should've
pinned the questions
to his shirt.

1884
01:39:02,170 --> 01:39:06,408
AND, UH, TELL ME, UH,
THEN AT DINNER, YOU--
UH, UH--

1885
01:39:06,441 --> 01:39:08,310
STRIKE THAT.

1886
01:39:08,343 --> 01:39:09,677
UH...

1887
01:39:11,379 --> 01:39:13,481
UH, UH...

1888
01:39:16,151 --> 01:39:18,720
WHAT TIME, MRS. SALINAS,
DID YOU HAVE LUNCH?

1889
01:39:18,753 --> 01:39:20,322
OBJECTION, YOUR HONOR.

1890
01:39:21,523 --> 01:39:23,425
WHAT MRS. SALINAS
DID ON THE DAY
OF THE MURDER

1891
01:39:23,458 --> 01:39:25,627
HAS NOTHING TO DO
WITH WHAT SHE SAW ON
THE NIGHT OF THE MURDER.

1892
01:39:25,660 --> 01:39:27,695
HOW MUCH SHE HAD
TO DRINK DOES, YOUR HONOR.

1893
01:39:27,729 --> 01:39:29,064
OVERRULED.

1894
01:39:30,365 --> 01:39:34,469
AHEM. MRS. SALINAS,
WHAT TIME, UH,
DID YOU HAVE LUNCH?

1895
01:39:34,502 --> 01:39:36,204
ABOUT 1:30.

1896
01:39:36,238 --> 01:39:37,872
AND WHAT DID YOU
HAVE FOR LUNCH?

1897
01:39:37,905 --> 01:39:41,076
IT'S A WHILE AGO.
UM, PROBABLY A SALAD.

1898
01:39:41,109 --> 01:39:43,411
I-- I LIKE TO EAT
A LITTLE LIGHT
IN THE DAY.

1899
01:39:43,445 --> 01:39:46,281
A MARTINI, TWO GLASSES
OF WINE, AND A SALAD.
IS THAT CORRECT?

1900
01:39:46,314 --> 01:39:48,183
YES.
THAT'S RIGHT.

1901
01:39:48,216 --> 01:39:53,155
AND THEN YOU HAD WINE
AT DINNER ABOUT SIX HOURS
LATER. IS THAT RIGHT?

1902
01:39:53,188 --> 01:39:54,922
YES,
THAT'S RIGHT.

1903
01:39:54,956 --> 01:39:56,258
HOW MUCH WINE
DID YOU HAVE TO DRINK

1904
01:39:56,291 --> 01:39:58,660
BY THE TIME MY CLIENTS
ALLEGEDLY WALKED INTO
McHALE'S?

1905
01:39:58,693 --> 01:40:00,062
TWO GLASSES.

1906
01:40:00,095 --> 01:40:03,531
WOULD YOU SAY THAT, UH,
FOUR GLASSES OF WINE

1907
01:40:03,565 --> 01:40:07,769
AND A MARTINI
WITHIN A SIX-HOUR PERIOD
IS A LOT FOR YOU TO DRINK?

1908
01:40:07,802 --> 01:40:09,003
YES, IT IS.
YES.

1909
01:40:09,037 --> 01:40:10,738
UH-HUH. SURE.

1910
01:40:11,906 --> 01:40:13,508
UH...

1911
01:40:13,541 --> 01:40:17,812
AND, UH, HAVE YOU EVER
HEARD A GUN FIRED

1912
01:40:17,845 --> 01:40:19,947
PRIOR TO THE NIGHT
IN QUESTION?

1913
01:40:19,981 --> 01:40:21,383
NO.

1914
01:40:21,416 --> 01:40:24,919
UH, HOW WOULD YOU
DESCRIBE THE SOUND?

1915
01:40:24,952 --> 01:40:27,455
IT'S LOUD,
LIKE FIREWORKS LOUD.

1916
01:40:29,023 --> 01:40:31,893
DID THE SOUND, UH,
FRIGHTEN YOU?

1917
01:40:31,926 --> 01:40:33,328
VERY MUCH.

1918
01:40:33,361 --> 01:40:36,964
DID YOU CLOSE YOUR--
UH, YOUR EYES?

1919
01:40:36,998 --> 01:40:40,168
AT FIRST, UM, UNTIL
THE SHOOTING STOPPED,
THEN I OPENED THEM.

1920
01:40:40,202 --> 01:40:44,606
DID YOU THINK THE MEN WHO
DID THE SHOOTING WERE GOING
TO KILL EVERYBODY IN McHALE'S?

1921
01:40:44,639 --> 01:40:46,541
WELL, I--I REALLY DIDN'T
KNOW WHAT TO THINK.

1922
01:40:46,574 --> 01:40:49,043
I-- I JUST KNEW THAT
A MAN HAD BEEN SHOT.

1923
01:40:49,077 --> 01:40:54,782
DID YOU THINK YOU MIGHT
BE SHOT DEAD BY THE TWO
COLD-BLOODED KILLERS?

1924
01:40:54,816 --> 01:40:56,284
YES.
YES, I DID.

1925
01:40:56,318 --> 01:40:57,419
YET, DESPITE THAT FEAR,

1926
01:40:57,452 --> 01:41:00,555
DESPITE THAT, UH,
RISK TO YOUR LIFE,

1927
01:41:00,588 --> 01:41:04,626
YOU LOOKED AT THEIR FACES,
UH, AS THEY LEFT?

1928
01:41:05,660 --> 01:41:06,728
YES, I DID.

1929
01:41:06,761 --> 01:41:08,163
IS THAT CORRECT?

1930
01:41:08,796 --> 01:41:09,997
YES, I DID.

1931
01:41:10,031 --> 01:41:15,137
DID YOU LOOK AT THEIR FACES?
DID YOU REALLY, REALLY LOOK,

1932
01:41:15,170 --> 01:41:17,839
MRS. SALINAS?

1933
01:41:17,872 --> 01:41:20,742
I GLANCED AT THEM
WHEN THEY WALKED BY,
BUT I DID SEE THEM.

1934
01:41:20,775 --> 01:41:23,711
YOU GLANCED.

1935
01:41:23,745 --> 01:41:25,113
YOU DIDN'T LOOK.

1936
01:41:26,013 --> 01:41:28,216
I SAW THEM.

1937
01:41:28,250 --> 01:41:30,885
YOU GLANCED AT THEM,
MRS. SALINAS.

1938
01:41:30,918 --> 01:41:34,922
YOU GLANCED AT THEM
THROUGH THE EYES
OF A VERY FRIGHTENED WOMAN

1939
01:41:34,956 --> 01:41:38,293
WHO MAYBE HAD
TOO MUCH TO DRINK.

1940
01:41:38,326 --> 01:41:39,694
OBJECTION, YOUR HONOR.

1941
01:41:39,727 --> 01:41:42,797
THERE IS NO NEED, YOUR HONOR.
I HAVE NO FURTHER QUESTIONS.

1942
01:41:42,830 --> 01:41:46,768
Judge Weisman:
THANK YOU, MRS. SALINAS.
YOU MAY STEP DOWN.

1943
01:41:49,337 --> 01:41:51,773
Shakes: IT WAS 6:15
ON SUNDAY MORNING.

1944
01:41:51,806 --> 01:41:55,009
FRANK MAGCICCO WORKED OUT
OF A HOMICIDE UNIT
IN BROOKLYN.

1945
01:41:55,042 --> 01:41:56,278
HE WAS A FIRST-RATE
DETECTIVE

1946
01:41:56,311 --> 01:41:58,646
WITH AN HONEST NAME
AND A SOLID REPUTATION.

1947
01:41:58,680 --> 01:42:01,249
HE WAS ALSO
KING BENNY'S NEPHEW.

1948
01:42:01,283 --> 01:42:04,018
NICK DAVENPORT
WAS WITH INTERNAL AFFAIRS.

1949
01:42:04,051 --> 01:42:07,289
HE WAS AMBITIOUS,
AND WANTED TO MAKE CAPTAIN
BEFORE HE HIT 40.

1950
01:42:07,322 --> 01:42:09,591
HE KNEW THE FASTEST WAY
UP THE TRACK WAS TO REEL IN

1951
01:42:09,624 --> 01:42:13,127
A MAXIMUM AMOUNT
OF DIRTY COPS
IN A MINIMUM AMOUNT OF TIME.

1952
01:42:13,161 --> 01:42:14,429
FRANK,
WHAT IS THIS SHIT?

1953
01:42:14,462 --> 01:42:17,499
HEY, I WERE YOU, I'D DO
WHAT THE KID SAYS.

1954
01:42:17,532 --> 01:42:19,167
YOU MAKE THIS ONE,
YOU'RE GOING TO BE
HAVING BREAKFAST

1955
01:42:19,201 --> 01:42:20,468
ONCE A MONTH
WITH THE COMMISSIONER.

1956
01:42:20,502 --> 01:42:23,070
MAN, YOU GOT A REAL HARD-ON
FOR THIS STYLE OF GUY, HUH?

1957
01:42:23,104 --> 01:42:24,105
WHAT'S YOUR BEEF
WITH HIM?

1958
01:42:24,138 --> 01:42:25,240
ONE MORE THING.

1959
01:42:25,273 --> 01:42:26,608
CAN'T WAIT.

1960
01:42:26,641 --> 01:42:27,775
IT'S SIMPLE.

1961
01:42:27,809 --> 01:42:30,212
NO ONE KNOWS
IF I GIVE YOU
THIS INFORMATION,

1962
01:42:30,245 --> 01:42:31,313
AND I MEAN NOBODY.

1963
01:42:31,346 --> 01:42:32,380
HOW DID YOU GET IT?

1964
01:42:32,414 --> 01:42:34,582
IT FELL
INTO MY LAP.

1965
01:42:34,616 --> 01:42:37,652
JUST LIKE IT'S GOING
TO FALL INTO YOURS.

1966
01:42:43,124 --> 01:42:44,826
CHRIST ALMIGHTY.

1967
01:42:51,833 --> 01:42:53,668
GOT EVERYTHING IN HERE
BUT A CONFESSION.

1968
01:42:53,701 --> 01:42:55,603
I THOUGHT I'D LEAVE THAT
UP TO YOU.

1969
01:42:55,637 --> 01:42:57,439
MY PREFERENCE IS THAT
YOU BEAT IT OUT OF HIM.

1970
01:42:57,472 --> 01:42:59,441
THERE'S EVEN
SURVEILLANCE PHOTOS.

1971
01:42:59,474 --> 01:43:02,410
THIS PIECE OF SHIT'S
PULLING IN ABOUT
FIVE GRAND A MONTH

1972
01:43:02,444 --> 01:43:04,712
RIPPING OFF PUSHERS.
HAS BEEN FOR ABOUT
THREE YEARS.

1973
01:43:04,746 --> 01:43:05,580
MORE LIKE FOUR.

1974
01:43:05,613 --> 01:43:06,748
HE AIN'T GOING
TO SEE FIVE.

1975
01:43:06,781 --> 01:43:08,216
SO YOU GOT ENOUGH
FOR A CONVICTION?

1976
01:43:08,250 --> 01:43:12,254
THAT AIN'T UP TO ME.
THAT'S UP TO A JURY.

1977
01:43:13,455 --> 01:43:15,657
SHOW THE JURY THIS.

1978
01:43:16,691 --> 01:43:19,494
WELL, WHAT'VE
YOU GOT THERE, NESS?

1979
01:43:19,527 --> 01:43:21,463
ABOUT THREE WEEKS AGO,

1980
01:43:21,496 --> 01:43:23,531
THE BODY
OF A DRUG-DEALER
NAMED INDIAN RED LOPEZ

1981
01:43:23,565 --> 01:43:26,401
WAS FOUND IN AN ALLEY
IN JACKSON HEIGHTS.

1982
01:43:26,434 --> 01:43:28,135
THREE BULLETS IN HIS HEAD,
NOTHING IN HIS POCKETS.

1983
01:43:28,169 --> 01:43:29,304
I'M WITH YOU SO FAR.

1984
01:43:29,337 --> 01:43:30,972
THIS IS THE GUN
THAT KILLED HIM,

1985
01:43:31,005 --> 01:43:33,107
AND THESE ARE
THE SHELLS.

1986
01:43:33,140 --> 01:43:35,743
AND, UH, WHAT'S BEHIND
DOOR NUMBER 3?

1987
01:43:35,777 --> 01:43:39,581
THE PRINTS ON THE GUN
BELONG TO ADAM STYLER.

1988
01:43:42,617 --> 01:43:44,018
HEY, DO ME A FAVOR,
WOULD YOU?

1989
01:43:44,051 --> 01:43:45,487
WHAT'S THAT?

1990
01:43:45,520 --> 01:43:48,122
IF I EVER MAKE IT
ONTO YOUR SHIT LIST,
GIVE ME A CALL.

1991
01:43:48,155 --> 01:43:50,825
GIVE ME A CHANCE
TO APOLOGIZE.

1992
01:43:50,858 --> 01:43:53,094
SO, YOU NEED ANYTHING
ELSE, YOU TALK TO FRANK.

1993
01:43:53,127 --> 01:43:54,496
HE KNOWS HOW
TO GET A HOLD OF ME.

1994
01:43:54,529 --> 01:43:56,598
TAKE CARE
OF YOURSELF, KID.

1995
01:43:56,631 --> 01:43:58,466
THE WATER
GETS CHOPPY
OUT YOUR WAY.

1996
01:43:58,500 --> 01:44:01,102
I'LL DO WHAT I CAN.

1997
01:44:01,135 --> 01:44:02,270
HEY, NESS.

1998
01:44:03,271 --> 01:44:05,540
DID YOU EVER THINK
OF BECOMING A COP?

1999
01:44:05,573 --> 01:44:07,475
AND LEAVE
THE GOOD GUYS?

2000
01:44:15,182 --> 01:44:17,752
[FATHER BOBBY WHISPERING]

2001
01:44:24,926 --> 01:44:25,860
The body of Christ.

2002
01:44:25,893 --> 01:44:26,728
Amen.

2003
01:44:28,696 --> 01:44:29,731
Father Bobby:
The body of Christ.

2004
01:44:29,764 --> 01:44:31,299
Amen.

2005
01:44:33,200 --> 01:44:34,101
The body
of Christ.

2006
01:44:34,135 --> 01:44:35,370
Amen.

2007
01:44:35,403 --> 01:44:36,971
The body
of Chri--

2008
01:44:50,852 --> 01:44:52,387
The body of Christ.

2009
01:44:55,590 --> 01:44:57,725
Shakes: MICHAEL HAD DONE
ALL THAT COULD BE EXPECTED

2010
01:44:57,759 --> 01:45:01,463
OF AN ASSISTANT
DISTRICT ATTORNEY
SEEKING A CONVICTION.

2011
01:45:01,496 --> 01:45:04,332
HE HAD A FORENSIC EXPERT
DETAIL THE MAKE AND CALIBER

2012
01:45:04,366 --> 01:45:06,200
OF THE GUN
THAT KILLED NOKES.

2013
01:45:06,233 --> 01:45:08,836
HE JUST NEVER HAD
THE MURDER WEAPON
TO PRESENT AS EVIDENCE,

2014
01:45:08,870 --> 01:45:12,006
AND HE NEVER GAVE THE JURY
A MOTIVE FOR THE MURDER.

2015
01:45:12,039 --> 01:45:15,242
THE TENSION OF HIS TASK,
THE HOURS HE WAS WORKING,

2016
01:45:15,276 --> 01:45:18,312
AND THE UNCERTAINTY
ABOUT THE OUTCOME
WEIGHED HEAVILY ON HIM.

2017
01:45:18,346 --> 01:45:19,481
DID YOU SEE
THEIR FACES?

2018
01:45:19,514 --> 01:45:22,684
YES, I LOOKED AT THEM,
AND THEY LOOKED AT ME.

2019
01:45:22,717 --> 01:45:24,251
DID THEY SAY
ANYTHING TO YOU?

2020
01:45:24,285 --> 01:45:26,754
NO, THEY JUST
LOOKED AT ME AND
WALKED OUT OF McHALE'S.

2021
01:45:26,788 --> 01:45:29,156
ARE YOU SURE
THE TWO DEFENDANTS
KILLED SEAN NOKES?

2022
01:45:29,190 --> 01:45:30,958
I KNOW
THEY KILLED HIM.

2023
01:45:30,992 --> 01:45:33,928
Shakes: IF THE PLAN WORKED,
IT WOULD BE EVERYONE'S
SUCCESS.

2024
01:45:33,961 --> 01:45:37,599
IF IT FAILED, THE FAULT
WOULD FALL TO MICHAEL.

2025
01:45:39,601 --> 01:45:43,671
FATHER BOBBY CARILLO,
THE PRIEST WITH THE BEST
HOOK SHOT ON THE WEST SIDE,

2026
01:45:43,705 --> 01:45:48,109
REMAINED THE KEY TO A PLAN
THAT CALLED FOR ALL INVOLVED
TO GET AWAY WITH MURDER.

2027
01:45:48,142 --> 01:45:51,679
DID YOU TURN AROUND,
LOOK BEHIND YOU WHEN YOU HEARD
THE SHOOTING, MR. CARSON?

2028
01:45:51,713 --> 01:45:53,748
WHY-- WHY DIDN'T YOU
TURN AROUND, MR. CARSON?

2029
01:45:53,781 --> 01:45:55,417
I WAS CONCERNED
FOR MY--

2030
01:45:55,450 --> 01:45:58,653
MR. CARSON,
DID THE TWO INDIVIDUALS
THREATEN YOU IN ANY WAY?

2031
01:45:58,686 --> 01:45:59,754
NO.

2032
01:45:59,787 --> 01:46:02,857
DID THEY THREATEN ANYONE
IN McHALE'S RESTAURANT,

2033
01:46:02,890 --> 01:46:04,492
AS FAR AS YOU KNOW?

2034
01:46:04,526 --> 01:46:06,093
I DIDN'T SEE IT,
BUT I KNOW IT.

2035
01:46:06,127 --> 01:46:08,996
IF YOU DIDN'T SEE
THE DEFENDANTS SHOOT THE GUY,

2036
01:46:09,030 --> 01:46:13,835
THEN HOW DO YOU KNOW
IT WAS THE DEFENDANTS
THAT SHOT THE GUY?

2037
01:46:34,255 --> 01:46:36,458
SO WHAT'S
THE EMERGENCY?

2038
01:46:40,795 --> 01:46:42,497
YOU KNOW, SHAKES
SHOULDN'T HAVE SENT YOU.
IT'S TOO RISKY.

2039
01:46:42,530 --> 01:46:45,099
HEY, NOBODY SENT ME.

2040
01:46:45,132 --> 01:46:47,034
I WANTED TO SEE YOU.

2041
01:46:48,269 --> 01:46:49,403
WHY?

2042
01:46:50,772 --> 01:46:53,641
SHAKES MET
WITH FATHER BOBBY
TWO WEEKS AGO.

2043
01:46:53,675 --> 01:46:54,976
HE HASN'T HEARD
FROM HIM SINCE.

2044
01:46:55,009 --> 01:46:58,045
IT'S NOT AN OVERNIGHT
DECISION FOR HIM.

2045
01:47:00,414 --> 01:47:01,883
WHAT IF
HE DOESN'T TESTIFY?

2046
01:47:01,916 --> 01:47:05,052
THEN WE GOT
A VERY SERIOUS PROBLEM.

2047
01:47:19,934 --> 01:47:23,905
HAVE SHAKES TALK
TO FATHER BOBBY AGAIN.

2048
01:47:23,938 --> 01:47:27,374
HAVE HIM TELL HIM
THE WHOLE STORY. HE'LL
KNOW WHAT THAT MEANS.

2049
01:47:27,408 --> 01:47:28,976
HE ALREADY HAS.

2050
01:47:30,845 --> 01:47:32,046
WHAT?

2051
01:47:32,079 --> 01:47:36,851
I-- I WAS WITH HIM
WHEN HE TALKED
TO FATHER BOBBY.

2052
01:47:39,286 --> 01:47:41,623
I HEARD EVERYTHING,
MICHAEL.

2053
01:47:51,599 --> 01:47:53,134
SO YOU KNOW.

2054
01:47:55,469 --> 01:47:56,638
YEAH.

2055
01:48:00,775 --> 01:48:02,777
IF ONLY YOU'D TOLD ME.

2056
01:48:05,379 --> 01:48:07,448
I--

2057
01:48:07,481 --> 01:48:10,752
I THINK THINGS
COULD HAVE BEEN DIFFERENT.

2058
01:48:11,819 --> 01:48:13,688
IF YOU COULD'VE TALKED.

2059
01:48:18,259 --> 01:48:19,527
WELL, MAYBE--

2060
01:48:19,561 --> 01:48:20,728
MAYBE--

2061
01:48:24,431 --> 01:48:25,567
MAYBE--

2062
01:48:31,939 --> 01:48:32,907
I DON'T--

2063
01:48:46,821 --> 01:48:49,223
[ * DORIS DAY PLAYING
IN BACKGROUND * ]

2064
01:48:49,256 --> 01:48:50,925
HEY, HOW YOU DOING?

2065
01:48:50,958 --> 01:48:53,294
OH, MAN, THAT DIET
IS WORKING. I DON'T CARE
WHAT ANYBODY SAYS.

2066
01:48:53,327 --> 01:48:55,963
[LAUGHS]

2067
01:48:55,997 --> 01:48:58,299
YOU STILL HAVE A THING
FOR DORIS DAY?

2068
01:48:58,332 --> 01:48:59,867
SHE'S
A GOOD WOMAN.

2069
01:49:01,502 --> 01:49:03,905
YOU KNOW
LASTREGA?

2070
01:49:03,938 --> 01:49:07,308
HARD TO MISS A LADY
WITH FOUR WARTS
AND ONLY ONE EYE.

2071
01:49:07,341 --> 01:49:10,144
SHE NEEDS
THE HEADS.

2072
01:49:10,177 --> 01:49:10,945
SALVATORE.

2073
01:49:14,649 --> 01:49:17,351
TAKE THIS
TO THE WITCH.

2074
01:49:17,384 --> 01:49:19,687
NOW, WHY DOES SHE NEED
THE HEADS?

2075
01:49:19,721 --> 01:49:21,188
SHE TAKES THE EYES.

2076
01:49:21,222 --> 01:49:22,924
OH. WONDERFUL.

2077
01:49:22,957 --> 01:49:26,594
PUTS THEM IN A BOWL
AND MIXES THEM
WITH WATER AND OIL.

2078
01:49:26,628 --> 01:49:28,229
AND THEN?

2079
01:49:29,831 --> 01:49:32,667
PEOPLE GET HEADACHES,
THEY GO TO HER.

2080
01:49:32,700 --> 01:49:35,737
SHE LOOKS
INTO THEIR EYES
AND TELLS THEM

2081
01:49:35,770 --> 01:49:37,772
WHO IS WISHING
THE HEADACHES.

2082
01:49:37,805 --> 01:49:40,307
SHE SAYS A FEW WORDS,

2083
01:49:40,341 --> 01:49:42,376
AND THE HEADACHES
GO AWAY.

2084
01:49:42,409 --> 01:49:45,479
ONCE IN A WHILE,
THE PERSON WHO WISHED
THE HEADACHES

2085
01:49:45,512 --> 01:49:46,781
GOES AWAY, TOO.

2086
01:49:46,814 --> 01:49:49,083
THIS GUY, ADDISON,

2087
01:49:49,116 --> 01:49:51,452
THE ONE WHO WORKS
FOR THE MAYOR,

2088
01:49:51,485 --> 01:49:54,255
HE QUITS HIS JOB
IN TWO WEEKS.

2089
01:49:54,288 --> 01:49:57,659
HE DON'T WANT NOBODY
TO KNOW WHAT KIND
OF A GUY HE IS.

2090
01:49:57,692 --> 01:50:02,664
HE DON'T WANT NOBODY
TO SEE PICTURES OF HIM
THEY SHOULDN'T SEE.

2091
01:50:02,697 --> 01:50:03,631
HE KNOWS US.

2092
01:50:03,665 --> 01:50:04,799
HE WILL.

2093
01:50:06,000 --> 01:50:08,402
THE BOYS
HE BUYS FOR PARTIES
ARE EXPENSIVE.

2094
01:50:08,435 --> 01:50:13,474
NOW, ADDISON MAKES
GOOD MONEY, BUT HE DON'T
MAKE REAL MONEY.

2095
01:50:13,507 --> 01:50:14,709
HOW MUCH DOES HE OWE?

2096
01:50:14,742 --> 01:50:17,544
EIGHT GRAND.

2097
01:50:17,578 --> 01:50:19,146
I PAID THAT OFF.

2098
01:50:19,180 --> 01:50:20,114
YOU PAID?

2099
01:50:21,082 --> 01:50:23,785
ADDISON'S DEBTS
BELONG TO ME NOW.

2100
01:50:24,752 --> 01:50:26,253
YOU HATE DEBTS.

2101
01:50:26,287 --> 01:50:27,922
I HATE ADDISON.

2102
01:50:29,657 --> 01:50:33,594
WE'RE IN THE DIRTY END
OF THE FIELD NOW.
THAT'S WHERE I PLAY,

2103
01:50:33,627 --> 01:50:35,763
AND I LIKE
TO PLAY ALONE.

2104
01:50:35,797 --> 01:50:39,033
YOU'RE A NICE KID.
YOU ALWAYS WERE.

2105
01:50:39,066 --> 01:50:41,068
DON'T LET THIS
CHANGE IT.

2106
01:50:41,102 --> 01:50:42,103
GO.

2107
01:50:53,848 --> 01:50:59,120
Shakes: HIS MOTHER NAMED HIM
EDWARD GOLDENBERG ROBINSON,
AFTER HER FAVORITE ACTOR.

2108
01:50:59,153 --> 01:51:00,988
TO CONTINUE
THE HOLLYWOOD CONNECTION,

2109
01:51:01,022 --> 01:51:03,958
EDDIE ROBINSON
TOOK THE STREET NAME,
LITTLE CAESAR,

2110
01:51:03,991 --> 01:51:07,528
AS HE MADE HIS WAY
UP THE RANKS
OF THE LUCRATIVE DRUG TRADE.

2111
01:51:07,561 --> 01:51:11,232
HE HAD A 12-YEAR-OLD SON
IN A PRIVATE SCHOOL
IN UPSTATE NEW YORK.

2112
01:51:11,265 --> 01:51:14,035
HE NAMED HIM RIZZO,
AFTER HIS YOUNGEST BROTHER,

2113
01:51:14,068 --> 01:51:17,204
WHO DIED WHILE
IN THE CUSTODY OF
THE WILKINSON HOME FOR BOYS.

2114
01:51:17,238 --> 01:51:20,007
I WANT YOU
TO GIVE ME SOME MONEY.

2115
01:51:20,041 --> 01:51:23,177
ALL RIGHT.
I'LL PLAY ALONG.

2116
01:51:23,210 --> 01:51:25,079
HOW LONG BEFORE
YOU PAY IT BACK?

2117
01:51:25,112 --> 01:51:28,950
I AIN'T PAYING IT BACK,
SOMEBODY ELSE IS.

2118
01:51:31,385 --> 01:51:32,486
THIS SOMEBODY I KNOW?

2119
01:51:32,519 --> 01:51:34,655
YOUR LITTLE BROTHER
KNEW HIM.

2120
01:51:34,688 --> 01:51:36,190
RIZZO?

2121
01:51:36,223 --> 01:51:38,325
MM-HMM.

2122
01:51:38,359 --> 01:51:40,828
HOW DID HE KNOW RIZZO?

2123
01:51:40,862 --> 01:51:45,499
HENRY ADDISON WAS A GUARD
IN AN UPSTATE REFORM SCHOOL.

2124
01:51:45,532 --> 01:51:50,738
HE WAS THERE
THE SAME TIME AS RIZZO,
BEFORE AND AFTER HE DIED.

2125
01:51:52,740 --> 01:51:53,875
BIP...

2126
01:51:55,676 --> 01:51:58,780
COUNT OUT $8,000,
PUT IT IN AN ENVELOPE.

2127
01:52:02,249 --> 01:52:04,485
YOU, UH...

2128
01:52:04,518 --> 01:52:06,420
GO BACK A LONG TIME,
OLD MAN.

2129
01:52:07,755 --> 01:52:09,356
OLD MEN ALWAYS DO.

2130
01:52:09,390 --> 01:52:12,659
RAN WITH THE GUINEAS,
BACK WHEN THE GUINEAS
WERE TOUGH.

2131
01:52:12,693 --> 01:52:15,129
I RAN WHEN I COULD.

2132
01:52:15,162 --> 01:52:17,231
LOOKED GOOD
DOING IT, TOO.

2133
01:52:19,500 --> 01:52:24,705
YOU GAVE THE BUSINESS
SOME STYLE, SOME CLASS.

2134
01:52:24,738 --> 01:52:26,107
MADE IT A CALL
FOR RESPECT,

2135
01:52:26,140 --> 01:52:29,643
THE WAY YOU WORE IT,
THE WAY YOU TALKED IT.

2136
01:52:29,676 --> 01:52:32,313
ALWAYS LIKED THAT
ABOUT YOU.

2137
01:52:32,346 --> 01:52:36,750
I'M NO HELP TO YOU.
MY TAILOR IS DEAD.

2138
01:52:42,790 --> 01:52:47,228
I'LL LOOK UP OUR FRIEND,
AND COLLECT THE MONEY
HE OWES ME.

2139
01:52:47,261 --> 01:52:49,396
HE OWES YOU SOMETHING
MORE THAN MONEY.

2140
01:52:49,430 --> 01:52:52,066
AIN'T NOTHING WORTH MORE
THAN THE GREEN.

2141
01:52:52,099 --> 01:52:53,700
THIS IS.

2142
01:52:53,734 --> 01:52:55,970
WHAT, OLD MAN?

2143
01:52:56,003 --> 01:52:58,539
WHAT'S THIS GUY OWE
THAT MEANS MORE
THAN DOLLARS?

2144
01:52:58,572 --> 01:53:00,975
HE OWES YOU RIZZO.

2145
01:53:01,008 --> 01:53:03,978
HE'S THE MAN
THAT KILLED YOUR BROTHER.

2146
01:53:12,153 --> 01:53:14,889
THEY SAID THAT HE DIED
OF PNEUMONIA.

2147
01:53:14,922 --> 01:53:16,824
THEY SAID.

2148
01:53:23,230 --> 01:53:25,199
Judge Weisman: WHAT IS
THE RELEVANCE OF THIS?

2149
01:53:25,232 --> 01:53:28,135
SO RALPH FERGUSON
IS A SUNDAY SCHOOL TEACHER...

2150
01:53:28,169 --> 01:53:31,772
I DON'T KNOW, COUNSEL,
WHAT YOU'RE ASKING
IS HIGHLY UNUSUAL.

2151
01:53:31,805 --> 01:53:33,140
I UNDERSTAND THAT,
YOUR HONOR.

2152
01:53:33,174 --> 01:53:36,477
AGAIN, I NEED TO PUT
A FACE TO THE VICTIM.

2153
01:53:36,510 --> 01:53:40,081
UH, OTHERWISE,
HE'S JUST ANOTHER NAME
IN THE OBITUARIES.

2154
01:53:41,148 --> 01:53:42,950
MR. SNYDER,
ANY OBJECTIONS?

2155
01:53:44,919 --> 01:53:46,854
I DON'T HAVE
A PROBLEM WITH IT.

2156
01:53:46,888 --> 01:53:51,993
YOUR HONOR, THE PROSECUTION
WOULD LIKE TO CALL RALPH
FERGUSON TO THE STAND.

2157
01:54:17,718 --> 01:54:18,719
GOOD MORNING,
MR. FERGUSON.

2158
01:54:18,752 --> 01:54:20,054
GOOD MORNING.

2159
01:54:20,087 --> 01:54:21,255
I'D LIKE TO THANK YOU
FOR COMING.

2160
01:54:21,288 --> 01:54:24,058
I REALIZE, FOR YOU,
THIS HAS BEEN
A LONG TRIP.

2161
01:54:24,091 --> 01:54:27,461
I'M JUST SORRY IT HAD TO BE
FOR SOMETHING LIKE THIS.

2162
01:54:27,494 --> 01:54:29,730
YOU AND THE VICTIM,
SEAN NOKES, WERE
SUCH GOOD FRIENDS--

2163
01:54:29,763 --> 01:54:32,699
I THINK YOUR TESTIMONY
AS A CHARACTER WITNESS
WILL BE VERY VALUABLE.

2164
01:54:32,733 --> 01:54:36,503
WE WERE GREAT FRIENDS.
IT WOULD BE HARD TO FIND
A BETTER FRIEND.

2165
01:54:36,537 --> 01:54:38,805
WOULD YOU SAY YOU WERE
HIS BEST FRIEND?

2166
01:54:38,839 --> 01:54:40,942
I WAS HIS CLOSEST,
THAT'S FOR SURE.

2167
01:54:40,975 --> 01:54:43,144
HOW LONG DID YOU KNOW
EACH OTHER?

2168
01:54:43,177 --> 01:54:45,879
UH, ABOUT
17, 18 YEARS.

2169
01:54:45,913 --> 01:54:47,848
AND DID YOU SEE
EACH OTHER OFTEN?

2170
01:54:47,881 --> 01:54:49,283
AS OFTEN AS WE COULD.

2171
01:54:49,316 --> 01:54:53,187
WEEKENDS, HOLIDAYS,
VACATIONS-- THINGS LIKE THAT.

2172
01:54:54,121 --> 01:54:56,490
WHAT KIND OF MAN
WAS SEAN NOKES?

2173
01:54:56,523 --> 01:54:58,926
HE WAS A GOOD MAN.
HE WAS TOO GOOD
TO BE SHOT DEAD

2174
01:54:58,960 --> 01:55:00,661
BY A COUPLE OF
STREET PUNKS.

2175
01:55:00,694 --> 01:55:03,230
OBJECTION, YOUR HONOR.
STATEMENT IS ONE OF OPINION,
NOT FACT.

2176
01:55:03,264 --> 01:55:04,731
HE WAS ASKED
HIS OPINION.

2177
01:55:04,765 --> 01:55:07,368
OVERRULED.
PLEASE PROCEED.

2178
01:55:08,469 --> 01:55:09,403
MR. FERGUSON...

2179
01:55:10,671 --> 01:55:13,040
WERE YOU AWARE
OF ANY ENEMIES
HE MIGHT HAVE HAD?

2180
01:55:13,074 --> 01:55:15,376
SEAN NOKES
HAD NO ENEMIES.

2181
01:55:15,409 --> 01:55:19,013
THANK YOU, MR. FERGUSON.
I HAVE NO FURTHER
QUESTIONS.

2182
01:55:23,450 --> 01:55:25,452
Snyder: WHAT IS THAT,
A PRISON?

2183
01:55:25,486 --> 01:55:28,389
NO, IT'S A JUVENILE FACILITY
FOR YOUNG BOYS.

2184
01:55:28,422 --> 01:55:31,825
AND YOUR FUNCTION
WAS WHAT, AT THIS
JUVENILE FACILITY?

2185
01:55:31,858 --> 01:55:34,428
STANDARD STUFF.
KEEP THE BOYS IN LINE,

2186
01:55:34,461 --> 01:55:37,731
MAKE SURE THEY GOT
TO THEIR CLASSES ON TIME,

2187
01:55:37,764 --> 01:55:40,801
UM, KEEP AN EYE OUT
FOR TROUBLE,
PUT THEM DOWN FOR THE NIGHT--

2188
01:55:40,834 --> 01:55:42,303
NOTHING EXCITING.

2189
01:55:42,336 --> 01:55:45,906
AS GUARDS, WERE YOU
AND MR. NOKES ALLOWED
TO USE FORCE

2190
01:55:45,939 --> 01:55:48,109
TO, AS YOU PUT IT,
KEEP THE BOYS IN LINE?

2191
01:55:48,142 --> 01:55:50,344
WHAT? WHAT DO YOU MEAN,
"FORCE"?

2192
01:55:50,377 --> 01:55:52,146
WERE YOU ALLOWED
TO HIT THEM?

2193
01:55:52,179 --> 01:55:54,248
NO. OF COURSE NOT.

2194
01:55:54,281 --> 01:55:56,783
WERE ANY OF THE BOYS HIT
BY ANY OF THE GUARDS

2195
01:55:56,817 --> 01:55:59,753
AT ANY TIME
AT THE WILKINSON HOME?

2196
01:55:59,786 --> 01:56:01,888
YEAH, I'M SURE THAT SOMETHING
LIKE THAT MAY HAVE HAPPENED.

2197
01:56:01,922 --> 01:56:04,391
IT WAS A--
IT WAS A BIG PLACE.

2198
01:56:04,425 --> 01:56:06,260
BUT IT WASN'T
THE COMMON PRACTICE.

2199
01:56:06,293 --> 01:56:08,462
SURE. LET'S NARROW
THE PLACE DOWN THEN.

2200
01:56:08,495 --> 01:56:12,799
DID YOU OR MR. NOKES
EVER HIT ANY OF THE BOYS
UNDER YOUR CARE

2201
01:56:12,833 --> 01:56:15,102
AT THE WILKINSON HOME
FOR BOYS?

2202
01:56:22,476 --> 01:56:24,811
WOULD YOU LIKE ME
TO REPEAT THE QUESTION,
MR. FERGUSON?

2203
01:56:24,845 --> 01:56:26,047
NO.

2204
01:56:27,881 --> 01:56:30,951
THEN ANSWER IT, PLEASE.
AND REMEMBER, YOU'RE
UNDER OATH.

2205
01:56:30,984 --> 01:56:34,188
A FEW OF THE BOYS
WHO WE CONSIDERED TO BE
DISCIPLINE PROBLEMS

2206
01:56:34,221 --> 01:56:36,090
UH, WERE HIT ON OCCASION.

2207
01:56:36,123 --> 01:56:38,125
AND, UH,
HOW WERE THEY HIT?

2208
01:56:38,159 --> 01:56:39,593
I DON'T KNOW
WHAT YOU MEAN.

2209
01:56:39,626 --> 01:56:41,928
A FIST?
OPEN HAND?

2210
01:56:41,962 --> 01:56:43,464
A KICK?

2211
01:56:43,497 --> 01:56:44,498
BATON, MAYBE?

2212
01:56:44,531 --> 01:56:46,833
IT DEPENDED ON WHAT
THE SITUATION CALLED FOR.

2213
01:56:46,867 --> 01:56:48,902
WHO DETERMINED
THAT SITUATION?

2214
01:56:48,935 --> 01:56:50,704
THE GUARD ON THE SCENE.

2215
01:56:50,737 --> 01:56:53,274
THAT'S A LOT OF POWER
TO HAVE OVER A BOY,
ISN'T IT?

2216
01:56:53,307 --> 01:56:55,476
IT CAME WITH THE JOB,
SIR.

2217
01:56:55,509 --> 01:56:58,079
DID TORTURE
COME WITH THE JOB?

2218
01:57:06,353 --> 01:57:09,456
BOYS WERE TORTURED,
WEREN'T THEY,
MR. FERGUSON?

2219
01:57:09,490 --> 01:57:11,158
DEFINE TORTURE.

2220
01:57:12,193 --> 01:57:14,095
WELL, LET'S DEFINE
TORTURE.

2221
01:57:14,995 --> 01:57:17,531
UH, CIGARETTE BURNING...

2222
01:57:18,732 --> 01:57:19,800
RANDOM BEATINGS...

2223
01:57:21,268 --> 01:57:25,206
SOLITARY CONFINEMENT
WITH NO FOOD
AND NO LIGHT.

2224
01:57:26,540 --> 01:57:29,042
WOULD YOU SAY
THAT TOOK PLACE?

2225
01:57:29,076 --> 01:57:30,043
ON OCCASION.

2226
01:57:30,077 --> 01:57:31,412
WHO TORTURED THEM?

2227
01:57:31,445 --> 01:57:33,114
GUARDS.

2228
01:57:33,147 --> 01:57:35,048
WHICH GUARDS?

2229
01:57:36,217 --> 01:57:39,253
I DON'T-- I CAN'T REMEMBER
ALL OF THEM.

2230
01:57:40,254 --> 01:57:42,123
REMEMBER ONE.

2231
01:57:43,290 --> 01:57:45,526
MR. FERGUSON,
REMEMBER ONE.

2232
01:57:50,831 --> 01:57:52,299
REMEMBER ONE.

2233
01:57:53,667 --> 01:57:55,169
AAH!

2234
01:57:55,202 --> 01:57:59,173
LET ME ASK YOU THIS,
MR. FERGUSON. WAS
THERE EVER ANY SEXUAL--?

2235
01:57:59,206 --> 01:58:00,474
COUNSEL, THIS LINE
OF QUESTIONING

2236
01:58:00,507 --> 01:58:02,376
BETTER LEAD SOMEWHERE
HAVING TO DO WITH THIS CASE.

2237
01:58:02,409 --> 01:58:03,677
IT WILL,
YOUR HONOR.

2238
01:58:03,710 --> 01:58:05,279
FOR YOUR SAKE.

2239
01:58:05,312 --> 01:58:07,047
YES, SIR.
UH, MR. FERGUSON,

2240
01:58:07,080 --> 01:58:09,049
WAS THERE EVER ANY
SEXUAL ABUSE

2241
01:58:09,082 --> 01:58:11,552
AT THE WILKINSON HOME
FOR BOYS?

2242
01:58:13,854 --> 01:58:16,357
WAS THERE EVER ANY
SEXUAL ABUSE

2243
01:58:16,390 --> 01:58:18,859
AT THE WILKINSON HOME
FOR BOYS?

2244
01:58:20,327 --> 01:58:21,928
YES, I HEARD THAT
THERE WAS.

2245
01:58:21,962 --> 01:58:23,797
I'M NOT ASKING
WHAT YOU HEARD.

2246
01:58:23,830 --> 01:58:27,801
I'M ASKING
WHAT YOU SAW.

2247
01:58:28,969 --> 01:58:30,103
PLEASE PUSH
THE DOOR CLOSED.

2248
01:58:30,137 --> 01:58:32,105
I THOUGHT
ALL YOU BOYS
LIKED THIS.

2249
01:58:32,139 --> 01:58:33,507
Boy Screaming:
NO!

2250
01:58:33,540 --> 01:58:34,875
YES, I SAW.

2251
01:58:36,243 --> 01:58:37,444
AND DID
YOU AND SEAN NOKES

2252
01:58:37,478 --> 01:58:41,448
EVER FORCE YOURSELF
ON ANY OF THE BOYS?

2253
01:58:41,482 --> 01:58:44,117
DID YOU AND SEAN NOKES
EVER RAPE

2254
01:58:44,151 --> 01:58:47,154
ANY OF THE BOYS
AT WILKINSON HOME?

2255
01:58:53,194 --> 01:58:54,561
Judge Weisman:
COUNSELORS...

2256
01:58:55,629 --> 01:58:57,364
APPROACH.

2257
01:59:08,675 --> 01:59:10,677
I JUST FUCKED YOUR
LITTLE FRIEND JOHNNY.

2258
01:59:10,711 --> 01:59:13,747
[WHISPERING]
Counselor, what the hell
is going on here?

2259
01:59:15,716 --> 01:59:17,718
Guess I called the wrong
character witness.

2260
01:59:17,751 --> 01:59:21,455
Counselor, I've given you
wide latitude in calling
this character witness.

2261
01:59:21,488 --> 01:59:22,989
Now it's blown up
in your face.

2262
01:59:23,023 --> 01:59:25,359
[BOY PLEADS]

2263
01:59:27,261 --> 01:59:28,829
Boy: I DON'T LIKE IT!

2264
01:59:30,197 --> 01:59:32,999
MR. FERGUSON,
PLEASE ANSWER THE QUESTION.

2265
01:59:33,033 --> 01:59:35,168
[REMEMBERED CONVERSATION]

2266
01:59:37,304 --> 01:59:38,572
LET ME ASK YOU,
MR. FERGUSON...

2267
01:59:38,605 --> 01:59:40,541
Ferguson: I LIKE IT
NICE AND SLOW.

2268
01:59:40,574 --> 01:59:44,044
SEAN NOKES VISITED
YOUR HOME ON OCCASION,
IS THAT CORRECT?

2269
01:59:44,077 --> 01:59:48,081
WOULD YOUR EX-WIFE
EVER LEAVE SEAN NOKES
ALONE WITH YOUR CHILD?

2270
01:59:48,114 --> 01:59:49,683
MY CHILD?

2271
01:59:49,716 --> 01:59:53,186
YES. IN OTHER WORDS,
WOULD YOUR EX-WIFE EVER
LEAVE SEAN NOKES ALONE

2272
01:59:53,220 --> 01:59:54,721
WITH--WITH--
WITH YOUR CHILD?

2273
01:59:54,755 --> 01:59:56,590
THERE WOULD BE
NO REASON FOR THAT.

2274
01:59:56,623 --> 01:59:59,226
THERE WOULD BE NO REASON
FOR HIM TO BE ALONE
WITH OUR CHILD.

2275
01:59:59,260 --> 02:00:00,361
IT WOULDN'T COME UP.

2276
02:00:00,394 --> 02:00:02,028
AHA. NEVER CAME UP.

2277
02:00:02,062 --> 02:00:04,631
DID SHE EVER
VOICE ANY CONCERN
[REMEMBERED VOICES]

2278
02:00:04,665 --> 02:00:08,735
IN EXPLAINING
WHY SHE WOULD
NEVER ALLOW

2279
02:00:08,769 --> 02:00:13,206
SEAN NOKES
TO BE IN A ROOM
ALONE WITH YOUR SON?

2280
02:00:13,240 --> 02:00:15,642
OBJECTION.
Judge Weisman:
SUSTAINED.

2281
02:00:15,676 --> 02:00:19,246
[SNYDER'S QUESTIONS
AND REMEMBERED VOICES
ECHOING]

2282
02:00:20,614 --> 02:00:23,684
I LIKE IT
NICE AND SLOW.

2283
02:00:23,717 --> 02:00:25,952
[CHILD PLEADS]

2284
02:00:35,696 --> 02:00:36,963
YES.

2285
02:00:47,774 --> 02:00:48,709
YES?

2286
02:00:53,814 --> 02:00:54,915
YES, WHAT?

2287
02:01:00,521 --> 02:01:03,957
YES, SEAN NOKES HAD
EXPERIENCES WITH SOME BOYS.

2288
02:01:07,260 --> 02:01:08,795
WERE YOU THERE?

2289
02:01:09,863 --> 02:01:11,598
YES.

2290
02:01:11,632 --> 02:01:14,635
DID YOU OBSERVE
THESE EXPERIENCES?

2291
02:01:14,668 --> 02:01:15,902
YES.

2292
02:01:18,238 --> 02:01:20,874
DID YOU
MORE THAN OBSERVE?

2293
02:01:20,907 --> 02:01:23,444
I WAS DRINKING, AND--

2294
02:01:25,912 --> 02:01:29,883
WERE THERE ANY OTHER
GUARDS AROUND DURING
THESE EXPERIENCES?

2295
02:01:29,916 --> 02:01:31,585
YES.

2296
02:01:33,620 --> 02:01:35,088
WITH YOU
AND MR. NOKES?

2297
02:01:35,121 --> 02:01:36,323
YES.

2298
02:01:36,357 --> 02:01:39,025
ON MORE THAN
ONE OCCASION?

2299
02:01:39,059 --> 02:01:40,627
YES.

2300
02:01:44,230 --> 02:01:45,466
YEAH.

2301
02:01:51,838 --> 02:01:54,475
MR. FERGUSON,
DO YOU STILL THINK

2302
02:01:54,508 --> 02:01:57,378
THAT SEAN NOKES
WAS A GOOD MAN?

2303
02:01:57,411 --> 02:01:59,580
HE WAS MY FRIEND.

2304
02:02:02,516 --> 02:02:04,485
A FRIEND WHO RAPED
AND ABUSED BOYS

2305
02:02:04,518 --> 02:02:07,053
HE WAS PAID
TO LOOK AFTER.

2306
02:02:17,831 --> 02:02:19,900
I HAVE
NO FURTHER QUESTIONS.

2307
02:02:25,271 --> 02:02:27,808
I WANT THIS TO BE OVER.

2308
02:02:29,142 --> 02:02:31,678
I WANT THIS TO BE OVER.

2309
02:02:34,214 --> 02:02:36,517
Judge Weisman:
WITNESS IS EXCUSED.

2310
02:02:36,550 --> 02:02:38,485
MR. FERGUSON.

2311
02:02:40,353 --> 02:02:41,822
MR. FERGUSON.

2312
02:02:43,590 --> 02:02:46,860
IF I WERE YOU, I WOULDN'T
STRAY TOO FAR FROM HOME.

2313
02:02:46,893 --> 02:02:50,931
PEOPLE WILL WANT
TO TALK TO YOU.
DO YOU UNDERSTAND?

2314
02:02:51,865 --> 02:02:53,266
Shakes: MICHAEL
CONTINUED TO SWIM

2315
02:02:53,299 --> 02:02:55,402
BOTH ENDS OF THE POOL
AT THE SAME TIME.

2316
02:02:55,436 --> 02:02:57,270
PLAYING PROSECUTION
AND DEFENSE ATTORNEY,

2317
02:02:57,303 --> 02:02:59,272
HE EXPOSED FERGUSON
FOR WHAT HE WAS,

2318
02:02:59,305 --> 02:03:01,708
AND STILL KEPT
JOHN AND TOMMY'S MOTIVE
FOR KILLING NOKES

2319
02:03:01,742 --> 02:03:04,244
HIDDEN FROM THE EYES
OF THE COURT.

2320
02:03:04,277 --> 02:03:05,879
LITTLE CAESAR,

2321
02:03:05,912 --> 02:03:09,215
WHO ALWAYS KEPT A PICTURE
OF HIS DEAD BROTHER
IN HIS BREAST POCKET,

2322
02:03:09,249 --> 02:03:12,052
CALLED IN
THE HENRY ADDISON LOAN.

2323
02:03:12,085 --> 02:03:15,622
IT WAS A LOAN ADDISON
COULDN'T AFFORD TO PAY BACK,

2324
02:03:15,656 --> 02:03:22,128
AND IT GAVE LITTLE CAESAR
THE ONLY REASON HE NEEDED
TO EVEN HIS SCORE FOR RIZZO.

2325
02:03:24,164 --> 02:03:26,032
[AIRPLANE APPROACHING]

2326
02:03:50,957 --> 02:03:54,628
Shakes: DAVENPORT WASTED
LITTLE TIME ON FOLLOWING UP
ON ADAM STYLER.

2327
02:03:54,661 --> 02:03:56,563
HE WAS QUICKLY ARRESTED
AND CHARGED

2328
02:03:56,597 --> 02:03:58,431
WITH THE SHOOTING DEATH
OF THE QUEENS DRUG DEALER

2329
02:03:58,465 --> 02:04:00,801
AND EIGHT COUNTS
OF CORRUPTION AND BRIBERY.

2330
02:04:13,947 --> 02:04:14,948
AHA!

2331
02:04:14,981 --> 02:04:16,750
UH, THAT'S SIX FOR ME,
TWO FOR YOU.

2332
02:04:20,120 --> 02:04:23,924
SEE, MOST PEOPLE
PLAY THIS GAME
IN THE SUMMER.

2333
02:04:23,957 --> 02:04:25,726
IT'S EASIER TO SEE
THE BALL WITHOUT
TEARS IN YOUR EYES.

2334
02:04:25,759 --> 02:04:26,793
YEAH.
YEAH?

2335
02:04:26,827 --> 02:04:28,228
I GIVE A FUCK
ABOUT MOST PEOPLE.

2336
02:04:33,299 --> 02:04:35,636
YOU'RE GOING TO HAVE
A HEART ATTACK

2337
02:04:35,669 --> 02:04:38,004
AND I'M NOT BREATHING
IN YOUR MOUTH.

2338
02:04:38,038 --> 02:04:41,141
YEAH, WELL, I'M NOT
GOING TO MARRY YOU
EITHER.

2339
02:04:43,577 --> 02:04:45,746
JOHN AND TOMMY
SMELL SOMETHING,

2340
02:04:45,779 --> 02:04:47,514
THEY JUST
DON'T KNOW WHAT.

2341
02:04:47,548 --> 02:04:48,949
A SPICK BE LIVING
IN THE WHITE HOUSE

2342
02:04:48,982 --> 02:04:51,051
BY THE TIME IT REACHES
THEIR FUCKING BRAINS.

2343
02:04:51,084 --> 02:04:54,721
SNYDER CAME THROUGH
BIG-- HE'S NOT
HALF BAD.

2344
02:04:54,755 --> 02:04:56,857
THE WAY YOU TOLD IT,
I THOUGHT HE COULD
HARDLY STAND UP.

2345
02:04:56,890 --> 02:04:59,660
OH, NO, HE'S A DRUNK,
BUT HE IS NOT A FOOL.

2346
02:04:59,693 --> 02:05:02,896
WE ONLY WIN WHEN
JOHN AND TOMMY WALK.

2347
02:05:02,929 --> 02:05:05,398
THEN YOU'LL HAVE
TO GET THEM OUT
OF THE SHOOTING COURT.

2348
02:05:05,431 --> 02:05:07,100
YOU HAVE TO PUT THEM
SOMEPLACE ELSE.

2349
02:05:07,133 --> 02:05:09,135
AND ONLY A WITNESS
DOES THAT FOR YOU.

2350
02:05:09,169 --> 02:05:11,271
AND HE'S DOING
A CLAUDE RAINES SO FAR.

2351
02:05:11,304 --> 02:05:12,606
NOBODY'S SEE THE FUCKER.

2352
02:05:12,639 --> 02:05:14,507
WHAT IF HE
DOESN'T SHOW?

2353
02:05:14,541 --> 02:05:17,177
WHAT IF WE HAVE
TO GO ON THE WAY
WE ARE?

2354
02:05:17,210 --> 02:05:19,746
THE STREET IS THE ONLY ONE
THAT MATTERS.

2355
02:05:19,780 --> 02:05:23,249
COURT IS
FOR UPTOWN PEOPLE
WITH SUITS, MONEY,

2356
02:05:23,283 --> 02:05:24,618
LAWYERS
WITH THREE NAMES.

2357
02:05:24,651 --> 02:05:27,220
IF YOU GOT CASH,
YOU CAN BUY
COURT JUSTICE,

2358
02:05:27,253 --> 02:05:30,323
BUT ON THE STREET,
JUSTICE
HAS NO PRICE.

2359
02:05:30,356 --> 02:05:32,325
SHE'S BLIND WHERE
THE JUDGE SITS,

2360
02:05:32,358 --> 02:05:33,860
BUT SHE'S NOT BLIND
OUT HERE.

2361
02:05:33,894 --> 02:05:37,497
OUT HERE,
THE BITCH GOT EYES.

2362
02:05:37,530 --> 02:05:40,734
WE NEED BOTH.

2363
02:05:40,767 --> 02:05:44,270
THEN YOU NEED
A WITNESS.

2364
02:06:29,215 --> 02:06:31,151
Judge:
LADIES AND GENTLEMEN
OF THE JURY,

2365
02:06:31,184 --> 02:06:34,187
YOU ARE TO DISREGARD
THE TESTIMONY
OF RALPH FERGUSON.

2366
02:06:34,220 --> 02:06:38,124
HIS ENTIRE TESTIMONY
IS STRICKEN
FROM THIS RECORD.

2367
02:06:38,158 --> 02:06:40,226
THAT CONCLUDES
THE PEOPLE'S CASE,
YOUR HONOR.

2368
02:06:40,260 --> 02:06:41,227
PEOPLE REST?

2369
02:06:41,261 --> 02:06:42,162
PEOPLE REST.

2370
02:06:42,195 --> 02:06:44,731
Judge: IS THE DEFENSE
READY TO PROCEED?

2371
02:06:44,765 --> 02:06:48,669
Snyder: UH,
I'M NOT SURE, UH...

2372
02:06:48,702 --> 02:06:51,738
YOUR HONOR, I DON'T,
UH, I DON'T KNOW,
UH...

2373
02:06:51,772 --> 02:06:52,873
YOU DON'T KNOW?

2374
02:06:52,906 --> 02:06:54,908
WELL, I'M NOT
SURE THAT, UH,

2375
02:06:54,941 --> 02:06:55,909
WE'RE WAITING, UH...
ALL RIGHT.

2376
02:06:55,942 --> 02:06:57,610
9 A.M. TOMORROW MORNING,

2377
02:06:57,644 --> 02:06:59,112
PRESENT A WITNESS OR
BE PREPARED TO SUM UP.

2378
02:06:59,145 --> 02:07:00,747
9 A.M.

2379
02:07:22,568 --> 02:07:23,469
EVERYTHING GOOD?

2380
02:07:23,503 --> 02:07:24,504
GOOD.

2381
02:07:24,537 --> 02:07:26,206
GOOD,
I LIKE TO HEAR THAT.

2382
02:07:26,239 --> 02:07:27,140
BYE-BYE.

2383
02:07:58,538 --> 02:07:59,906
YOU'RE LATE.

2384
02:07:59,940 --> 02:08:02,943
VERY INTERESTING
ATTENDING
THE MORNING MASS.

2385
02:08:06,112 --> 02:08:08,782
YOUR HONOR,
THE DEFENSE CALLS
FATHER ROBERT CARILLO.

2386
02:08:17,557 --> 02:08:19,893
Snyder: FATHER, DO YOU
KNOW MOST OF THE PEOPLE
IN YOUR PARISH?

2387
02:08:19,926 --> 02:08:21,594
Father: I
KNOW ALL THE PEOPLE
IN MY PARISH.

2388
02:08:21,627 --> 02:08:24,230
DO YOU KNOW THE TWO
DEFENDANTS: JOHN REILLY
AND THOMAS MARCANO?

2389
02:08:24,264 --> 02:08:25,031
YES, I DO.

2390
02:08:25,065 --> 02:08:26,967
HOW LONG HAVE YOU
KNOWN THEM?

2391
02:08:27,000 --> 02:08:28,201
SINCE THEY WERE BOYS.

2392
02:08:28,234 --> 02:08:30,837
THEY WERE BOTH STUDENTS
OF MINE.

2393
02:08:30,871 --> 02:08:33,106
HOW LONG HAS IT BEEN?

2394
02:08:33,139 --> 02:08:36,242
IT'LL BE 20 YEARS
THIS SPRING.

2395
02:08:36,276 --> 02:08:37,577
I'M A PRIEST.

2396
02:08:37,610 --> 02:08:39,345
Bailiff:
THE CASE OF THE PEOPLE
OF THE STATE OF NEW YORK

2397
02:08:39,379 --> 02:08:42,148
AGAINST JOHN REILLY
AND THOMAS MARCANO.

2398
02:08:42,182 --> 02:08:43,984
DO YOU SWEAR
THAT THE EVIDENCE
YOU ARE ABOUT TO GIVE

2399
02:08:44,017 --> 02:08:45,718
IS THE TRUTH,
THE WHOLE TRUTH,

2400
02:08:45,752 --> 02:08:49,222
AND NOTHING
BUT THE TRUTH,
SO HELP YOU GOD?

2401
02:08:49,255 --> 02:08:51,191
I DO.

2402
02:08:55,796 --> 02:08:56,997
Snyder: FATHER,

2403
02:08:57,030 --> 02:08:58,999
DO YOU RECALL, UH,
WHERE YOU WERE

2404
02:08:59,032 --> 02:09:01,301
ON THE NIGHT
OF NOVEMBER 1st
OF THIS PAST YEAR?

2405
02:09:01,334 --> 02:09:02,769
YES, I DO.

2406
02:09:02,803 --> 02:09:04,004
WHERE WAS THAT?

2407
02:09:04,037 --> 02:09:06,139
I WAS AT
THE BASKETBALL GAME
AT THE GARDEN,

2408
02:09:06,172 --> 02:09:09,175
THE KNICKS VERSUS
THE CELTICS.

2409
02:09:09,209 --> 02:09:11,812
AND, UH, WHEN DID
THE KNICK GAME
BEGIN?

2410
02:09:11,845 --> 02:09:15,048
ABOUT 7:30.

2411
02:09:15,081 --> 02:09:16,416
WHAT TIME
DID IT END?

2412
02:09:16,449 --> 02:09:18,151
BETWEEN 9:30
AND 10:00.

2413
02:09:18,184 --> 02:09:20,586
DO YOU REMEMBER WHO
WON THAT GAME?

2414
02:09:20,620 --> 02:09:23,156
SAD TO SAY,
IT WAS THE CELTICS.

2415
02:09:23,189 --> 02:09:24,791
KEVIN McHALE
AND ROBERT PARRISH

2416
02:09:24,825 --> 02:09:26,659
WERE A LITTLE TOO MUCH
FOR OUR BOYS THAT NIGHT,

2417
02:09:26,692 --> 02:09:28,561
EVEN IF IT WAS
ALL-SAINTS' DAY.

2418
02:09:28,594 --> 02:09:31,631
WELL, NEXT TIME,
GIVE ME A CALL--
I'LL TRY MY GUY.

2419
02:09:31,664 --> 02:09:33,333
I'LL TRY THAT.

2420
02:09:35,869 --> 02:09:37,904
FATHER CARILLO,
WERE YOU AT THE GAME
ALONE?

2421
02:09:37,938 --> 02:09:41,307
NO, I WENT THERE
WITH TWO FRIENDS.

2422
02:09:41,341 --> 02:09:44,945
AND WHO WERE THOSE
TWO FRIENDS, FATHER?

2423
02:09:44,978 --> 02:09:47,480
JOHN REILLY
AND THOMAS MARCANO.

2424
02:09:47,513 --> 02:09:50,083
THE TWO DEFENDANTS?

2425
02:09:50,116 --> 02:09:52,986
YES,
THE SAME TWO DEFENDANTS.

2426
02:09:53,019 --> 02:09:56,122
FATHER CARILLO,
AT 8:25 P.M.,

2427
02:09:56,156 --> 02:09:58,124
THE TIME
THE POLICE SAY

2428
02:09:58,158 --> 02:10:00,126
THE VICTIM, SEAN NOKES,
WAS MURDERED,

2429
02:10:00,160 --> 02:10:02,028
WERE YOU STILL
WITH MR. REILLY

2430
02:10:02,062 --> 02:10:03,897
AND MR. MARCANO
AT THE BASKETBALL GAME?

2431
02:10:03,930 --> 02:10:05,765
YES, I WAS.

2432
02:10:05,798 --> 02:10:07,633
AND AT WHAT TIME
DID YOU,
MR. REILLY,

2433
02:10:07,667 --> 02:10:09,735
AND MR. MARCANO
PART COMPANY?

2434
02:10:09,769 --> 02:10:13,506
IT WAS
AROUND 10:30...

2435
02:10:13,539 --> 02:10:14,941
A LITTLE LATER.

2436
02:10:14,975 --> 02:10:16,776
THEY DROPPED ME OFF
IN FRONT OF THE RECTORY,

2437
02:10:16,809 --> 02:10:19,245
NEAR WHERE
THEY HAD PICKED ME UP.

2438
02:10:19,279 --> 02:10:21,414
DID THE DEFENDANTS
TELL YOU WHERE THEY
WERE GOING?

2439
02:10:21,447 --> 02:10:22,482
NO, THEY DIDN'T,

2440
02:10:22,515 --> 02:10:24,484
BUT I IMAGINE
AFTER A NIGHT
SPENT WITH A PRIEST,

2441
02:10:24,517 --> 02:10:27,687
THEY WENT LOOKING
FOR THE FIRST OPEN BAR
THEY COULD FIND.

2442
02:10:27,720 --> 02:10:30,690
SO THEN, FATHER, IF
THE TWO DEFENDANTS

2443
02:10:30,723 --> 02:10:33,459
WERE WITH YOU
AT 8:25 AT THE NIGHT
OF THE MURDER,

2444
02:10:33,493 --> 02:10:35,561
THEY COULDN'T HAVE
SHOT AND KILLED
SEAN NOKES

2445
02:10:35,595 --> 02:10:38,464
AS THE PROSECUTION
CONTENDS,
ISN'T THAT CORRECT?

2446
02:10:38,498 --> 02:10:42,368
NOT UNLESS THEY SHOT HIM
FROM THE BLUE SEATS
AT THE GARDEN.

2447
02:10:42,402 --> 02:10:47,473
NO, HE WAS NOT SHOT
FROM THERE.

2448
02:10:49,209 --> 02:10:52,913
THEN HE WAS NOT SHOT
BY THOSE BOYS.

2449
02:10:52,946 --> 02:10:54,814
NO FURTHER QUESTIONS,
YOUR HONOR.

2450
02:10:54,847 --> 02:10:56,749
THANK YOU, FATHER.

2451
02:10:56,782 --> 02:10:58,418
YOUR WITNESS,
MR. SULLIVAN.

2452
02:10:58,451 --> 02:11:00,887
THANK YOU, YOUR HONOR.

2453
02:11:05,158 --> 02:11:06,126
DID YOU BUY THE TICKETS
FOR THE GAME, FATHER,

2454
02:11:06,159 --> 02:11:07,293
OR WERE THEY GIVEN
TO YOU?

2455
02:11:07,327 --> 02:11:08,962
NO, I BOUGHT THEM.
ON THE DAY
OF THE GAME?

2456
02:11:08,995 --> 02:11:11,597
I WENT TO THE BOX OFFICE
ABOUT A WEEK BEFORE.

2457
02:11:11,631 --> 02:11:13,666
UH, DID ANYONE KNOW
YOU WERE GOING
TO THE GAME,

2458
02:11:13,699 --> 02:11:14,800
OTHER THAN
THE TWO DEFENDANTS?

2459
02:11:14,834 --> 02:11:16,736
I DON'T THINK SO.

2460
02:11:16,769 --> 02:11:19,172
WAS ANYONE WITH YOU
WHEN YOU PURCHASED
THE TICKETS?

2461
02:11:19,205 --> 02:11:20,073
NO.

2462
02:11:20,106 --> 02:11:21,975
NO ONE SAW YOU
BUY THE TICKETS?

2463
02:11:22,008 --> 02:11:23,009
THAT'S RIGHT.

2464
02:11:23,043 --> 02:11:24,010
DID YOU
GET A RECEIPT?

2465
02:11:24,044 --> 02:11:25,111
NO, I DIDN'T.

2466
02:11:25,145 --> 02:11:28,681
PAY BY CHECK,
MASTERCARD, VISA?

2467
02:11:28,714 --> 02:11:29,950
NO, I PAID BY CASH.

2468
02:11:29,983 --> 02:11:32,385
I USUALLY PAY FOR THINGS
IN CASH.

2469
02:11:32,418 --> 02:11:36,656
YOU CARE FOR THE BOYS
IN YOUR PARISH,
DON'T YOU, FATHER?

2470
02:11:36,689 --> 02:11:38,358
VERY MUCH.

2471
02:11:38,391 --> 02:11:40,726
AND THERE ISN'T
ANYTHING YOU WOULDN'T
DO FOR THEM,

2472
02:11:40,760 --> 02:11:41,995
AM I RIGHT?

2473
02:11:42,028 --> 02:11:43,063
ANYTHING IN MY POWER
TO DO,

2474
02:11:43,096 --> 02:11:44,830
I WOULD MAKE IT A POINT.

2475
02:11:44,864 --> 02:11:47,333
YOU'RE
LIKE A FATHER,
A GOOD FATHER,

2476
02:11:47,367 --> 02:11:49,002
LOOKING OUT
FOR ONE OF HIS SONS.

2477
02:11:49,035 --> 02:11:51,471
SOMETHING
ALONG THOSE LINES, YES.

2478
02:11:51,504 --> 02:11:53,773
AND IS IT TRUE THEN,
AS A GOOD FATHER,

2479
02:11:53,806 --> 02:11:54,807
YOU WOULD WANT
TO PROTECT THEM

2480
02:11:54,840 --> 02:11:56,409
FROM SOMETHING THEY
SHOULDN'T HAVE DONE?

2481
02:11:56,442 --> 02:11:58,911
AS MUCH AS I WOULD
WANT TO PROTECT THEM
FROM SOMETHING

2482
02:11:58,945 --> 02:12:00,813
SOMEONE ELSE SAID
THEY DID, YES.

2483
02:12:00,846 --> 02:12:02,515
LIKE A MURDER?

2484
02:12:02,548 --> 02:12:04,417
YES, LIKE A MURDER.

2485
02:12:04,450 --> 02:12:07,887
LET ME GET
THIS STRAIGHT THEN.

2486
02:12:07,920 --> 02:12:09,155
NO ONE KNEW YOU WERE
GOING TO THE GAME.

2487
02:12:09,189 --> 02:12:10,256
NO ONE SAW YOU
AT THE GAME.

2488
02:12:10,290 --> 02:12:12,092
NO ONE SAW YOU
BUY TICKETS
FOR THE GAME.

2489
02:12:12,125 --> 02:12:13,926
THERE'S NO RECORD
YOU EVEN
BOUGHT TICKETS.

2490
02:12:13,960 --> 02:12:15,828
YOU HAVE NO RECEIPT
FOR THE TICKETS.

2491
02:12:15,861 --> 02:12:17,197
AM I CORRECT?

2492
02:12:17,230 --> 02:12:20,133
YES, THAT'S CORRECT.

2493
02:12:20,166 --> 02:12:22,368
THEN HOW DO WE
REALLY KNOW, FATHER?

2494
02:12:22,402 --> 02:12:25,105
HOW DO
WE KNOW YOU AND
THE TWO DEFENDANTS

2495
02:12:25,138 --> 02:12:26,672
WERE AT THE GAME
ON THE NIGHT
OF THE MURDER?

2496
02:12:26,706 --> 02:12:30,776
I'M TELLING YOU
AS A WITNESS
AND AS A PRIEST,

2497
02:12:30,810 --> 02:12:31,811
WE WERE AT THE GAME.

2498
02:12:31,844 --> 02:12:33,246
YES, AS A PRIEST.

2499
02:12:33,279 --> 02:12:35,815
AND A PRIEST
WOULDN'T LIE,
AM I RIGHT?

2500
02:12:35,848 --> 02:12:41,854
A PRIEST WITH TICKET STUBS
WOULDN'T NEED TO LIE AND...

2501
02:12:41,887 --> 02:12:44,190
I ALWAYS
KEEP THE STUBS.

2502
02:12:48,128 --> 02:12:49,329
DO YOU WANT TO SEE THEM?

2503
02:12:55,268 --> 02:12:57,070
UH, WHY IS THAT,
FATHER?

2504
02:12:57,103 --> 02:12:58,604
WHY-- WHY DO YOU KEEP
THE STUBS?

2505
02:12:58,638 --> 02:13:03,309
BECAUSE YOU NEVER KNOW WHEN
SOMEONE MIGHT WANT MORE
THAN YOUR WORD.

2506
02:13:03,343 --> 02:13:06,646
HAS ANYONE EVER
QUESTIONED YOUR WORD
BEFORE TODAY?

2507
02:13:06,679 --> 02:13:09,449
NO, NO ONE EVER HAS...

2508
02:13:09,482 --> 02:13:13,053
BUT THERE'S A FIRST TIME
FOR EVERYTHING.

2509
02:13:21,294 --> 02:13:24,364
I HAVE NO FURTHER
QUESTIONS.
THANK YOU, FATHER.

2510
02:13:26,332 --> 02:13:28,501
Judge:
THANK YOU, FATHER.
YOU MAY STEP DOWN.

2511
02:13:35,808 --> 02:13:37,843
Shakes:
I'VE NEVER RECOVERED
FROM SEEING FATHER BOBBY

2512
02:13:37,877 --> 02:13:39,612
TAKE THE STAND
AND LIE FOR US,

2513
02:13:39,645 --> 02:13:42,882
TO EVEN THE SCORE
FOR JOHN AND TOMMY.

2514
02:13:42,915 --> 02:13:44,217
HE DIDN'T JUST TESTIFY
FOR THEM.

2515
02:13:44,250 --> 02:13:46,586
HE TESTIFIED AGAINST
WILKINSON

2516
02:13:46,619 --> 02:13:49,422
AND THE EVIL
THAT HAD LIVED THERE
FOR TOO LONG.

2517
02:13:49,455 --> 02:13:52,192
STILL, I WAS SORRY
HE HAD TO DO IT.

2518
02:13:58,798 --> 02:14:01,467
Judge: WITH RESPECT
TO THE CHARGE OF MURDER
IN THE SECOND DEGREE,

2519
02:14:01,501 --> 02:14:05,738
DO YOU FIND THE
DEFENDANT, JOHN REILLY,
GUILTY OR NOT GUILTY?

2520
02:14:05,771 --> 02:14:06,972
NOT GUILTY.

2521
02:14:07,006 --> 02:14:09,509
WITH RESPECT
TO THE CHARGE OF MURDER
IN THE SECOND DEGREE,

2522
02:14:09,542 --> 02:14:12,044
DO YOU FIND
THE DEFENDANT,
THOMAS MARCANO,

2523
02:14:12,078 --> 02:14:14,714
GUILTY OR NOT GUILTY?

2524
02:14:14,747 --> 02:14:15,915
Juror:
NOT GUILTY.

2525
02:14:15,948 --> 02:14:20,186
Judge:
THANK YOU VERY MUCH.
THIS JURY IS DISCHARGED.

2526
02:14:40,740 --> 02:14:41,741
HI, HOW ARE YOU?

2527
02:14:41,774 --> 02:14:44,144
COULD I GET A HOT DOG?

2528
02:14:44,177 --> 02:14:47,046
UH, MUSTARD, RELISH.

2529
02:14:47,079 --> 02:14:48,848
A LOT OF RELISH.

2530
02:14:51,184 --> 02:14:53,419
GIVE HIM TWO NAPKINS.

2531
02:14:58,424 --> 02:15:02,395
YOU DID GOOD IN THERE,
COUNSELOR.

2532
02:15:02,428 --> 02:15:04,197
SO, WHAT HAPPENS
TO YOU NOW?

2533
02:15:04,230 --> 02:15:07,700
WHAT HAPPENS,
I WALK AWAY.

2534
02:15:07,733 --> 02:15:10,903
I'LL WAIT
A FEW WEEKS, I'LL
HAND IN MY NOTICE.

2535
02:15:10,936 --> 02:15:13,573
AFTER THE WAY
I HANDLED THIS CASE,

2536
02:15:13,606 --> 02:15:16,476
THEY WON'T BE
IN A RUSH TO KEEP ME
FROM THE DOOR.

2537
02:15:16,509 --> 02:15:20,180
SO, YOU SWITCH
TO THE OTHER SIDE.

2538
02:15:20,213 --> 02:15:23,082
WORK AS A DEFENSE LAWYER,
THE MONEY'S BETTER.

2539
02:15:23,115 --> 02:15:27,253
THERE'S ALWAYS GOING
TO BE MORE BAD GUYS
THAN GOOD, MIKEY.

2540
02:15:27,287 --> 02:15:30,656
AND CAN YOU IMAGINE
THE WORK YOU'LL GET
FROM JOHN AND TOMMY'S CREW?

2541
02:15:30,690 --> 02:15:31,857
YEAH.

2542
02:15:31,891 --> 02:15:33,559
THAT'S A HOUSE
AND A POOL.

2543
02:15:35,628 --> 02:15:37,697
NOT FOR ME.

2544
02:15:37,730 --> 02:15:41,167
I'VE SEEN ALL THE LAW
I WANT TO SEE.

2545
02:15:41,201 --> 02:15:43,035
IT'S TIME
FOR SOMETHING ELSE.

2546
02:15:43,068 --> 02:15:44,370
LIKE WHAT?

2547
02:15:44,404 --> 02:15:45,705
LET YOU KNOW
WHEN I KNOW.

2548
02:15:45,738 --> 02:15:49,309
YOU KNOW, YOU'RE TOO OLD
TO PLAY FOR THE YANKEES,

2549
02:15:49,342 --> 02:15:50,876
AND YOU'RE TOO YOUNG
TO TAKE UP GOLF.

2550
02:15:50,910 --> 02:15:52,778
WHY YOU SHOOTING
HOLES THROUGH
ALL MY PLANS?

2551
02:15:52,812 --> 02:15:56,048
YOU'RE-- YOU'RE GOING
TO MAKE ME PANIC.

2552
02:15:56,081 --> 02:15:58,918
YOU'LL WORK IT OUT,
YOU ALWAYS HAVE.

2553
02:16:03,489 --> 02:16:07,360
IT'S TIME FOR QUIET,
SHAKES.

2554
02:16:07,393 --> 02:16:08,761
I JUST WANT
TO SHUT MY EYES

2555
02:16:08,794 --> 02:16:13,699
AND NOT HAVE TO SEE
THE PLACES I'VE BEEN.

2556
02:16:13,733 --> 02:16:18,938
I'M WEARY.

2557
02:16:18,971 --> 02:16:23,243
I DON'T KNOW...

2558
02:16:23,276 --> 02:16:27,112
MAYBE I'LL GET LUCKY,
FORGET I WAS EVEN THERE.

2559
02:16:27,146 --> 02:16:29,282
WELL, DON'T DISAPPEAR ON ME,
COUNSELOR.

2560
02:16:29,315 --> 02:16:32,418
I MAY NEED A GOOD LAWYER
ONE DAY.

2561
02:16:32,452 --> 02:16:33,653
HEY,
YOU CAN'T AFFORD
A GOOD LAWYER.

2562
02:16:36,756 --> 02:16:39,259
I MAY NEED
A GOOD FRIEND THOUGH.

2563
02:16:41,594 --> 02:16:44,397
I'LL FIND YOU
WHEN YOU DO.
COUNT ON IT.

2564
02:16:46,165 --> 02:16:48,534
ALWAYS HAVE.

2565
02:16:53,873 --> 02:16:55,875
Shakes:
A FULL MONTH HAD PASSED
SINCE THE ACQUITTAL,

2566
02:16:55,908 --> 02:16:58,311
AND NO ONE HAD MADE CONTACT.

2567
02:16:58,344 --> 02:17:00,012
IN THOSE FEW WEEKS,
OUR LIVES HAD REVERTED BACK

2568
02:17:00,045 --> 02:17:03,583
TO WHAT THEY'D BEEN PRIOR
TO THE MURDER OF SEAN NOKES.

2569
02:17:03,616 --> 02:17:06,486
CAROL HAD RETURNED
TO HER STACK
OF SOCIAL SERVICE FILES,

2570
02:17:06,519 --> 02:17:09,154
HELPING TROUBLED TEENS
AND SINGLE MOTHERS.

2571
02:17:09,188 --> 02:17:11,324
JOHN AND TOMMY WENT
BACK TO THE STREETS,

2572
02:17:11,357 --> 02:17:12,525
RUNNING THE WEST SIDE BOYS.

2573
02:17:12,558 --> 02:17:16,296
I WAS PROMOTED FROM CLERK
TO REPORTER TRAINEE,

2574
02:17:16,329 --> 02:17:18,431
COVERING
THE ENTERTAINMENT BEAT.

2575
02:17:18,464 --> 02:17:20,566
MICHAEL, AS HE PROMISED,
RESIGNED FROM HIS JOB

2576
02:17:20,600 --> 02:17:23,002
AFTER WORKING
THE LOSING END
OF A "CAN'T MISS" CASE.

2577
02:17:28,274 --> 02:17:31,311
I DON'T KNOW HOW
TO FUCKING THANK YOU.

2578
02:17:34,480 --> 02:17:35,681
I CAN'T BELIEVE
WHAT YOU DID.

2579
02:17:35,715 --> 02:17:37,116
I CAN'T BELIEVE
WE GOT AWAY WITH IT.

2580
02:17:37,149 --> 02:17:38,250
IT WASN'T ME, MAN.

2581
02:17:38,284 --> 02:17:40,085
THAT WAS MIKEY.
IT WAS
ALL MIKEY'S PLAN.

2582
02:17:40,119 --> 02:17:42,087
YOU KNOW, WHEN
I FIRST HEARD HE WAS
TAKING THE CASE,

2583
02:17:42,121 --> 02:17:43,055
I WAS GOING
TO HAVE HIM BURNED.

2584
02:17:43,088 --> 02:17:44,123
AND?

2585
02:17:44,156 --> 02:17:45,224
AND I FIGURE
HE'S A FRIEND,

2586
02:17:45,257 --> 02:17:46,225
AND IF YOU'VE
GOT TO BE SENT AWAY

2587
02:17:46,258 --> 02:17:47,460
ON A MURDER WRAP,
WHO BETTER TO DO IT?

2588
02:17:47,493 --> 02:17:49,161
WELL, THE WAY HE'S HANDLING
HIS END OF THE CASE,

2589
02:17:49,194 --> 02:17:50,229
I THOUGHT HE SUCKED
AS A LAWYER.

2590
02:17:50,262 --> 02:17:53,065
I STARTED FEELING SORRY
FOR THE BASTARD.

2591
02:17:53,098 --> 02:17:54,734
NEVER FEEL SORRY
FOR A LAWYER.

2592
02:17:54,767 --> 02:17:58,237
HEY, GET OVER HERE,
COUNSELOR.

2593
02:17:58,270 --> 02:18:00,573
YOU ARE
THE REAL COUNT,

2594
02:18:00,606 --> 02:18:03,876
ALIVE AND WELL
AND LIVING
IN NEW YORK CITY.

2595
02:18:03,909 --> 02:18:07,413
FUCKIN' MANIAC.
ALL RIGHT, ALL RIGHT.

2596
02:18:07,447 --> 02:18:09,315
YOU MANIAC--
JESUS.

2597
02:18:09,349 --> 02:18:12,251
WHAT IS THIS,
A GAY BAR?

2598
02:18:12,284 --> 02:18:14,687
IT WAS UNTIL YOU
CAME IN.

2599
02:18:14,720 --> 02:18:16,722
WHY DON'T YOU
GIVE ME A KISS TO GO
WITH THAT HELLO?

2600
02:18:22,495 --> 02:18:24,630
GET OUT
OF THE WAY.

2601
02:18:30,202 --> 02:18:32,304
LET'S HAVE A DRINK.

2602
02:18:36,942 --> 02:18:38,344
THE FOUR GLADIATORS.

2603
02:18:38,378 --> 02:18:39,612
OH, HE'S RIGHT,
I FORGET,
YOU KNOW.

2604
02:18:39,645 --> 02:18:41,046
THE FOUR GLADIATORS...

2605
02:18:41,080 --> 02:18:43,115
THE WORST QUARTET TO
EVER HOLD A HELL'S
KITCHEN CORNER,

2606
02:18:43,148 --> 02:18:44,183
SWEAR TO GOD.

2607
02:18:44,216 --> 02:18:45,317
YEAH, BUT WHAT WAS
THAT NAME

2608
02:18:45,351 --> 02:18:46,552
THAT SHAKES WANTED
TO CALL IT?

2609
02:18:46,586 --> 02:18:47,987
NO, NO, NO, NO,
GENIUS WANTED
TO CALL IT,

2610
02:18:48,020 --> 02:18:50,990
THE COUNT AND HIS CRISTOS.

2611
02:18:51,023 --> 02:18:54,660
COME ON,
IT'S SO SWEET.

2612
02:18:54,694 --> 02:18:56,896
WE WEREN'T THAT--
WE WEREN'T THAT BAD.

2613
02:18:56,929 --> 02:18:58,030
I MEAN,
SOME PEOPLE WANTED
TO HEAR US SING.

2614
02:18:58,063 --> 02:19:00,933
YEAH, THE KIDS
AT THE DEAF SCHOOL
DON'T COUNT.

2615
02:19:05,471 --> 02:19:06,839
ONE SONG FOR CAROL.

2616
02:19:06,872 --> 02:19:07,840
OH, NO...

2617
02:19:07,873 --> 02:19:09,875
NO, I RETIRED.
COME ON,
YOU MUTTS.

2618
02:19:09,909 --> 02:19:11,944
WAIT, WAIT, WAIT,
DON'T YOU GUYS HAVE
TO GO AND SHOOT SOMEBODY?

2619
02:19:15,280 --> 02:19:16,382
NO.

2620
02:19:17,617 --> 02:19:21,320
WE ALWAYS GOT
TIME FOR A SONG.

2621
02:19:21,353 --> 02:19:23,222
JUST KIDDING,
YOU KNOW WHAT
I'M SAYING?

2622
02:19:23,255 --> 02:19:24,289
WINE ANYBODY?

2623
02:19:24,323 --> 02:19:26,291
YOU PICK,
BUT NONE TOO SLOW.

2624
02:19:26,325 --> 02:19:27,493
OH, START US OFF.

2625
02:19:31,163 --> 02:19:32,732
HOW MANY SONGS
DO YOU KNOW?

2626
02:19:32,765 --> 02:19:34,767
ONE.

2627
02:19:34,800 --> 02:19:39,204
* OH WHEE OO WHEE
OO WHEE OO *

2628
02:19:39,238 --> 02:19:46,912
* WALK LIKE A MAN

2629
02:19:46,946 --> 02:19:50,716
* WALK LIKE A MAN,
FAST AS YOU CAN *

2630
02:19:50,750 --> 02:19:55,521
* WALK LIKE A MAN,
MY SON *

2631
02:20:14,874 --> 02:20:18,644
Shakes: ON MARCH 16, 1984,
JOHN REILLY'S WILTED BODY

2632
02:20:18,678 --> 02:20:20,946
WAS FOUND FACE UP
IN A TENEMENT BUILDING,

2633
02:20:20,980 --> 02:20:23,916
RIGHT NEXT TO THE BOTTLE
OF BOILER GIN
THAT KILLED HIM.

2634
02:20:23,949 --> 02:20:27,987
AT THE TIME OF HIS DEATH,
HE WAS A SUSPECT
IN FIVE UNSOLVED HOMICIDES.

2635
02:20:28,020 --> 02:20:31,657
HE WAS TWO WEEKS PAST
HIS 29th BIRTHDAY.

2636
02:20:35,427 --> 02:20:39,398
THOMAS MARCANO DIED
ON JULY 26, 1985.

2637
02:20:39,431 --> 02:20:41,801
HE WAS SHOT AT CLOSE RANGE
FIVE TIMES.

2638
02:20:41,834 --> 02:20:44,804
THE BODY LAY UNDISCOVERED
FOR MORE THAN A WEEK.

2639
02:20:44,837 --> 02:20:48,340
THERE WAS A CRUCIFIX
AND A PICTURE OF ST. JUDE
IN HIS POCKET.

2640
02:20:48,373 --> 02:20:50,643
HE WAS 29 YEARS OLD.

2641
02:20:52,177 --> 02:20:55,080
MICHAEL SULLIVAN LIVES
IN A SMALL TOWN
IN THE ENGLISH COUNTRYSIDE,

2642
02:20:55,114 --> 02:20:57,650
WHERE HE WORKS
PART-TIME AS A CARPENTER.

2643
02:20:57,683 --> 02:20:59,485
HE NO LONGER PRACTICES LAW,

2644
02:20:59,519 --> 02:21:01,420
AND HE HAS NEVER MARRIED.

2645
02:21:01,453 --> 02:21:04,189
HE LIVES QUIETLY AND ALONE.

2646
02:21:05,958 --> 02:21:08,828
CAROL STILL WORKS
FOR A SOCIAL SERVICE AGENCY,

2647
02:21:08,861 --> 02:21:10,596
AND LIVES
IN HELL'S KITCHEN.

2648
02:21:10,630 --> 02:21:12,732
SHE HAS NEVER MARRIED,
BUT IS A SINGLE MOTHER,

2649
02:21:12,765 --> 02:21:15,835
SUPPORTING HER GROWING
12-YEAR OLD SON.

2650
02:21:15,868 --> 02:21:18,938
THE BOY,
JOHN THOMAS
MICHAEL MARTINEZ,

2651
02:21:18,971 --> 02:21:22,542
LOVES TO READ,
AND IS CALLED "SHAKES"
BY HIS MOTHER.

2652
02:21:25,310 --> 02:21:26,946
IT WAS OUR SPECIAL NIGHT,

2653
02:21:26,979 --> 02:21:29,281
AND WE HELD IT
FOR AS LONG AS WE COULD.

2654
02:21:29,314 --> 02:21:31,717
IT WAS OUR HAPPY ENDING.

2655
02:21:31,751 --> 02:21:35,721
AND THE LAST TIME WE WOULD
EVER BE TOGETHER AGAIN.

2656
02:22:23,736 --> 02:22:25,771
THE FUTURE LAY
SPARKLING AHEAD,

2657
02:22:25,805 --> 02:22:29,942
AND WE THOUGHT
WE WOULD KNOW
EACH OTHER FOREVER.


